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        <title>Broadcast2Post by Key Code Media</title>
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        <description>Broadcast2Post is a Key Code Media podcast dedicated to discussing broadcast, AV, and production technology topics that you care about - the ultimate podcast series for industry professionals. Interviews include leaders, experts, and future-thinkers in our industry discussing the challenges with adoption, experiences with new workflows- providing advice that will help you today and into the future.</description>
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                <title>Broadcast2Post by Key Code Media</title>
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                <itunes:subtitle>Broadcast2Post is a Key Code Media podcast dedicated to discussing broadcast, AV, and production technology topics that you care about - the ultimate podcast series for industry professionals. Interviews include leaders, experts, and future-thinkers in our industry discussing the challenges with adoption, experiences with new workflows- providing advice that will help you today and into the future.</itunes:subtitle>
        <itunes:author>Key Code Media</itunes:author>
        <itunes:type>episodic</itunes:type>
        <itunes:summary>Broadcast2Post is a Key Code Media podcast dedicated to discussing broadcast, AV, and production technology topics that you care about - the ultimate podcast series for industry professionals. Interviews include leaders, experts, and future-thinkers in our industry discussing the challenges with adoption, experiences with new workflows- providing advice that will help you today and into the future.</itunes:summary>
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            <itunes:name>Key Code Media</itunes:name>
            <itunes:email>marketing@keycodemedia.com</itunes:email>
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                                                <itunes:category text="Technology" />
                                                <itunes:category text="TV &amp; Film" />
                    
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                                    <item>
                <title>
                    <![CDATA[A.I. For Creative Teams: Work Faster, Create More]]>
                </title>
                <pubDate>Thu, 29 Oct 2026 19:21:02 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2682333</guid>
                                    <link>https://broadcast2post.castos.com/episodes/ai-for-creative-teams-work-faster-create-more</link>
                                <description>
                                            <![CDATA[<p>Editors and post-production teams are being asked to create more content on tighter deadlines. But valuable creative time is still spent on repetitive tasks instead of the work that matters most.<br /><br />Michael Kammes is joined by Yves Bergquist, Co-Founder, CEO of Corto AI, to explore a practical question: How can AI help creative teams work faster and spend more time actually creating?</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/ai-for-creative-teams-work-faster-create-more-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Editors and post-production teams are being asked to create more content on tighter deadlines. But valuable creative time is still spent on repetitive tasks instead of the work that matters most.Michael Kammes is joined by Yves Bergquist, Co-Founder, CEO of Corto AI, to explore a practical question: How can AI help creative teams work faster and spend more time actually creating?
LEARN MORE HERE: https://www.keycodemedia.com/ai-for-creative-teams-work-faster-create-more-wp/]]>
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                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[A.I. For Creative Teams: Work Faster, Create More]]>
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                    <![CDATA[<p>Editors and post-production teams are being asked to create more content on tighter deadlines. But valuable creative time is still spent on repetitive tasks instead of the work that matters most.<br /><br />Michael Kammes is joined by Yves Bergquist, Co-Founder, CEO of Corto AI, to explore a practical question: How can AI help creative teams work faster and spend more time actually creating?</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/ai-for-creative-teams-work-faster-create-more-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2682333/c1e-wp725h7djm2izgw68-okkjmvwoc7g8-crzdmz.mp3" length="111077461"
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                                <itunes:summary>
                    <![CDATA[Editors and post-production teams are being asked to create more content on tighter deadlines. But valuable creative time is still spent on repetitive tasks instead of the work that matters most.Michael Kammes is joined by Yves Bergquist, Co-Founder, CEO of Corto AI, to explore a practical question: How can AI help creative teams work faster and spend more time actually creating?
LEARN MORE HERE: https://www.keycodemedia.com/ai-for-creative-teams-work-faster-create-more-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:45:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2682333/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[On-Prem vs. Cloud AI for Creative Teams: Costs, Security, and Workflows]]>
                </title>
                <pubDate>Thu, 08 Oct 2026 15:31:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2649976</guid>
                                    <link>https://broadcast2post.castos.com/episodes/on-prem-vs-cloud-ai-for-creative-teams-costs-security-and-workflows</link>
                                <description>
                                            <![CDATA[<p>Artificial intelligence is quickly becoming part of everyday media production, but for many creative teams, the biggest opportunity isn’t generating new content. It’s making the thousands of hours of footage they already own easier to find, organize, translate, and repurpose. In this episode of Key Code Media’s <i>Broadcast2Post</i>, host Michael Kammes sits down with Steve McKenna of Studio Network Solutions (SNS) to explore what creative professionals actually want from AI, the challenges of cloud-based processing, and why On-Prem AI deserves consideration across broadcast, film, and post-production environments. </p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/on-prem-vs-cloud-ai-for-creative-teams-costs-security-and-workflows/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Artificial intelligence is quickly becoming part of everyday media production, but for many creative teams, the biggest opportunity isn’t generating new content. It’s making the thousands of hours of footage they already own easier to find, organize, translate, and repurpose. In this episode of Key Code Media’s Broadcast2Post, host Michael Kammes sits down with Steve McKenna of Studio Network Solutions (SNS) to explore what creative professionals actually want from AI, the challenges of cloud-based processing, and why On-Prem AI deserves consideration across broadcast, film, and post-production environments. 
LEARN MORE HERE: https://www.keycodemedia.com/on-prem-vs-cloud-ai-for-creative-teams-costs-security-and-workflows/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[On-Prem vs. Cloud AI for Creative Teams: Costs, Security, and Workflows]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Artificial intelligence is quickly becoming part of everyday media production, but for many creative teams, the biggest opportunity isn’t generating new content. It’s making the thousands of hours of footage they already own easier to find, organize, translate, and repurpose. In this episode of Key Code Media’s <i>Broadcast2Post</i>, host Michael Kammes sits down with Steve McKenna of Studio Network Solutions (SNS) to explore what creative professionals actually want from AI, the challenges of cloud-based processing, and why On-Prem AI deserves consideration across broadcast, film, and post-production environments. </p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/on-prem-vs-cloud-ai-for-creative-teams-costs-security-and-workflows/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2649976/c1e-qv132u75w8wir56m7-6z0kgz0wf58q-t8v3p2.mp3" length="79226963"
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                                <itunes:summary>
                    <![CDATA[Artificial intelligence is quickly becoming part of everyday media production, but for many creative teams, the biggest opportunity isn’t generating new content. It’s making the thousands of hours of footage they already own easier to find, organize, translate, and repurpose. In this episode of Key Code Media’s Broadcast2Post, host Michael Kammes sits down with Steve McKenna of Studio Network Solutions (SNS) to explore what creative professionals actually want from AI, the challenges of cloud-based processing, and why On-Prem AI deserves consideration across broadcast, film, and post-production environments. 
LEARN MORE HERE: https://www.keycodemedia.com/on-prem-vs-cloud-ai-for-creative-teams-costs-security-and-workflows/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:25</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2649976/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Is It Time to Use Cinema Cameras For Your Live Production?]]>
                </title>
                <pubDate>Fri, 02 Oct 2026 11:26:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2641550</guid>
                                    <link>https://broadcast2post.castos.com/episodes/is-it-time-to-use-cinema-cameras-for-your-live-production</link>
                                <description>
                                            <![CDATA[<p>Cinema cameras from manufacturers like <a href="https://www.reddigitalcinema.com/">RED,</a> <a href="https://www.arri.com/en">ARRI</a>, and <a href="https://electronics.sony.com/imaging/interchangeable-lens-cameras/c/all-interchangeable-lens-cameras">Sony</a> are increasingly finding their way into live multi-camera productions, from theaters and concert venues to houses of worship, corporate studios, and sports venues.</p>
<p>The appeal is easy to understand. Cinema cameras can deliver a more cinematic look, greater creative control, shallow depth of field, and high-resolution acquisition that gives production teams more flexibility in how they frame and capture a live event.</p>
<p>But bringing cinema cameras into a live environment involves more than choosing a camera body. Production teams also need to consider lenses, camera control, monitoring, power, tally and intercom, connectivity, and how the cameras will integrate with the rest of the live production workflow.</p>
<p>In this episode of <strong>Broadcast2Post</strong>, Michael Kammes sits down with <strong>Jeff Goodman, VP of Product Management at RED Digital Cinema</strong>, to explore where cinema cameras make sense for live production and where traditional broadcast cameras may still be the better fit.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/is-it-time-to-use-cinema-cameras-for-your-live-production-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Cinema cameras from manufacturers like RED, ARRI, and Sony are increasingly finding their way into live multi-camera productions, from theaters and concert venues to houses of worship, corporate studios, and sports venues.
The appeal is easy to understand. Cinema cameras can deliver a more cinematic look, greater creative control, shallow depth of field, and high-resolution acquisition that gives production teams more flexibility in how they frame and capture a live event.
But bringing cinema cameras into a live environment involves more than choosing a camera body. Production teams also need to consider lenses, camera control, monitoring, power, tally and intercom, connectivity, and how the cameras will integrate with the rest of the live production workflow.
In this episode of Broadcast2Post, Michael Kammes sits down with Jeff Goodman, VP of Product Management at RED Digital Cinema, to explore where cinema cameras make sense for live production and where traditional broadcast cameras may still be the better fit.
LEARN MORE HERE: https://www.keycodemedia.com/is-it-time-to-use-cinema-cameras-for-your-live-production-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Is It Time to Use Cinema Cameras For Your Live Production?]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Cinema cameras from manufacturers like <a href="https://www.reddigitalcinema.com/">RED,</a> <a href="https://www.arri.com/en">ARRI</a>, and <a href="https://electronics.sony.com/imaging/interchangeable-lens-cameras/c/all-interchangeable-lens-cameras">Sony</a> are increasingly finding their way into live multi-camera productions, from theaters and concert venues to houses of worship, corporate studios, and sports venues.</p>
<p>The appeal is easy to understand. Cinema cameras can deliver a more cinematic look, greater creative control, shallow depth of field, and high-resolution acquisition that gives production teams more flexibility in how they frame and capture a live event.</p>
<p>But bringing cinema cameras into a live environment involves more than choosing a camera body. Production teams also need to consider lenses, camera control, monitoring, power, tally and intercom, connectivity, and how the cameras will integrate with the rest of the live production workflow.</p>
<p>In this episode of <strong>Broadcast2Post</strong>, Michael Kammes sits down with <strong>Jeff Goodman, VP of Product Management at RED Digital Cinema</strong>, to explore where cinema cameras make sense for live production and where traditional broadcast cameras may still be the better fit.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/is-it-time-to-use-cinema-cameras-for-your-live-production-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2641550/c1e-jnq8gh4n0wvumgm48-kp5xwvk3u7g1-ew8lld.mp3" length="47736404"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Cinema cameras from manufacturers like RED, ARRI, and Sony are increasingly finding their way into live multi-camera productions, from theaters and concert venues to houses of worship, corporate studios, and sports venues.
The appeal is easy to understand. Cinema cameras can deliver a more cinematic look, greater creative control, shallow depth of field, and high-resolution acquisition that gives production teams more flexibility in how they frame and capture a live event.
But bringing cinema cameras into a live environment involves more than choosing a camera body. Production teams also need to consider lenses, camera control, monitoring, power, tally and intercom, connectivity, and how the cameras will integrate with the rest of the live production workflow.
In this episode of Broadcast2Post, Michael Kammes sits down with Jeff Goodman, VP of Product Management at RED Digital Cinema, to explore where cinema cameras make sense for live production and where traditional broadcast cameras may still be the better fit.
LEARN MORE HERE: https://www.keycodemedia.com/is-it-time-to-use-cinema-cameras-for-your-live-production-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:19:17</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2641550/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[The Next Phase of SMPTE ST 2110]]>
                </title>
                <pubDate>Thu, 03 Sep 2026 22:22:46 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2596244</guid>
                                    <link>https://broadcast2post.castos.com/episodes/the-next-phase-of-smpte-st-2110</link>
                                <description>
                                            <![CDATA[<p><strong>SMPTE ST 2110 has moved beyond the early adopter phase. The question is no longer simply whether ST 2110 works. It is where does ST 2110 now make economic and operational sense?</strong></p>
<p>For years, ST 2110 was mostly reserved for major facility builds with the budget, engineering resources, and network infrastructure to match. <strong>That equation is starting to change.</strong></p>
<p>Lower cost endpoints, better SDI/IP gateways, JPEG XS, and more mature workflows are making IP production practical for more facilities. And with hybrid SDI/IP workflows, moving toward 2110 does not have to mean ripping everything out and starting over.</p>
<p>In this Broadcast2Post Live episode, host <strong>Michael Kammes</strong> sits down with <strong>Jami Higginbotham (Principal Architect, Advanced Systems at Blackmagic Design)</strong> and our own, <strong>Steve Dupaix (Sr. Director of Broadcast Innovation at Key Code Media)</strong>, to explore what’s changing, where ST 2110 makes sense today, and what it could mean for your next facility upgrade.<br /><br />LEARN MORE HERE: https://www.keycodemedia.com/the-next-phase-of-smpte-st-2110-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[SMPTE ST 2110 has moved beyond the early adopter phase. The question is no longer simply whether ST 2110 works. It is where does ST 2110 now make economic and operational sense?
For years, ST 2110 was mostly reserved for major facility builds with the budget, engineering resources, and network infrastructure to match. That equation is starting to change.
Lower cost endpoints, better SDI/IP gateways, JPEG XS, and more mature workflows are making IP production practical for more facilities. And with hybrid SDI/IP workflows, moving toward 2110 does not have to mean ripping everything out and starting over.
In this Broadcast2Post Live episode, host Michael Kammes sits down with Jami Higginbotham (Principal Architect, Advanced Systems at Blackmagic Design) and our own, Steve Dupaix (Sr. Director of Broadcast Innovation at Key Code Media), to explore what’s changing, where ST 2110 makes sense today, and what it could mean for your next facility upgrade.LEARN MORE HERE: https://www.keycodemedia.com/the-next-phase-of-smpte-st-2110-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Next Phase of SMPTE ST 2110]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><strong>SMPTE ST 2110 has moved beyond the early adopter phase. The question is no longer simply whether ST 2110 works. It is where does ST 2110 now make economic and operational sense?</strong></p>
<p>For years, ST 2110 was mostly reserved for major facility builds with the budget, engineering resources, and network infrastructure to match. <strong>That equation is starting to change.</strong></p>
<p>Lower cost endpoints, better SDI/IP gateways, JPEG XS, and more mature workflows are making IP production practical for more facilities. And with hybrid SDI/IP workflows, moving toward 2110 does not have to mean ripping everything out and starting over.</p>
<p>In this Broadcast2Post Live episode, host <strong>Michael Kammes</strong> sits down with <strong>Jami Higginbotham (Principal Architect, Advanced Systems at Blackmagic Design)</strong> and our own, <strong>Steve Dupaix (Sr. Director of Broadcast Innovation at Key Code Media)</strong>, to explore what’s changing, where ST 2110 makes sense today, and what it could mean for your next facility upgrade.<br /><br />LEARN MORE HERE: https://www.keycodemedia.com/the-next-phase-of-smpte-st-2110-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2596244/c1e-8o01piv6683u0573v-pk8qqqvqsjxr-1cqu2l.mp3" length="95732464"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[SMPTE ST 2110 has moved beyond the early adopter phase. The question is no longer simply whether ST 2110 works. It is where does ST 2110 now make economic and operational sense?
For years, ST 2110 was mostly reserved for major facility builds with the budget, engineering resources, and network infrastructure to match. That equation is starting to change.
Lower cost endpoints, better SDI/IP gateways, JPEG XS, and more mature workflows are making IP production practical for more facilities. And with hybrid SDI/IP workflows, moving toward 2110 does not have to mean ripping everything out and starting over.
In this Broadcast2Post Live episode, host Michael Kammes sits down with Jami Higginbotham (Principal Architect, Advanced Systems at Blackmagic Design) and our own, Steve Dupaix (Sr. Director of Broadcast Innovation at Key Code Media), to explore what’s changing, where ST 2110 makes sense today, and what it could mean for your next facility upgrade.LEARN MORE HERE: https://www.keycodemedia.com/the-next-phase-of-smpte-st-2110-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:39:06</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2596244/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[A.I. For Audio Visual Systems]]>
                </title>
                <pubDate>Fri, 21 Aug 2026 18:16:40 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2581730</guid>
                                    <link>https://broadcast2post.castos.com/episodes/ai-for-audio-visual-systems</link>
                                <description>
                                            <![CDATA[<p>Conference rooms, classrooms, training centers, and other AV environments are being asked to do more than ever.</p>
<p>Teams need systems that are easier to people in real spaces. The challenge is not just adding AI features. It is designing AV systems that can improve collaboration, simplify deployment, and reduce the friction that slows teams down.</p>
<p><strong>In this Broadcast2Post Live Podcast</strong>, host <strong>Michael Kammes</strong> offers seven AI driven solutions already influencing AV systems today. He is then joined by <strong>Christopher Jaynes, CTO of Q-SYS</strong>, to explore where AI fits into the future of AV system design, deployment, and user experience.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/a-i-for-audio-visual-systems-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Conference rooms, classrooms, training centers, and other AV environments are being asked to do more than ever.
Teams need systems that are easier to people in real spaces. The challenge is not just adding AI features. It is designing AV systems that can improve collaboration, simplify deployment, and reduce the friction that slows teams down.
In this Broadcast2Post Live Podcast, host Michael Kammes offers seven AI driven solutions already influencing AV systems today. He is then joined by Christopher Jaynes, CTO of Q-SYS, to explore where AI fits into the future of AV system design, deployment, and user experience.
LEARN MORE HERE: https://www.keycodemedia.com/a-i-for-audio-visual-systems-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[A.I. For Audio Visual Systems]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Conference rooms, classrooms, training centers, and other AV environments are being asked to do more than ever.</p>
<p>Teams need systems that are easier to people in real spaces. The challenge is not just adding AI features. It is designing AV systems that can improve collaboration, simplify deployment, and reduce the friction that slows teams down.</p>
<p><strong>In this Broadcast2Post Live Podcast</strong>, host <strong>Michael Kammes</strong> offers seven AI driven solutions already influencing AV systems today. He is then joined by <strong>Christopher Jaynes, CTO of Q-SYS</strong>, to explore where AI fits into the future of AV system design, deployment, and user experience.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/a-i-for-audio-visual-systems-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2581730/c1e-dx103uoddk7i70r5k-7znv98k5c6r3-gchu8i.mp3" length="89297782"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Conference rooms, classrooms, training centers, and other AV environments are being asked to do more than ever.
Teams need systems that are easier to people in real spaces. The challenge is not just adding AI features. It is designing AV systems that can improve collaboration, simplify deployment, and reduce the friction that slows teams down.
In this Broadcast2Post Live Podcast, host Michael Kammes offers seven AI driven solutions already influencing AV systems today. He is then joined by Christopher Jaynes, CTO of Q-SYS, to explore where AI fits into the future of AV system design, deployment, and user experience.
LEARN MORE HERE: https://www.keycodemedia.com/a-i-for-audio-visual-systems-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:36:31</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2581730/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Building a Budget Friendly Podcast Studio]]>
                </title>
                <pubDate>Wed, 19 Aug 2026 00:39:06 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2578013</guid>
                                    <link>https://broadcast2post.castos.com/episodes/building-a-budget-friendly-podcast-studio</link>
                                <description>
                                            <![CDATA[<p>Many modern podcast studios are built inside converted conference rooms, meeting spaces, or existing offices. The focus is on creating a professional, flexible environment that supports different types of content while remaining easy to operate for users who may not have a production background.</p>
<p>In this episode of Broadcast2Post, host <strong>Michael Kammes</strong> is joined by <strong>James Tian, CEO of Ikan</strong>, and <strong>Daniel Napier, Channel Sales Representative at Ikan</strong>, to discuss what organizations should consider when building a podcast studio, from room selection and cameras to lighting, audio, IP networking, and the role of automation.<br /><br />LEARN MORE HERE: https://www.keycodemedia.com/building-a-budget-friendly-podcast-studio/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Many modern podcast studios are built inside converted conference rooms, meeting spaces, or existing offices. The focus is on creating a professional, flexible environment that supports different types of content while remaining easy to operate for users who may not have a production background.
In this episode of Broadcast2Post, host Michael Kammes is joined by James Tian, CEO of Ikan, and Daniel Napier, Channel Sales Representative at Ikan, to discuss what organizations should consider when building a podcast studio, from room selection and cameras to lighting, audio, IP networking, and the role of automation.LEARN MORE HERE: https://www.keycodemedia.com/building-a-budget-friendly-podcast-studio/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Building a Budget Friendly Podcast Studio]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Many modern podcast studios are built inside converted conference rooms, meeting spaces, or existing offices. The focus is on creating a professional, flexible environment that supports different types of content while remaining easy to operate for users who may not have a production background.</p>
<p>In this episode of Broadcast2Post, host <strong>Michael Kammes</strong> is joined by <strong>James Tian, CEO of Ikan</strong>, and <strong>Daniel Napier, Channel Sales Representative at Ikan</strong>, to discuss what organizations should consider when building a podcast studio, from room selection and cameras to lighting, audio, IP networking, and the role of automation.<br /><br />LEARN MORE HERE: https://www.keycodemedia.com/building-a-budget-friendly-podcast-studio/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2578013/c1e-knjv1hd6wkjbr651g-0v4x1ppzupz-slyeyp.mp3" length="83976757"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Many modern podcast studios are built inside converted conference rooms, meeting spaces, or existing offices. The focus is on creating a professional, flexible environment that supports different types of content while remaining easy to operate for users who may not have a production background.
In this episode of Broadcast2Post, host Michael Kammes is joined by James Tian, CEO of Ikan, and Daniel Napier, Channel Sales Representative at Ikan, to discuss what organizations should consider when building a podcast studio, from room selection and cameras to lighting, audio, IP networking, and the role of automation.LEARN MORE HERE: https://www.keycodemedia.com/building-a-budget-friendly-podcast-studio/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:34:23</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2578013/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Cost Effective Sports Video Production Guide]]>
                </title>
                <pubDate>Thu, 06 Aug 2026 14:30:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2562696</guid>
                                    <link>https://broadcast2post.castos.com/episodes/cost-effective-sports-video-production-guide</link>
                                <description>
                                            <![CDATA[<p>Sports production is no longer limited to professional leagues with large production budgets. High schools, colleges, universities, and community organizations are producing more live sports content than ever before, often with limited staff and resources.</p>
<p>In this episode of Broadcast2Post, Michael Kammes shares eight practical strategies for building more efficient sports production workflows without compromising production quality. He then sits down with Dennis Trapani, Associate Athletics Director for Broadcast and Video Production at the University of Wyoming, to discuss how schools and organizations are putting those ideas into practice while producing broadcast-quality sports content on a budget.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/cost-effective-sports-video-production-guide-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Sports production is no longer limited to professional leagues with large production budgets. High schools, colleges, universities, and community organizations are producing more live sports content than ever before, often with limited staff and resources.
In this episode of Broadcast2Post, Michael Kammes shares eight practical strategies for building more efficient sports production workflows without compromising production quality. He then sits down with Dennis Trapani, Associate Athletics Director for Broadcast and Video Production at the University of Wyoming, to discuss how schools and organizations are putting those ideas into practice while producing broadcast-quality sports content on a budget.
LEARN MORE HERE: https://www.keycodemedia.com/cost-effective-sports-video-production-guide-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Cost Effective Sports Video Production Guide]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Sports production is no longer limited to professional leagues with large production budgets. High schools, colleges, universities, and community organizations are producing more live sports content than ever before, often with limited staff and resources.</p>
<p>In this episode of Broadcast2Post, Michael Kammes shares eight practical strategies for building more efficient sports production workflows without compromising production quality. He then sits down with Dennis Trapani, Associate Athletics Director for Broadcast and Video Production at the University of Wyoming, to discuss how schools and organizations are putting those ideas into practice while producing broadcast-quality sports content on a budget.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/cost-effective-sports-video-production-guide-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2562696/c1e-knjv1hdkqxmcqrnzd-6z0888wnh60-u6aznx.mp3" length="74033215"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Sports production is no longer limited to professional leagues with large production budgets. High schools, colleges, universities, and community organizations are producing more live sports content than ever before, often with limited staff and resources.
In this episode of Broadcast2Post, Michael Kammes shares eight practical strategies for building more efficient sports production workflows without compromising production quality. He then sits down with Dennis Trapani, Associate Athletics Director for Broadcast and Video Production at the University of Wyoming, to discuss how schools and organizations are putting those ideas into practice while producing broadcast-quality sports content on a budget.
LEARN MORE HERE: https://www.keycodemedia.com/cost-effective-sports-video-production-guide-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:30:07</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2562696/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[What is DMF? Inside the Future of Broadcast Facilities]]>
                </title>
                <pubDate>Fri, 17 Jul 2026 16:20:33 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2535461</guid>
                                    <link>https://broadcast2post.castos.com/episodes/what-is-dmf-inside-the-future-of-broadcast-facilities</link>
                                <description>
                                            <![CDATA[<p>Broadcast facilities have traditionally been designed around fixed infrastructure and dedicated hardware. As production demands continue to evolve, many organizations are looking for more flexible ways to build, manage, and scale their operations.<br /> <br /> In this episode of Broadcast2Post, Michael Kammes is joined by Steve Dupaix of Key Code Media and Phillip Myers, CTO at LAWO, to discuss Dynamic Media Facilities (DMF), what they are, and why they represent a fundamental shift in broadcast facility design.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/what-is-dmf-inside-the-future-of-broadcast-facilities-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Broadcast facilities have traditionally been designed around fixed infrastructure and dedicated hardware. As production demands continue to evolve, many organizations are looking for more flexible ways to build, manage, and scale their operations.  In this episode of Broadcast2Post, Michael Kammes is joined by Steve Dupaix of Key Code Media and Phillip Myers, CTO at LAWO, to discuss Dynamic Media Facilities (DMF), what they are, and why they represent a fundamental shift in broadcast facility design.
LEARN MORE HERE: https://www.keycodemedia.com/what-is-dmf-inside-the-future-of-broadcast-facilities-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[What is DMF? Inside the Future of Broadcast Facilities]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Broadcast facilities have traditionally been designed around fixed infrastructure and dedicated hardware. As production demands continue to evolve, many organizations are looking for more flexible ways to build, manage, and scale their operations.<br /> <br /> In this episode of Broadcast2Post, Michael Kammes is joined by Steve Dupaix of Key Code Media and Phillip Myers, CTO at LAWO, to discuss Dynamic Media Facilities (DMF), what they are, and why they represent a fundamental shift in broadcast facility design.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/what-is-dmf-inside-the-future-of-broadcast-facilities-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2535461/c1e-7xrgwuv6m04sgm94m-479d1133fmk-sfmxmt.mp3" length="87275017"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Broadcast facilities have traditionally been designed around fixed infrastructure and dedicated hardware. As production demands continue to evolve, many organizations are looking for more flexible ways to build, manage, and scale their operations.  In this episode of Broadcast2Post, Michael Kammes is joined by Steve Dupaix of Key Code Media and Phillip Myers, CTO at LAWO, to discuss Dynamic Media Facilities (DMF), what they are, and why they represent a fundamental shift in broadcast facility design.
LEARN MORE HERE: https://www.keycodemedia.com/what-is-dmf-inside-the-future-of-broadcast-facilities-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:35:19</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2535461/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[RAM and SSD Prices Are Surging: What It Means for Broadcast, AV, and Creative Teams]]>
                </title>
                <pubDate>Tue, 07 Jul 2026 11:55:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2523632</guid>
                                    <link>https://broadcast2post.castos.com/episodes/ram-and-ssd-prices-are-surging-what-it-means-for-broadcast-av-and-creative-teams</link>
                                <description>
                                            <![CDATA[<p>AI is driving unprecedented demand for data center infrastructure, making memory more expensive and harder to source. What does that mean for broadcasters, post-production teams, and media organizations?</p>
<p>In this episode of Broadcast2Post, Michael Kammes speaks with Brad Turner, CEO of EditShare, about the growing memory shortage, its impact on media workflows, and how organizations can prepare for what's ahead.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/memory-shortage-2026-why-ram-prices-are-surging/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[AI is driving unprecedented demand for data center infrastructure, making memory more expensive and harder to source. What does that mean for broadcasters, post-production teams, and media organizations?
In this episode of Broadcast2Post, Michael Kammes speaks with Brad Turner, CEO of EditShare, about the growing memory shortage, its impact on media workflows, and how organizations can prepare for what's ahead.
LEARN MORE HERE: https://www.keycodemedia.com/memory-shortage-2026-why-ram-prices-are-surging/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[RAM and SSD Prices Are Surging: What It Means for Broadcast, AV, and Creative Teams]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>AI is driving unprecedented demand for data center infrastructure, making memory more expensive and harder to source. What does that mean for broadcasters, post-production teams, and media organizations?</p>
<p>In this episode of Broadcast2Post, Michael Kammes speaks with Brad Turner, CEO of EditShare, about the growing memory shortage, its impact on media workflows, and how organizations can prepare for what's ahead.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/memory-shortage-2026-why-ram-prices-are-surging/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2523632/c1e-4mo0ph82d8kcdn012-xxkzr4oour6n-nxsru1.mp3" length="51099626"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[AI is driving unprecedented demand for data center infrastructure, making memory more expensive and harder to source. What does that mean for broadcasters, post-production teams, and media organizations?
In this episode of Broadcast2Post, Michael Kammes speaks with Brad Turner, CEO of EditShare, about the growing memory shortage, its impact on media workflows, and how organizations can prepare for what's ahead.
LEARN MORE HERE: https://www.keycodemedia.com/memory-shortage-2026-why-ram-prices-are-surging/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:20:33</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2523632/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[How Enterprise Teams Are Building Scalable Video Studios]]>
                </title>
                <pubDate>Wed, 01 Jul 2026 16:00:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2513347</guid>
                                    <link>https://broadcast2post.castos.com/episodes/how-enterprise-teams-are-building-scalable-video-studios</link>
                                <description>
                                            <![CDATA[<p>Corporate video has evolved far beyond webinars and meeting recordings. Today, organizations are building purpose-built production environments to improve training, executive communications, live events, and content creation.</p>
<p>In this episode of Broadcast2Post, Michael Kammes explores the top ways enterprise organizations are leveraging professional video production to communicate more effectively, followed by a conversation with Paul Moore from AWS about how those strategies are being applied in practice.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/how-enterprise-teams-are-building-scalable-video-studios-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Corporate video has evolved far beyond webinars and meeting recordings. Today, organizations are building purpose-built production environments to improve training, executive communications, live events, and content creation.
In this episode of Broadcast2Post, Michael Kammes explores the top ways enterprise organizations are leveraging professional video production to communicate more effectively, followed by a conversation with Paul Moore from AWS about how those strategies are being applied in practice.
LEARN MORE HERE: https://www.keycodemedia.com/how-enterprise-teams-are-building-scalable-video-studios-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[How Enterprise Teams Are Building Scalable Video Studios]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Corporate video has evolved far beyond webinars and meeting recordings. Today, organizations are building purpose-built production environments to improve training, executive communications, live events, and content creation.</p>
<p>In this episode of Broadcast2Post, Michael Kammes explores the top ways enterprise organizations are leveraging professional video production to communicate more effectively, followed by a conversation with Paul Moore from AWS about how those strategies are being applied in practice.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/how-enterprise-teams-are-building-scalable-video-studios-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2513347/c1e-qv132u76qvqsrg5x3-pkn10mv6c1jq-htuf8p.mp3" length="55429865"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Corporate video has evolved far beyond webinars and meeting recordings. Today, organizations are building purpose-built production environments to improve training, executive communications, live events, and content creation.
In this episode of Broadcast2Post, Michael Kammes explores the top ways enterprise organizations are leveraging professional video production to communicate more effectively, followed by a conversation with Paul Moore from AWS about how those strategies are being applied in practice.
LEARN MORE HERE: https://www.keycodemedia.com/how-enterprise-teams-are-building-scalable-video-studios-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:22:29</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2513347/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Is Cloud Cost Effective for Media Production in 2026]]>
                </title>
                <pubDate>Thu, 11 Jun 2026 18:21:35 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2490023</guid>
                                    <link>https://broadcast2post.castos.com/episodes/is-cloud-cost-effective-for-media-production-in-2026</link>
                                <description>
                                            <![CDATA[<p>Cloud has been one of the biggest promises in post production for years. It offers flexibility, scalability, and the ability to support teams across multiple locations.</p>
<p>But as more productions move from testing to real world use, a bigger question is coming into focus: does using cloud for media production actually save money?</p>
<p>In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Suzanne Greenfield, former Head of Post Production, International Originals, for Amazon Prime Video and MGM Studios, about what cloud workflows really cost and where they make the most sense.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/is-cloud-cost-effective-for-media-production-in-2026/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Cloud has been one of the biggest promises in post production for years. It offers flexibility, scalability, and the ability to support teams across multiple locations.
But as more productions move from testing to real world use, a bigger question is coming into focus: does using cloud for media production actually save money?
In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Suzanne Greenfield, former Head of Post Production, International Originals, for Amazon Prime Video and MGM Studios, about what cloud workflows really cost and where they make the most sense.
LEARN MORE HERE: https://www.keycodemedia.com/is-cloud-cost-effective-for-media-production-in-2026/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Is Cloud Cost Effective for Media Production in 2026]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Cloud has been one of the biggest promises in post production for years. It offers flexibility, scalability, and the ability to support teams across multiple locations.</p>
<p>But as more productions move from testing to real world use, a bigger question is coming into focus: does using cloud for media production actually save money?</p>
<p>In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Suzanne Greenfield, former Head of Post Production, International Originals, for Amazon Prime Video and MGM Studios, about what cloud workflows really cost and where they make the most sense.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/is-cloud-cost-effective-for-media-production-in-2026/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2490023/c1e-rp295hoqng8uwz83j-7z8ggwp7t630-trkymj.mp3" length="52775312"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Cloud has been one of the biggest promises in post production for years. It offers flexibility, scalability, and the ability to support teams across multiple locations.
But as more productions move from testing to real world use, a bigger question is coming into focus: does using cloud for media production actually save money?
In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Suzanne Greenfield, former Head of Post Production, International Originals, for Amazon Prime Video and MGM Studios, about what cloud workflows really cost and where they make the most sense.
LEARN MORE HERE: https://www.keycodemedia.com/is-cloud-cost-effective-for-media-production-in-2026/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:30</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2490023/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[WCAG Audio Description Requirements for Government Videos]]>
                </title>
                <pubDate>Thu, 28 May 2026 08:49:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2477235</guid>
                                    <link>https://broadcast2post.castos.com/episodes/wcag-audio-description-requirements-for-government-videos</link>
                                <description>
                                            <![CDATA[<p>Government video accessibility standards are changing fast, and audio descriptions are becoming a major new challenge for public agencies and media teams. AI is also reshaping how accessibility workflows are managed at scale.</p>
<p>In this episode of Broadcast2Post, Michael Kammes talks with Nathan Bosseler and Matthew Geiger from CASTUS about WCAG 2.1 AA Standards, AI-driven workflows, and what organizations should prepare for next.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/wcag-audio-description-requirements-for-government-videos/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Government video accessibility standards are changing fast, and audio descriptions are becoming a major new challenge for public agencies and media teams. AI is also reshaping how accessibility workflows are managed at scale.
In this episode of Broadcast2Post, Michael Kammes talks with Nathan Bosseler and Matthew Geiger from CASTUS about WCAG 2.1 AA Standards, AI-driven workflows, and what organizations should prepare for next.
LEARN MORE HERE: https://www.keycodemedia.com/wcag-audio-description-requirements-for-government-videos/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[WCAG Audio Description Requirements for Government Videos]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Government video accessibility standards are changing fast, and audio descriptions are becoming a major new challenge for public agencies and media teams. AI is also reshaping how accessibility workflows are managed at scale.</p>
<p>In this episode of Broadcast2Post, Michael Kammes talks with Nathan Bosseler and Matthew Geiger from CASTUS about WCAG 2.1 AA Standards, AI-driven workflows, and what organizations should prepare for next.</p>
<p>LEARN MORE HERE: https://www.keycodemedia.com/wcag-audio-description-requirements-for-government-videos/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2477235/c1e-17r3qhnowz3udr392-ndrkwq8jc5g-fm0wtw.mp3" length="51211203"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Government video accessibility standards are changing fast, and audio descriptions are becoming a major new challenge for public agencies and media teams. AI is also reshaping how accessibility workflows are managed at scale.
In this episode of Broadcast2Post, Michael Kammes talks with Nathan Bosseler and Matthew Geiger from CASTUS about WCAG 2.1 AA Standards, AI-driven workflows, and what organizations should prepare for next.
LEARN MORE HERE: https://www.keycodemedia.com/wcag-audio-description-requirements-for-government-videos/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:20:46</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2477235/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[How to Launch A Successful Podcast Studio]]>
                </title>
                <pubDate>Wed, 27 May 2026 11:20:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2476571</guid>
                                    <link>https://broadcast2post.castos.com/episodes/how-to-launch-a-successful-podcast-studio</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Chicago, Senior Director of Innovations, Michael Kammes, walks us through on how to launch a successful podcast studio.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Chicago, Senior Director of Innovations, Michael Kammes, walks us through on how to launch a successful podcast studio.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[How to Launch A Successful Podcast Studio]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Chicago, Senior Director of Innovations, Michael Kammes, walks us through on how to launch a successful podcast studio.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2476571/c1e-2m09phqv0zvbjj8xo-v6v5gog8f2jo-bf78s4.mp3" length="155380036"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Chicago, Senior Director of Innovations, Michael Kammes, walks us through on how to launch a successful podcast studio.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2476571/c1a-xg715-v6v5gog8f2o4-epmcmi.png"></itunes:image>
                                                                            <itunes:duration>01:04:18</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2476571/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[The Podcast Playbook: Building Audiences That Stick]]>
                </title>
                <pubDate>Tue, 26 May 2026 12:45:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2475856</guid>
                                    <link>https://broadcast2post.castos.com/episodes/the-podcast-playbook-building-audiences-that-stick</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts walking through their podcast playbook to building audiences that stick.</p>
<p>Thanks to our panelists for participating, John Cook, Co-Founder &amp; Publisher, Geekwire, Carla Marie, In Game Host &amp; Creator, Seattle Seahawks and Morning Show Podcast, and Anthony Halwagy, Creator &amp; Host, Morning Show Podcast.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts walking through their podcast playbook to building audiences that stick.
Thanks to our panelists for participating, John Cook, Co-Founder & Publisher, Geekwire, Carla Marie, In Game Host & Creator, Seattle Seahawks and Morning Show Podcast, and Anthony Halwagy, Creator & Host, Morning Show Podcast.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[The Podcast Playbook: Building Audiences That Stick]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts walking through their podcast playbook to building audiences that stick.</p>
<p>Thanks to our panelists for participating, John Cook, Co-Founder &amp; Publisher, Geekwire, Carla Marie, In Game Host &amp; Creator, Seattle Seahawks and Morning Show Podcast, and Anthony Halwagy, Creator &amp; Host, Morning Show Podcast.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2475856/c1e-g95g0urpxndu95pzd-pkn55z50snzk-zrtprl.mp3" length="107633577"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts walking through their podcast playbook to building audiences that stick.
Thanks to our panelists for participating, John Cook, Co-Founder & Publisher, Geekwire, Carla Marie, In Game Host & Creator, Seattle Seahawks and Morning Show Podcast, and Anthony Halwagy, Creator & Host, Morning Show Podcast.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2475856/c1a-xg715-ndr55gk6iqn8-aivqit.png"></itunes:image>
                                                                            <itunes:duration>00:44:24</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2475856/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[How Technology is Reshaping Production]]>
                </title>
                <pubDate>Tue, 26 May 2026 11:26:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2475793</guid>
                                    <link>https://broadcast2post.castos.com/episodes/how-technology-is-reshaping-production</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how technology is reshaping production.</p>
<p>Thanks to our panelists for participating, Paul Moore, Sr. Studio &amp; Operations Manager, Amazon, Scott Webster, Director of Global Accounts, Big Rock Productions, and Ben Skudlarek, Television Station Coordinator, City of Bellingham.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how technology is reshaping production.
Thanks to our panelists for participating, Paul Moore, Sr. Studio & Operations Manager, Amazon, Scott Webster, Director of Global Accounts, Big Rock Productions, and Ben Skudlarek, Television Station Coordinator, City of Bellingham.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[How Technology is Reshaping Production]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how technology is reshaping production.</p>
<p>Thanks to our panelists for participating, Paul Moore, Sr. Studio &amp; Operations Manager, Amazon, Scott Webster, Director of Global Accounts, Big Rock Productions, and Ben Skudlarek, Television Station Coordinator, City of Bellingham.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2475793/c1e-qv132u7xzdnh2k38v-kpo1111mc17x-87mhqv.mp3" length="124522829"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Seattle, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how technology is reshaping production.
Thanks to our panelists for participating, Paul Moore, Sr. Studio & Operations Manager, Amazon, Scott Webster, Director of Global Accounts, Big Rock Productions, and Ben Skudlarek, Television Station Coordinator, City of Bellingham.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2475793/c1a-xg715-xxk55rqrcrdj-jnliro.png"></itunes:image>
                                                                            <itunes:duration>00:51:27</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2475793/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Building the Modern Production Studio in 2026]]>
                </title>
                <pubDate>Fri, 15 May 2026 17:17:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2463965</guid>
                                    <link>https://broadcast2post.castos.com/episodes/building-the-modern-production-studio-in-2026</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Los Angeles, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how to build a modern production studio in 2026.</p>
<p>Thanks to our panelists for participating, Tyler Marinello, Sr. Director of Production Technologies, Paramount, Michael Cioni, CEO, Strada, Scott Brown, CEO &amp; Founder, Second Rodeo Productions, and Jonathan Levine, SVP of Production &amp; Studio Operations, Pocket.Watch.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Los Angeles, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how to build a modern production studio in 2026.
Thanks to our panelists for participating, Tyler Marinello, Sr. Director of Production Technologies, Paramount, Michael Cioni, CEO, Strada, Scott Brown, CEO & Founder, Second Rodeo Productions, and Jonathan Levine, SVP of Production & Studio Operations, Pocket.Watch.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Building the Modern Production Studio in 2026]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Los Angeles, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how to build a modern production studio in 2026.</p>
<p>Thanks to our panelists for participating, Tyler Marinello, Sr. Director of Production Technologies, Paramount, Michael Cioni, CEO, Strada, Scott Brown, CEO &amp; Founder, Second Rodeo Productions, and Jonathan Levine, SVP of Production &amp; Studio Operations, Pocket.Watch.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2463965/c1e-dx103uo36z6c5wkd5-z313g119a1kk-rg6xce.mp3" length="152693887"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Los Angeles, Senior Director of Innovations, Michael Kammes hosts a panel with experts sharing their thoughts on how to build a modern production studio in 2026.
Thanks to our panelists for participating, Tyler Marinello, Sr. Director of Production Technologies, Paramount, Michael Cioni, CEO, Strada, Scott Brown, CEO & Founder, Second Rodeo Productions, and Jonathan Levine, SVP of Production & Studio Operations, Pocket.Watch.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2463965/c1a-xg715-5zqzmqqkfpv8-jimlbf.png"></itunes:image>
                                                                            <itunes:duration>01:03:37</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2463965/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[How Broadcast Technology is Reinventing the Experience]]>
                </title>
                <pubDate>Wed, 13 May 2026 22:58:54 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2462131</guid>
                                    <link>https://broadcast2post.castos.com/episodes/how-broadcast-technology-is-reinventing-the-experience</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Detroit, Senior Director of Innovations, Michael Kammes hosts a panel with experts explaining how broadcast technology is reinventing the experience.</p>
<p>Thanks to our panelists for participating, Brian Denn, VP of Engineering &amp; Technical Operations, Detroit PBS, and Stan Fracker, Director of Broadcasting &amp; In Game Entertainment, Detroit Tigers &amp; Red Wings.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Detroit, Senior Director of Innovations, Michael Kammes hosts a panel with experts explaining how broadcast technology is reinventing the experience.
Thanks to our panelists for participating, Brian Denn, VP of Engineering & Technical Operations, Detroit PBS, and Stan Fracker, Director of Broadcasting & In Game Entertainment, Detroit Tigers & Red Wings.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[How Broadcast Technology is Reinventing the Experience]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow 2026 in Detroit, Senior Director of Innovations, Michael Kammes hosts a panel with experts explaining how broadcast technology is reinventing the experience.</p>
<p>Thanks to our panelists for participating, Brian Denn, VP of Engineering &amp; Technical Operations, Detroit PBS, and Stan Fracker, Director of Broadcasting &amp; In Game Entertainment, Detroit Tigers &amp; Red Wings.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2462131/c1e-7xrgwuv8q7puv9pkp-4747xpk9f8wn-m3ryhm.mp3" length="92773343"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow 2026 in Detroit, Senior Director of Innovations, Michael Kammes hosts a panel with experts explaining how broadcast technology is reinventing the experience.
Thanks to our panelists for participating, Brian Denn, VP of Engineering & Technical Operations, Detroit PBS, and Stan Fracker, Director of Broadcasting & In Game Entertainment, Detroit Tigers & Red Wings.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2462131/c1a-xg715-xxkx45kgcvxz-ulr5xf.png"></itunes:image>
                                                                            <itunes:duration>00:38:13</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2462131/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[How New Media Grows the Fan Base For Chicago's Sports Team]]>
                </title>
                <pubDate>Mon, 11 May 2026 16:15:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2460382</guid>
                                    <link>https://broadcast2post.castos.com/episodes/how-new-media-grows-the-fan-base-for-chicagos-sports-team</link>
                                <description>
                                            <![CDATA[<p>From Key Code Media's POSTNAB Roadshow, Senior Director of Innovations, Michael Kammes hosts a panel with experts on Live broadcast! They explain how new media grows the fan base for sports teams.</p>
<p>Thanks to our panelists for participating, John Featherstone, Co-Founder &amp; Principal, Lightswitch, Katlin Strange, Director of Game Presentation, Chicago Bears, and Tim Sinclair, Public Address Announcer, Chicago Bulls.</p>
<p>SUBSCRIBE TO THE PODCAST Spotify - https://open.spotify.com/show/4u4Nq81n2KgR6towx7oKPl?si=47a56a0858304edc Apple Podcast - https://podcasts.apple.com/us/podcast/broadcast2post/id1603292039 FOLLOW KEY CODE MEDIA WEBSITE: https://www.keycodemedia.com FACEBOOK: https://www.facebook.com/keycodemediainc LINKEDIN: https://www.linkedin.com/company/key-code-media TWITTER: https://twitter.com/KeyCodeMedia</p>
<p></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow, Senior Director of Innovations, Michael Kammes hosts a panel with experts on Live broadcast! They explain how new media grows the fan base for sports teams.
Thanks to our panelists for participating, John Featherstone, Co-Founder & Principal, Lightswitch, Katlin Strange, Director of Game Presentation, Chicago Bears, and Tim Sinclair, Public Address Announcer, Chicago Bulls.
SUBSCRIBE TO THE PODCAST Spotify - https://open.spotify.com/show/4u4Nq81n2KgR6towx7oKPl?si=47a56a0858304edc Apple Podcast - https://podcasts.apple.com/us/podcast/broadcast2post/id1603292039 FOLLOW KEY CODE MEDIA WEBSITE: https://www.keycodemedia.com FACEBOOK: https://www.facebook.com/keycodemediainc LINKEDIN: https://www.linkedin.com/company/key-code-media TWITTER: https://twitter.com/KeyCodeMedia
]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[How New Media Grows the Fan Base For Chicago's Sports Team]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From Key Code Media's POSTNAB Roadshow, Senior Director of Innovations, Michael Kammes hosts a panel with experts on Live broadcast! They explain how new media grows the fan base for sports teams.</p>
<p>Thanks to our panelists for participating, John Featherstone, Co-Founder &amp; Principal, Lightswitch, Katlin Strange, Director of Game Presentation, Chicago Bears, and Tim Sinclair, Public Address Announcer, Chicago Bulls.</p>
<p>SUBSCRIBE TO THE PODCAST Spotify - https://open.spotify.com/show/4u4Nq81n2KgR6towx7oKPl?si=47a56a0858304edc Apple Podcast - https://podcasts.apple.com/us/podcast/broadcast2post/id1603292039 FOLLOW KEY CODE MEDIA WEBSITE: https://www.keycodemedia.com FACEBOOK: https://www.facebook.com/keycodemediainc LINKEDIN: https://www.linkedin.com/company/key-code-media TWITTER: https://twitter.com/KeyCodeMedia</p>
<p></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2460382/c1e-zp486h3dq40srg2nx-rkgo6wwqaj02-mnp1vh.mp3" length="116667506"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From Key Code Media's POSTNAB Roadshow, Senior Director of Innovations, Michael Kammes hosts a panel with experts on Live broadcast! They explain how new media grows the fan base for sports teams.
Thanks to our panelists for participating, John Featherstone, Co-Founder & Principal, Lightswitch, Katlin Strange, Director of Game Presentation, Chicago Bears, and Tim Sinclair, Public Address Announcer, Chicago Bulls.
SUBSCRIBE TO THE PODCAST Spotify - https://open.spotify.com/show/4u4Nq81n2KgR6towx7oKPl?si=47a56a0858304edc Apple Podcast - https://podcasts.apple.com/us/podcast/broadcast2post/id1603292039 FOLLOW KEY CODE MEDIA WEBSITE: https://www.keycodemedia.com FACEBOOK: https://www.facebook.com/keycodemediainc LINKEDIN: https://www.linkedin.com/company/key-code-media TWITTER: https://twitter.com/KeyCodeMedia
]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/61ce1ae908b301-15928503/images/2460382/c1a-xg715-qdpx3rmpc6dv-az1q9d.jpg"></itunes:image>
                                                                            <itunes:duration>00:48:10</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2460382/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Shared Media Storage in 2026: Cloud, On-Prem, or LTO?]]>
                </title>
                <pubDate>Mon, 13 Apr 2026 14:12:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2421560</guid>
                                    <link>https://broadcast2post.castos.com/episodes/shared-media-storage-in-2026-cloud-on-prem-or-lto</link>
                                <description>
                                            <![CDATA[<p>Shared Storage &amp; Archive is one of those areas that feels simple until it is not. Everything works fine until a file goes missing, or someone asks for a project from three years ago. At that point, storage stops being about capacity and quickly becomes a conversation about performance, access, cost, and long term planning.</p>
<p>In this episode of Broadcast2Post, we break down how creative teams should approach shared media storage and archive strategy. The discussion includes a practical decision tree along with insights from Tom Coughlin, President of Coughlin Associates, whose annual storage report has tracked real world industry trends since 2009.</p>
<p>Learn more here: </p>
<p><a href="https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/">https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/</a></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Shared Storage & Archive is one of those areas that feels simple until it is not. Everything works fine until a file goes missing, or someone asks for a project from three years ago. At that point, storage stops being about capacity and quickly becomes a conversation about performance, access, cost, and long term planning.
In this episode of Broadcast2Post, we break down how creative teams should approach shared media storage and archive strategy. The discussion includes a practical decision tree along with insights from Tom Coughlin, President of Coughlin Associates, whose annual storage report has tracked real world industry trends since 2009.
Learn more here: 
https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Shared Media Storage in 2026: Cloud, On-Prem, or LTO?]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Shared Storage &amp; Archive is one of those areas that feels simple until it is not. Everything works fine until a file goes missing, or someone asks for a project from three years ago. At that point, storage stops being about capacity and quickly becomes a conversation about performance, access, cost, and long term planning.</p>
<p>In this episode of Broadcast2Post, we break down how creative teams should approach shared media storage and archive strategy. The discussion includes a practical decision tree along with insights from Tom Coughlin, President of Coughlin Associates, whose annual storage report has tracked real world industry trends since 2009.</p>
<p>Learn more here: </p>
<p><a href="https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/">https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/</a></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2421560/c1e-3mxrqhwwjxnbp2zdn-mk91q297anxm-07nggn.mp3" length="89243241"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Shared Storage & Archive is one of those areas that feels simple until it is not. Everything works fine until a file goes missing, or someone asks for a project from three years ago. At that point, storage stops being about capacity and quickly becomes a conversation about performance, access, cost, and long term planning.
In this episode of Broadcast2Post, we break down how creative teams should approach shared media storage and archive strategy. The discussion includes a practical decision tree along with insights from Tom Coughlin, President of Coughlin Associates, whose annual storage report has tracked real world industry trends since 2009.
Learn more here: 
https://www.keycodemedia.com/shared-media-storage-in-2026-cloud-on-prem-or-lto-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:36:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2421560/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Newsroom Trends | IP, Automation, and Design]]>
                </title>
                <pubDate>Fri, 20 Mar 2026 18:45:34 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2401954</guid>
                                    <link>https://broadcast2post.castos.com/episodes/newsroom-trends-ip-automation-and-design</link>
                                <description>
                                            <![CDATA[<p>Newsrooms are under more pressure than ever. Teams are producing more hours of content across more platforms, from broadcast and streaming to social and mobile, all at the same time. And they are doing it with leaner production teams. That raises a real question for engineering and operations leaders: how do we increase production capability without increasing complexity?</p>
<p>In this episode of Broadcast2Post, we take a closer look at the technology trends shaping how modern newsrooms are being built today. Hosted by Michael Kammes and Steve Dupaix from Key Code Media, this conversation features Jim Beahn, VP of Engineering and Operations at FOX’s WTTG and WDCA stations, along with Nik Kumar, VP of Broadcast Engineering at Key Code Media. Together, they walk through how broadcast organizations are evolving their systems, from IP infrastructure and automation to LED driven studios, metadata workflows, and cloud based production.</p>
<p></p>
<p>Learn more here: </p>
<p>https://www.keycodemedia.com/newsroom-trends-ip-automation-and-design-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Newsrooms are under more pressure than ever. Teams are producing more hours of content across more platforms, from broadcast and streaming to social and mobile, all at the same time. And they are doing it with leaner production teams. That raises a real question for engineering and operations leaders: how do we increase production capability without increasing complexity?
In this episode of Broadcast2Post, we take a closer look at the technology trends shaping how modern newsrooms are being built today. Hosted by Michael Kammes and Steve Dupaix from Key Code Media, this conversation features Jim Beahn, VP of Engineering and Operations at FOX’s WTTG and WDCA stations, along with Nik Kumar, VP of Broadcast Engineering at Key Code Media. Together, they walk through how broadcast organizations are evolving their systems, from IP infrastructure and automation to LED driven studios, metadata workflows, and cloud based production.

Learn more here: 
https://www.keycodemedia.com/newsroom-trends-ip-automation-and-design-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Newsroom Trends | IP, Automation, and Design]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Newsrooms are under more pressure than ever. Teams are producing more hours of content across more platforms, from broadcast and streaming to social and mobile, all at the same time. And they are doing it with leaner production teams. That raises a real question for engineering and operations leaders: how do we increase production capability without increasing complexity?</p>
<p>In this episode of Broadcast2Post, we take a closer look at the technology trends shaping how modern newsrooms are being built today. Hosted by Michael Kammes and Steve Dupaix from Key Code Media, this conversation features Jim Beahn, VP of Engineering and Operations at FOX’s WTTG and WDCA stations, along with Nik Kumar, VP of Broadcast Engineering at Key Code Media. Together, they walk through how broadcast organizations are evolving their systems, from IP infrastructure and automation to LED driven studios, metadata workflows, and cloud based production.</p>
<p></p>
<p>Learn more here: </p>
<p>https://www.keycodemedia.com/newsroom-trends-ip-automation-and-design-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2401954/c1e-jnq8gh4qzmgsg6v78-xx738dd6sx8z-zkbm0w.mp3" length="113719076"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Newsrooms are under more pressure than ever. Teams are producing more hours of content across more platforms, from broadcast and streaming to social and mobile, all at the same time. And they are doing it with leaner production teams. That raises a real question for engineering and operations leaders: how do we increase production capability without increasing complexity?
In this episode of Broadcast2Post, we take a closer look at the technology trends shaping how modern newsrooms are being built today. Hosted by Michael Kammes and Steve Dupaix from Key Code Media, this conversation features Jim Beahn, VP of Engineering and Operations at FOX’s WTTG and WDCA stations, along with Nik Kumar, VP of Broadcast Engineering at Key Code Media. Together, they walk through how broadcast organizations are evolving their systems, from IP infrastructure and automation to LED driven studios, metadata workflows, and cloud based production.

Learn more here: 
https://www.keycodemedia.com/newsroom-trends-ip-automation-and-design-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:46:23</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2401954/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[From SDI Workflows to IP Based Production | The Big Shift]]>
                </title>
                <pubDate>Wed, 25 Feb 2026 12:05:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2373700</guid>
                                    <link>https://broadcast2post.castos.com/episodes/from-sdi-to-ip-based-workflow-the-big-shift</link>
                                <description>
                                            <![CDATA[<p>The shift from traditional SDI workflows to IP based production is one of the most significant architectural changes in modern broadcast. While IP promises flexibility and scalability, it requires a fundamentally different way of thinking about system design, timing, troubleshooting, and long term support.</p>
<p>In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Troy English, Chief Technology Officer at Ross Video, about what broadcast organizations are encountering as they transition from SDI toward modern IP infrastructure. Drawing from Ross’s internal evolution and customer experience, Troy outlines the technical and operational realities shaping today’s deployments.</p>
<p>Learn more here: </p>
<p>https://www.keycodemedia.com/from-sdi-workflows-to-ip-based-productions-the-big-shift/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[The shift from traditional SDI workflows to IP based production is one of the most significant architectural changes in modern broadcast. While IP promises flexibility and scalability, it requires a fundamentally different way of thinking about system design, timing, troubleshooting, and long term support.
In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Troy English, Chief Technology Officer at Ross Video, about what broadcast organizations are encountering as they transition from SDI toward modern IP infrastructure. Drawing from Ross’s internal evolution and customer experience, Troy outlines the technical and operational realities shaping today’s deployments.
Learn more here: 
https://www.keycodemedia.com/from-sdi-workflows-to-ip-based-productions-the-big-shift/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[From SDI Workflows to IP Based Production | The Big Shift]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>The shift from traditional SDI workflows to IP based production is one of the most significant architectural changes in modern broadcast. While IP promises flexibility and scalability, it requires a fundamentally different way of thinking about system design, timing, troubleshooting, and long term support.</p>
<p>In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Troy English, Chief Technology Officer at Ross Video, about what broadcast organizations are encountering as they transition from SDI toward modern IP infrastructure. Drawing from Ross’s internal evolution and customer experience, Troy outlines the technical and operational realities shaping today’s deployments.</p>
<p>Learn more here: </p>
<p>https://www.keycodemedia.com/from-sdi-workflows-to-ip-based-productions-the-big-shift/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2373700/c1e-xg715u1875pipkg18-qd17wx9pskg5-cmdm3a.mp3" length="53270543"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[The shift from traditional SDI workflows to IP based production is one of the most significant architectural changes in modern broadcast. While IP promises flexibility and scalability, it requires a fundamentally different way of thinking about system design, timing, troubleshooting, and long term support.
In this episode of the Broadcast2Post Podcast, host Michael Kammes speaks with Troy English, Chief Technology Officer at Ross Video, about what broadcast organizations are encountering as they transition from SDI toward modern IP infrastructure. Drawing from Ross’s internal evolution and customer experience, Troy outlines the technical and operational realities shaping today’s deployments.
Learn more here: 
https://www.keycodemedia.com/from-sdi-workflows-to-ip-based-productions-the-big-shift/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2373700/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Multi-Site Creative Teams | Managing Hybrid Teams]]>
                </title>
                <pubDate>Tue, 17 Feb 2026 16:15:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2362264</guid>
                                    <link>https://broadcast2post.castos.com/episodes/multi-site-creative-teams-managing-hybrid-teams</link>
                                <description>
                                            <![CDATA[<p>The latest episode of the Broadcast2Post Podcast focuses on how modern creative teams can work together across locations without sacrificing speed, quality, or control. Creative teams are more scattered than ever. Editors operate from different cities, freelancers contribute from personal workstations, and reviewers span departments and time zones. Yet many production environments are still structured as if everyone works in the same building. That disconnect creates friction in collaboration, asset management, and review cycles. </p>
<p>In this episode, host Michael Kammes speaks with Danielle DiStefano, Chief Technology Officer at ITV America, and Matt Stamos of Key Code Media about what it takes to properly support multi site creative teams. This discussion focuses on how large scale television productions move massive amounts of footage from remote shoots into centralized post environments. And from the corporate perspective, how to coordinate with distributed creative and marketing teams using hybrid and cloud workflows to support multiple departments, freelancers, and product lines. If you’re a creative in a multi-site team, or your team supports content creation across more than one location, this episode is for you.</p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/multi-site-creative-teams-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast focuses on how modern creative teams can work together across locations without sacrificing speed, quality, or control. Creative teams are more scattered than ever. Editors operate from different cities, freelancers contribute from personal workstations, and reviewers span departments and time zones. Yet many production environments are still structured as if everyone works in the same building. That disconnect creates friction in collaboration, asset management, and review cycles. 
In this episode, host Michael Kammes speaks with Danielle DiStefano, Chief Technology Officer at ITV America, and Matt Stamos of Key Code Media about what it takes to properly support multi site creative teams. This discussion focuses on how large scale television productions move massive amounts of footage from remote shoots into centralized post environments. And from the corporate perspective, how to coordinate with distributed creative and marketing teams using hybrid and cloud workflows to support multiple departments, freelancers, and product lines. If you’re a creative in a multi-site team, or your team supports content creation across more than one location, this episode is for you.
Learn more:
https://www.keycodemedia.com/multi-site-creative-teams-wp/]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Multi-Site Creative Teams | Managing Hybrid Teams]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>The latest episode of the Broadcast2Post Podcast focuses on how modern creative teams can work together across locations without sacrificing speed, quality, or control. Creative teams are more scattered than ever. Editors operate from different cities, freelancers contribute from personal workstations, and reviewers span departments and time zones. Yet many production environments are still structured as if everyone works in the same building. That disconnect creates friction in collaboration, asset management, and review cycles. </p>
<p>In this episode, host Michael Kammes speaks with Danielle DiStefano, Chief Technology Officer at ITV America, and Matt Stamos of Key Code Media about what it takes to properly support multi site creative teams. This discussion focuses on how large scale television productions move massive amounts of footage from remote shoots into centralized post environments. And from the corporate perspective, how to coordinate with distributed creative and marketing teams using hybrid and cloud workflows to support multiple departments, freelancers, and product lines. If you’re a creative in a multi-site team, or your team supports content creation across more than one location, this episode is for you.</p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/multi-site-creative-teams-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2362264/c1e-93wzph2w8q1t2r0dz-2505g0kwu8zr-szpsdi.mp3" length="101851591"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast focuses on how modern creative teams can work together across locations without sacrificing speed, quality, or control. Creative teams are more scattered than ever. Editors operate from different cities, freelancers contribute from personal workstations, and reviewers span departments and time zones. Yet many production environments are still structured as if everyone works in the same building. That disconnect creates friction in collaboration, asset management, and review cycles. 
In this episode, host Michael Kammes speaks with Danielle DiStefano, Chief Technology Officer at ITV America, and Matt Stamos of Key Code Media about what it takes to properly support multi site creative teams. This discussion focuses on how large scale television productions move massive amounts of footage from remote shoots into centralized post environments. And from the corporate perspective, how to coordinate with distributed creative and marketing teams using hybrid and cloud workflows to support multiple departments, freelancers, and product lines. If you’re a creative in a multi-site team, or your team supports content creation across more than one location, this episode is for you.
Learn more:
https://www.keycodemedia.com/multi-site-creative-teams-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:41:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2362264/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Build A Live Streaming Studio That Anyone Can Run]]>
                </title>
                <pubDate>Mon, 02 Feb 2026 08:05:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2344802</guid>
                                    <link>https://broadcast2post.castos.com/episodes/build-a-live-streaming-studio-that-anyone-can-run</link>
                                <description>
                                            <![CDATA[<p>The latest episode of the Broadcast2Post Podcast focuses on a reality nearly every live production team is facing right now: fewer people, more responsibility, and higher expectations for professional results. Broadcast crews are shrinking, corporate and education teams are being asked to deliver broadcast-quality streams, and reliability matters more than ever when there’s no margin for error.</p>
<p>In this episode, host Michael Kammes sits down with Chris Burgos, Solutions Engineer for Broadcasting at Elgato, to break down how modern teams are simplifying live production through smarter workflows, centralized control, presets, and automation- without making systems fragile or operator-dependent. The conversation digs into what actually works when one person is running the show, and how to design live production systems that stay calm, predictable, and repeatable under pressure.</p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/build-a-live-streaming-studio-that-anyone-can-run-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast focuses on a reality nearly every live production team is facing right now: fewer people, more responsibility, and higher expectations for professional results. Broadcast crews are shrinking, corporate and education teams are being asked to deliver broadcast-quality streams, and reliability matters more than ever when there’s no margin for error.
In this episode, host Michael Kammes sits down with Chris Burgos, Solutions Engineer for Broadcasting at Elgato, to break down how modern teams are simplifying live production through smarter workflows, centralized control, presets, and automation- without making systems fragile or operator-dependent. The conversation digs into what actually works when one person is running the show, and how to design live production systems that stay calm, predictable, and repeatable under pressure.
Learn more:
https://www.keycodemedia.com/build-a-live-streaming-studio-that-anyone-can-run-wp/]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Build A Live Streaming Studio That Anyone Can Run]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>The latest episode of the Broadcast2Post Podcast focuses on a reality nearly every live production team is facing right now: fewer people, more responsibility, and higher expectations for professional results. Broadcast crews are shrinking, corporate and education teams are being asked to deliver broadcast-quality streams, and reliability matters more than ever when there’s no margin for error.</p>
<p>In this episode, host Michael Kammes sits down with Chris Burgos, Solutions Engineer for Broadcasting at Elgato, to break down how modern teams are simplifying live production through smarter workflows, centralized control, presets, and automation- without making systems fragile or operator-dependent. The conversation digs into what actually works when one person is running the show, and how to design live production systems that stay calm, predictable, and repeatable under pressure.</p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/build-a-live-streaming-studio-that-anyone-can-run-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2344802/c1e-xg715u1rq2dspr1d5-pkwwk53vi9n6-qbperj.mp3" length="48760721"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast focuses on a reality nearly every live production team is facing right now: fewer people, more responsibility, and higher expectations for professional results. Broadcast crews are shrinking, corporate and education teams are being asked to deliver broadcast-quality streams, and reliability matters more than ever when there’s no margin for error.
In this episode, host Michael Kammes sits down with Chris Burgos, Solutions Engineer for Broadcasting at Elgato, to break down how modern teams are simplifying live production through smarter workflows, centralized control, presets, and automation- without making systems fragile or operator-dependent. The conversation digs into what actually works when one person is running the show, and how to design live production systems that stay calm, predictable, and repeatable under pressure.
Learn more:
https://www.keycodemedia.com/build-a-live-streaming-studio-that-anyone-can-run-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:17</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2344802/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[Trends to Watch in 2026: Broadcast and Audio Visual Technology]]>
                </title>
                <pubDate>Mon, 02 Feb 2026 08:00:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2344805</guid>
                                    <link>https://broadcast2post.castos.com/episodes/trends-to-watch-in-2026-broadcast-and-audio-visual-technology</link>
                                <description>
                                            <![CDATA[<p>The latest episode of the Broadcast2Post Podcast looks ahead at the technology, workflows, and business realities that will shape 2026 for broadcast, AV, and post production teams.</p>
<p>Budgets are tighter. Expectations are higher. IP, cloud, and AI are no longer side projects. AV over IP is a first class citizen, IP based production has gone from experimental to essential, and intelligent audio and video are quietly creeping into every room and control surface.</p>
<p>In this episode, host <strong>Michael Kammes</strong> sits down with three members of the Key Code Media engineering team: Walter Viegas, Steve Dupaix, and Mike Cavanagh.</p>
<p>Across each segment, they share what actually changed in 2025, what has proven itself in real facilities, and what deserves a spot on your 2026 roadmap. This blog breaks those conversations into three practical playbooks so you can align your planning around what really matters next year.</p>
<p></p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/trends-to-watch-in-2026-broadcast-and-audio-visual-technology-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast looks ahead at the technology, workflows, and business realities that will shape 2026 for broadcast, AV, and post production teams.
Budgets are tighter. Expectations are higher. IP, cloud, and AI are no longer side projects. AV over IP is a first class citizen, IP based production has gone from experimental to essential, and intelligent audio and video are quietly creeping into every room and control surface.
In this episode, host Michael Kammes sits down with three members of the Key Code Media engineering team: Walter Viegas, Steve Dupaix, and Mike Cavanagh.
Across each segment, they share what actually changed in 2025, what has proven itself in real facilities, and what deserves a spot on your 2026 roadmap. This blog breaks those conversations into three practical playbooks so you can align your planning around what really matters next year.

Learn more:
https://www.keycodemedia.com/trends-to-watch-in-2026-broadcast-and-audio-visual-technology-wp/]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Trends to Watch in 2026: Broadcast and Audio Visual Technology]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>The latest episode of the Broadcast2Post Podcast looks ahead at the technology, workflows, and business realities that will shape 2026 for broadcast, AV, and post production teams.</p>
<p>Budgets are tighter. Expectations are higher. IP, cloud, and AI are no longer side projects. AV over IP is a first class citizen, IP based production has gone from experimental to essential, and intelligent audio and video are quietly creeping into every room and control surface.</p>
<p>In this episode, host <strong>Michael Kammes</strong> sits down with three members of the Key Code Media engineering team: Walter Viegas, Steve Dupaix, and Mike Cavanagh.</p>
<p>Across each segment, they share what actually changed in 2025, what has proven itself in real facilities, and what deserves a spot on your 2026 roadmap. This blog breaks those conversations into three practical playbooks so you can align your planning around what really matters next year.</p>
<p></p>
<p>Learn more:</p>
<p>https://www.keycodemedia.com/trends-to-watch-in-2026-broadcast-and-audio-visual-technology-wp/</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/61ce1ae908b301-15928503/2344805/c1e-pvwo5uwp3r5c4nd67-9jwwjp44idv-62pmda.mp3" length="96666741"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast looks ahead at the technology, workflows, and business realities that will shape 2026 for broadcast, AV, and post production teams.
Budgets are tighter. Expectations are higher. IP, cloud, and AI are no longer side projects. AV over IP is a first class citizen, IP based production has gone from experimental to essential, and intelligent audio and video are quietly creeping into every room and control surface.
In this episode, host Michael Kammes sits down with three members of the Key Code Media engineering team: Walter Viegas, Steve Dupaix, and Mike Cavanagh.
Across each segment, they share what actually changed in 2025, what has proven itself in real facilities, and what deserves a spot on your 2026 roadmap. This blog breaks those conversations into three practical playbooks so you can align your planning around what really matters next year.

Learn more:
https://www.keycodemedia.com/trends-to-watch-in-2026-broadcast-and-audio-visual-technology-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>01:07:07</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
                </itunes:author>
                                                                    <podcast:transcript
                        url="https://media-assets.castos.com/transcripts/2344805/transcript.vtt"
                        type="text/vtt"  language="en"                      />
                            </item>
                    <item>
                <title>
                    <![CDATA[PTP Done Right for ST 2110: How to Avoid the Timing Pitfalls in IP Broadcast]]>
                </title>
                <pubDate>Wed, 03 Dec 2025 07:22:00 +0000</pubDate>
                <dc:creator>Key Code Media</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/36217/episode/2265611</guid>
                                    <link>https://broadcast2post.castos.com/episodes/ptp-done-right-for-st-2110-how-to-avoid-the-timing-pitfalls-in-ip-broadcast</link>
                                <description>
                                            <![CDATA[<p>The latest episode of the <strong>Broadcast2Post Podcast</strong> tackles one of the most misunderstood and mission-critical components of any ST 2110 or IP broadcast deployment: <strong>PTP timing</strong>.</p>
<p>As studios, stadiums, universities, and live production environments move to IP, timing is no longer a mysterious box hidden in the rack room. It is now a live network service that impacts every camera, multiviewer, replay system, intercom, and audio device on your network. When PTP is not configured correctly, it shows up as “random glitches” that are anything but random.</p>
<p>In the blog and video, the Key Code Media engineering team walk through how PTP actually operates inside a modern 2110 facility, why timing failures appear the way they do, and the essential design decisions that keep your plant rock-solid. The team then goes hands-on inside a real PTP monitoring environment to show exactly what healthy timing looks like, how to spot drift, and which alarms matter before you go to air.</p>
<p>Read the full blog: https://www.keycodemedia.com/ptp-done-right-for-st-2110-wp/</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast tackles one of the most misunderstood and mission-critical components of any ST 2110 or IP broadcast deployment: PTP timing.
As studios, stadiums, universities, and live production environments move to IP, timing is no longer a mysterious box hidden in the rack room. It is now a live network service that impacts every camera, multiviewer, replay system, intercom, and audio device on your network. When PTP is not configured correctly, it shows up as “random glitches” that are anything but random.
In the blog and video, the Key Code Media engineering team walk through how PTP actually operates inside a modern 2110 facility, why timing failures appear the way they do, and the essential design decisions that keep your plant rock-solid. The team then goes hands-on inside a real PTP monitoring environment to show exactly what healthy timing looks like, how to spot drift, and which alarms matter before you go to air.
Read the full blog: https://www.keycodemedia.com/ptp-done-right-for-st-2110-wp/]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[PTP Done Right for ST 2110: How to Avoid the Timing Pitfalls in IP Broadcast]]>
                </itunes:title>
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                    <![CDATA[<p>The latest episode of the <strong>Broadcast2Post Podcast</strong> tackles one of the most misunderstood and mission-critical components of any ST 2110 or IP broadcast deployment: <strong>PTP timing</strong>.</p>
<p>As studios, stadiums, universities, and live production environments move to IP, timing is no longer a mysterious box hidden in the rack room. It is now a live network service that impacts every camera, multiviewer, replay system, intercom, and audio device on your network. When PTP is not configured correctly, it shows up as “random glitches” that are anything but random.</p>
<p>In the blog and video, the Key Code Media engineering team walk through how PTP actually operates inside a modern 2110 facility, why timing failures appear the way they do, and the essential design decisions that keep your plant rock-solid. The team then goes hands-on inside a real PTP monitoring environment to show exactly what healthy timing looks like, how to spot drift, and which alarms matter before you go to air.</p>
<p>Read the full blog: https://www.keycodemedia.com/ptp-done-right-for-st-2110-wp/</p>]]>
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                                <itunes:summary>
                    <![CDATA[The latest episode of the Broadcast2Post Podcast tackles one of the most misunderstood and mission-critical components of any ST 2110 or IP broadcast deployment: PTP timing.
As studios, stadiums, universities, and live production environments move to IP, timing is no longer a mysterious box hidden in the rack room. It is now a live network service that impacts every camera, multiviewer, replay system, intercom, and audio device on your network. When PTP is not configured correctly, it shows up as “random glitches” that are anything but random.
In the blog and video, the Key Code Media engineering team walk through how PTP actually operates inside a modern 2110 facility, why timing failures appear the way they do, and the essential design decisions that keep your plant rock-solid. The team then goes hands-on inside a real PTP monitoring environment to show exactly what healthy timing looks like, how to spot drift, and which alarms matter before you go to air.
Read the full blog: https://www.keycodemedia.com/ptp-done-right-for-st-2110-wp/]]>
                </itunes:summary>
                                                                            <itunes:duration>00:37:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Key Code Media]]>
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