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        <title>A BRIGHTER LENS</title>
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        <link>https://www.abrighterlens.com</link>
        <description>A BRIGHTER LENS is a podcast, hosted by Jennifer Zahlit and Larkin Bell, that aims to spotlight women, trans, and non-binary folx in film at different stages in their careers through thoughtful discussion. By holding a space for underrepresented creators to share their knowledge, experience, and creative inspiration, we hope to make the process of filmmaking more accessible and cultivate a community dedicated to collaboration and support in the film industry.</description>
        <lastBuildDate>Fri, 17 Sep 2021 15:56:00 +0000</lastBuildDate>
        <language>en</language>
        <copyright>Copyright © A Brighter Lens</copyright>
        
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                <title>A BRIGHTER LENS</title>
                <link>https://www.abrighterlens.com</link>
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                <itunes:subtitle>A BRIGHTER LENS is a podcast, hosted by Jennifer Zahlit and Larkin Bell, that aims to spotlight women, trans, and non-binary folx in film at different stages in their careers through thoughtful discussion. By holding a space for underrepresented creators to share their knowledge, experience, and creative inspiration, we hope to make the process of filmmaking more accessible and cultivate a community dedicated to collaboration and support in the film industry.</itunes:subtitle>
        <itunes:author>by Jennifer Zahlit and Larkin Bell</itunes:author>
        <itunes:type>episodic</itunes:type>
        <itunes:summary>A BRIGHTER LENS is a podcast, hosted by Jennifer Zahlit and Larkin Bell, that aims to spotlight women, trans, and non-binary folx in film at different stages in their careers through thoughtful discussion. By holding a space for underrepresented creators to share their knowledge, experience, and creative inspiration, we hope to make the process of filmmaking more accessible and cultivate a community dedicated to collaboration and support in the film industry.</itunes:summary>
        <itunes:owner>
            <itunes:name>Jennifer Zahlit and Larkin Bell</itunes:name>
            <itunes:email>abrighterlens@gmail.com</itunes:email>
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                                                <itunes:category text="TV &amp; Film" />
                    
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                                    <item>
                <title>
                    <![CDATA[The Creative Team Behind MY NAME IS PAULI MURRAY]]>
                </title>
                <pubDate>Fri, 17 Sep 2021 15:56:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
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                    https://afemalelens.castos.com/podcasts/28016/episodes/the-creative-team-behind-my-name-is-pauli-murray</guid>
                                    <link>https://afemalelens.castos.com/episodes/the-creative-team-behind-my-name-is-pauli-murray</link>
                                <description>
                                            <![CDATA[<p>We sat down with directors Julie Cohen and Betsy West and producer Talleah Bridges McMahon to chat about their new film MY NAME IS PAULI MURRAY, which premiered at the 2021 Sundance Film Festival.</p>
<p>The film takes an in-depth look at the life and ideas of Pauli Murray, a non-binary Black lawyer, activist and poet who influenced both Ruth Bader Ginsburg and Thurgood Marshall.</p>
<p>The film comes out in theaters today (September 17) and will be available on Amazon Prime after theatrical release. </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We sat down with directors Julie Cohen and Betsy West and producer Talleah Bridges McMahon to chat about their new film MY NAME IS PAULI MURRAY, which premiered at the 2021 Sundance Film Festival.
The film takes an in-depth look at the life and ideas of Pauli Murray, a non-binary Black lawyer, activist and poet who influenced both Ruth Bader Ginsburg and Thurgood Marshall.
The film comes out in theaters today (September 17) and will be available on Amazon Prime after theatrical release. ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Creative Team Behind MY NAME IS PAULI MURRAY]]>
                </itunes:title>
                                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>We sat down with directors Julie Cohen and Betsy West and producer Talleah Bridges McMahon to chat about their new film MY NAME IS PAULI MURRAY, which premiered at the 2021 Sundance Film Festival.</p>
<p>The film takes an in-depth look at the life and ideas of Pauli Murray, a non-binary Black lawyer, activist and poet who influenced both Ruth Bader Ginsburg and Thurgood Marshall.</p>
<p>The film comes out in theaters today (September 17) and will be available on Amazon Prime after theatrical release. </p>]]>
                </content:encoded>
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                                <itunes:summary>
                    <![CDATA[We sat down with directors Julie Cohen and Betsy West and producer Talleah Bridges McMahon to chat about their new film MY NAME IS PAULI MURRAY, which premiered at the 2021 Sundance Film Festival.
The film takes an in-depth look at the life and ideas of Pauli Murray, a non-binary Black lawyer, activist and poet who influenced both Ruth Bader Ginsburg and Thurgood Marshall.
The film comes out in theaters today (September 17) and will be available on Amazon Prime after theatrical release. ]]>
                </itunes:summary>
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                                                                            <itunes:duration>00:21:06</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Emily Best and Seed&Spark]]>
                </title>
                <pubDate>Fri, 10 Sep 2021 01:56:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
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                    https://afemalelens.castos.com/podcasts/28016/episodes/emily-best-and-seedspark</guid>
                                    <link>https://afemalelens.castos.com/episodes/emily-best-and-seedspark</link>
                                <description>
                                            <![CDATA[<p>Emily Best is the founder and CEO of Seed&amp;Spark, a platform that makes entertainment more diverse, inclusive, connected and essential. Over the last 8 years, Seed&amp;Spark has developed an unprecedented pipeline of unique voices and award-winning content through its education and crowdfunding platform. Seed&amp;Spark’s platform and national education program have helped thousands of bold storytellers raise millions to bring to life entirely new stories, and Seed&amp;Spark delivers those stories into workplaces for employee training, engagement, and intelligence through its proprietary Impact Screening Platform. </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Emily Best is the founder and CEO of Seed&Spark, a platform that makes entertainment more diverse, inclusive, connected and essential. Over the last 8 years, Seed&Spark has developed an unprecedented pipeline of unique voices and award-winning content through its education and crowdfunding platform. Seed&Spark’s platform and national education program have helped thousands of bold storytellers raise millions to bring to life entirely new stories, and Seed&Spark delivers those stories into workplaces for employee training, engagement, and intelligence through its proprietary Impact Screening Platform. ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Emily Best and Seed&Spark]]>
                </itunes:title>
                                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Emily Best is the founder and CEO of Seed&amp;Spark, a platform that makes entertainment more diverse, inclusive, connected and essential. Over the last 8 years, Seed&amp;Spark has developed an unprecedented pipeline of unique voices and award-winning content through its education and crowdfunding platform. Seed&amp;Spark’s platform and national education program have helped thousands of bold storytellers raise millions to bring to life entirely new stories, and Seed&amp;Spark delivers those stories into workplaces for employee training, engagement, and intelligence through its proprietary Impact Screening Platform. </p>]]>
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                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Emily Best is the founder and CEO of Seed&Spark, a platform that makes entertainment more diverse, inclusive, connected and essential. Over the last 8 years, Seed&Spark has developed an unprecedented pipeline of unique voices and award-winning content through its education and crowdfunding platform. Seed&Spark’s platform and national education program have helped thousands of bold storytellers raise millions to bring to life entirely new stories, and Seed&Spark delivers those stories into workplaces for employee training, engagement, and intelligence through its proprietary Impact Screening Platform. ]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/60d5657d078bb2-92618305/images/ABL-EMILY-BEST-02.jpg"></itunes:image>
                                                                            <itunes:duration>00:23:39</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ARIEL MARX & Rebel Hearts]]>
                </title>
                <pubDate>Thu, 01 Apr 2021 07:15:33 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/ariel-marx-rebel-hearts-3974e6830df092</guid>
                                    <link>https://afemalelens.castos.com/episodes/ariel-marx-rebel-hearts-3974e6830df092</link>
                                <description>
                                            <![CDATA[This week, we chat with Ariel Marx, composer of the documentary Rebel Hearts, which premiered at Sundance this year. An eclectic composer and multi-instrumentalist, Ariel draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as Amazon, Netflix, HBO, and is a Sundance Film Music and Sound Design Lab fellow. We really enjoyed hearing about her collaborative process with Pedro Kos (director of Rebel Hearts), discoveries she had while working on the music, and her Sundance Lab experience. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Ariel Marx, composer of the documentary Rebel Hearts, which premiered at Sundance this year. An eclectic composer and multi-instrumentalist, Ariel draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as Amazon, Netflix, HBO, and is a Sundance Film Music and Sound Design Lab fellow. We really enjoyed hearing about her collaborative process with Pedro Kos (director of Rebel Hearts), discoveries she had while working on the music, and her Sundance Lab experience. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ARIEL MARX & Rebel Hearts]]>
                </itunes:title>
                                    <itunes:episode>48</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Ariel Marx, composer of the documentary Rebel Hearts, which premiered at Sundance this year. An eclectic composer and multi-instrumentalist, Ariel draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as Amazon, Netflix, HBO, and is a Sundance Film Music and Sound Design Lab fellow. We really enjoyed hearing about her collaborative process with Pedro Kos (director of Rebel Hearts), discoveries she had while working on the music, and her Sundance Lab experience. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/NjOP5F7GFtWlT9ZYQzt17sTMy1Zw1QW7PO2uB9KG.mp3" length="12195485"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Ariel Marx, composer of the documentary Rebel Hearts, which premiered at Sundance this year. An eclectic composer and multi-instrumentalist, Ariel draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as Amazon, Netflix, HBO, and is a Sundance Film Music and Sound Design Lab fellow. We really enjoyed hearing about her collaborative process with Pedro Kos (director of Rebel Hearts), discoveries she had while working on the music, and her Sundance Lab experience. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:16:52</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[MEI MAKINO & Inbetween Girl]]>
                </title>
                <pubDate>Thu, 25 Mar 2021 07:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/mei-makino-inbetween-girl-396e4f99849c24</guid>
                                    <link>https://afemalelens.castos.com/episodes/mei-makino-inbetween-girl-396e4f99849c24</link>
                                <description>
                                            <![CDATA[This week, we chat with writer/director Mei Makino, about her feature film debut Inbetween Girl, which just had its premiere at SXSW! For three years, Mei taught filmmaking to youth in the Austin area which inspired her to tell honest stories about kids and teens. She’s written and directed short films that have played at The Dallas VideoFest, PBS, and ESPN’s Longhorn Network, and is an AFS grant recipient. Makino is a graduate of the University of Texas at Austin with a B.S. in Radio-TV and Film. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with writer/director Mei Makino, about her feature film debut Inbetween Girl, which just had its premiere at SXSW! For three years, Mei taught filmmaking to youth in the Austin area which inspired her to tell honest stories about kids and teens. She’s written and directed short films that have played at The Dallas VideoFest, PBS, and ESPN’s Longhorn Network, and is an AFS grant recipient. Makino is a graduate of the University of Texas at Austin with a B.S. in Radio-TV and Film. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[MEI MAKINO & Inbetween Girl]]>
                </itunes:title>
                                    <itunes:episode>47</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with writer/director Mei Makino, about her feature film debut Inbetween Girl, which just had its premiere at SXSW! For three years, Mei taught filmmaking to youth in the Austin area which inspired her to tell honest stories about kids and teens. She’s written and directed short films that have played at The Dallas VideoFest, PBS, and ESPN’s Longhorn Network, and is an AFS grant recipient. Makino is a graduate of the University of Texas at Austin with a B.S. in Radio-TV and Film. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/DTzrrLo5ZTXvs4aTTpsftDmPgDJhgwqCIdgVZFfs.mp3" length="11554913"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with writer/director Mei Makino, about her feature film debut Inbetween Girl, which just had its premiere at SXSW! For three years, Mei taught filmmaking to youth in the Austin area which inspired her to tell honest stories about kids and teens. She’s written and directed short films that have played at The Dallas VideoFest, PBS, and ESPN’s Longhorn Network, and is an AFS grant recipient. Makino is a graduate of the University of Texas at Austin with a B.S. in Radio-TV and Film. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:15:57</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[WHITNEY SKAUGE & The Beauty President]]>
                </title>
                <pubDate>Thu, 18 Mar 2021 07:05:05 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/whitney-skauge-the-beauty-president-39699a6ea9ead0</guid>
                                    <link>https://afemalelens.castos.com/episodes/whitney-skauge-the-beauty-president-39699a6ea9ead0</link>
                                <description>
                                            <![CDATA[This week, we chat with Whitney Skauge, director of the short documentary The Beauty President, premiering at SXSW this week. The Beauty President asks the question, “If a bad actor can be president, why not a good drag queen?” In 1992, Joan Jett Blakk made a historic bid for the White House as an openly queer write-in candidate. Today, Terence Smith, the man behind the persona, reflects back on his place in gay rights history at the height of the AIDS crisis. By making this film, Whitney’s vision is to fill in one of the many gaps in the oral history of queer America. Though popular history has often swept the triumphs of gay heroes under the rug, documentary film helps us bring these incredible stories back into the light of day. As a black queer person, Whiney understands how imperative it is to share perspectives from underrepresented communities. Whitney Skauge is an award-winning filmmaker dedicated to diverse storytelling and representation. Their films act as an extension of social and political activism with hopes of helping audiences understand themselves and the world around them better. Having worked at Breakwater Studios, Women In Film, Sundance Institute, and the Big Sky Documentary Film Festival, their career has demonstrated a consistent commitment to the art of independent filmmaking. They received their B.F.A. in Digital Filmmaking from the University of Montana. We loved chatting with Whitney about the perseverance needed to make the film, the process, and what they hope people will come away with after watching the film. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Whitney Skauge, director of the short documentary The Beauty President, premiering at SXSW this week. The Beauty President asks the question, “If a bad actor can be president, why not a good drag queen?” In 1992, Joan Jett Blakk made a historic bid for the White House as an openly queer write-in candidate. Today, Terence Smith, the man behind the persona, reflects back on his place in gay rights history at the height of the AIDS crisis. By making this film, Whitney’s vision is to fill in one of the many gaps in the oral history of queer America. Though popular history has often swept the triumphs of gay heroes under the rug, documentary film helps us bring these incredible stories back into the light of day. As a black queer person, Whiney understands how imperative it is to share perspectives from underrepresented communities. Whitney Skauge is an award-winning filmmaker dedicated to diverse storytelling and representation. Their films act as an extension of social and political activism with hopes of helping audiences understand themselves and the world around them better. Having worked at Breakwater Studios, Women In Film, Sundance Institute, and the Big Sky Documentary Film Festival, their career has demonstrated a consistent commitment to the art of independent filmmaking. They received their B.F.A. in Digital Filmmaking from the University of Montana. We loved chatting with Whitney about the perseverance needed to make the film, the process, and what they hope people will come away with after watching the film. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[WHITNEY SKAUGE & The Beauty President]]>
                </itunes:title>
                                    <itunes:episode>46</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Whitney Skauge, director of the short documentary The Beauty President, premiering at SXSW this week. The Beauty President asks the question, “If a bad actor can be president, why not a good drag queen?” In 1992, Joan Jett Blakk made a historic bid for the White House as an openly queer write-in candidate. Today, Terence Smith, the man behind the persona, reflects back on his place in gay rights history at the height of the AIDS crisis. By making this film, Whitney’s vision is to fill in one of the many gaps in the oral history of queer America. Though popular history has often swept the triumphs of gay heroes under the rug, documentary film helps us bring these incredible stories back into the light of day. As a black queer person, Whiney understands how imperative it is to share perspectives from underrepresented communities. Whitney Skauge is an award-winning filmmaker dedicated to diverse storytelling and representation. Their films act as an extension of social and political activism with hopes of helping audiences understand themselves and the world around them better. Having worked at Breakwater Studios, Women In Film, Sundance Institute, and the Big Sky Documentary Film Festival, their career has demonstrated a consistent commitment to the art of independent filmmaking. They received their B.F.A. in Digital Filmmaking from the University of Montana. We loved chatting with Whitney about the perseverance needed to make the film, the process, and what they hope people will come away with after watching the film. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/PZC6wXFiDkt2gFK8t63tEg5sfo4Jg5lezBaC6icD.mp3" length="9382289"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Whitney Skauge, director of the short documentary The Beauty President, premiering at SXSW this week. The Beauty President asks the question, “If a bad actor can be president, why not a good drag queen?” In 1992, Joan Jett Blakk made a historic bid for the White House as an openly queer write-in candidate. Today, Terence Smith, the man behind the persona, reflects back on his place in gay rights history at the height of the AIDS crisis. By making this film, Whitney’s vision is to fill in one of the many gaps in the oral history of queer America. Though popular history has often swept the triumphs of gay heroes under the rug, documentary film helps us bring these incredible stories back into the light of day. As a black queer person, Whiney understands how imperative it is to share perspectives from underrepresented communities. Whitney Skauge is an award-winning filmmaker dedicated to diverse storytelling and representation. Their films act as an extension of social and political activism with hopes of helping audiences understand themselves and the world around them better. Having worked at Breakwater Studios, Women In Film, Sundance Institute, and the Big Sky Documentary Film Festival, their career has demonstrated a consistent commitment to the art of independent filmmaking. They received their B.F.A. in Digital Filmmaking from the University of Montana. We loved chatting with Whitney about the perseverance needed to make the film, the process, and what they hope people will come away with after watching the film. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:12:57</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[BRENDA WACHEL & Script Supervision]]>
                </title>
                <pubDate>Thu, 11 Mar 2021 19:22:22 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/brenda-wachel-script-supervision-39642febe226e4</guid>
                                    <link>https://afemalelens.castos.com/episodes/brenda-wachel-script-supervision-39642febe226e4</link>
                                <description>
                                            <![CDATA[Brenda Wachel is a veteran script supervisor. She has worked closely as a script supervisor for directors and producers including Joe Johnston, Paul Haggis, Steven Spielberg, Michael Mann, John Dahl, Gary Sinise, on projects such as Jurassic Park 3, Hidalgo, October Sky, and The Next 3 Days. Additionally, Brenda recently wrote, produced, and directed a Get Out The Vote video called “America, Vote!” We chat with her about all things script supervision, and about her exploration into directing. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Brenda Wachel is a veteran script supervisor. She has worked closely as a script supervisor for directors and producers including Joe Johnston, Paul Haggis, Steven Spielberg, Michael Mann, John Dahl, Gary Sinise, on projects such as Jurassic Park 3, Hidalgo, October Sky, and The Next 3 Days. Additionally, Brenda recently wrote, produced, and directed a Get Out The Vote video called “America, Vote!” We chat with her about all things script supervision, and about her exploration into directing. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[BRENDA WACHEL & Script Supervision]]>
                </itunes:title>
                                    <itunes:episode>45</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Brenda Wachel is a veteran script supervisor. She has worked closely as a script supervisor for directors and producers including Joe Johnston, Paul Haggis, Steven Spielberg, Michael Mann, John Dahl, Gary Sinise, on projects such as Jurassic Park 3, Hidalgo, October Sky, and The Next 3 Days. Additionally, Brenda recently wrote, produced, and directed a Get Out The Vote video called “America, Vote!” We chat with her about all things script supervision, and about her exploration into directing. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/0CjWwhbUkhtXqVDmJe1RAJ6o62nCvKghdqIr6rp8.mp3" length="17522697"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Brenda Wachel is a veteran script supervisor. She has worked closely as a script supervisor for directors and producers including Joe Johnston, Paul Haggis, Steven Spielberg, Michael Mann, John Dahl, Gary Sinise, on projects such as Jurassic Park 3, Hidalgo, October Sky, and The Next 3 Days. Additionally, Brenda recently wrote, produced, and directed a Get Out The Vote video called “America, Vote!” We chat with her about all things script supervision, and about her exploration into directing. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:24:16</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[JESSIE BARR & Sophie Jones]]>
                </title>
                <pubDate>Thu, 04 Mar 2021 08:05:07 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/jessie-barr-sophie-jones-395ea3b98e3ea8</guid>
                                    <link>https://afemalelens.castos.com/episodes/jessie-barr-sophie-jones-395ea3b98e3ea8</link>
                                <description>
                                            <![CDATA[This week, we check in with Jessie Barr, director of SOPHIE JONES. We talked to Jessie at the beginning of the pandemic and wanted to chat with her again now that her film is out in the world. The film tells the story of a teen who [ushes the boundaries of her newfound sexual awakening as she copes with the recent loss of her mother. Jessie discusses the distribution journey during a pandemic and what she’s looking forward to in 2021 (hint: lots of space to daydream). The film is now available on VOD. After our check-in, we re-air our first conversation with Jessie, who talks more about the process of making the film.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we check in with Jessie Barr, director of SOPHIE JONES. We talked to Jessie at the beginning of the pandemic and wanted to chat with her again now that her film is out in the world. The film tells the story of a teen who [ushes the boundaries of her newfound sexual awakening as she copes with the recent loss of her mother. Jessie discusses the distribution journey during a pandemic and what she’s looking forward to in 2021 (hint: lots of space to daydream). The film is now available on VOD. After our check-in, we re-air our first conversation with Jessie, who talks more about the process of making the film.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[JESSIE BARR & Sophie Jones]]>
                </itunes:title>
                                    <itunes:episode>44</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we check in with Jessie Barr, director of SOPHIE JONES. We talked to Jessie at the beginning of the pandemic and wanted to chat with her again now that her film is out in the world. The film tells the story of a teen who [ushes the boundaries of her newfound sexual awakening as she copes with the recent loss of her mother. Jessie discusses the distribution journey during a pandemic and what she’s looking forward to in 2021 (hint: lots of space to daydream). The film is now available on VOD. After our check-in, we re-air our first conversation with Jessie, who talks more about the process of making the film.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/dI55QoVC7gqiz8fl3Jwp9IkXKnFJFI6nHGvruI3W.mp3" length="23781595"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we check in with Jessie Barr, director of SOPHIE JONES. We talked to Jessie at the beginning of the pandemic and wanted to chat with her again now that her film is out in the world. The film tells the story of a teen who [ushes the boundaries of her newfound sexual awakening as she copes with the recent loss of her mother. Jessie discusses the distribution journey during a pandemic and what she’s looking forward to in 2021 (hint: lots of space to daydream). The film is now available on VOD. After our check-in, we re-air our first conversation with Jessie, who talks more about the process of making the film.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:57</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[AMY WILLIAMS & The Wilds]]>
                </title>
                <pubDate>Thu, 25 Feb 2021 08:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/amy-williams-the-wilds-395928a00978ea</guid>
                                    <link>https://afemalelens.castos.com/episodes/amy-williams-the-wilds-395928a00978ea</link>
                                <description>
                                            <![CDATA[This week we chat with Emmy award-winning production designer, Amy Williams. Amy has worked on over 40 films, including a number of Sundance selections, in addition to several TV shows. She won an Emmy for her scenic design work on A Crime To Remember, and some of her other work includes Master of None season 2, HBO’s Crashing, and the Apple+ series Little America. We chat specifically about Amy’s recent work on Amazon Prime’s new series, The Wilds. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we chat with Emmy award-winning production designer, Amy Williams. Amy has worked on over 40 films, including a number of Sundance selections, in addition to several TV shows. She won an Emmy for her scenic design work on A Crime To Remember, and some of her other work includes Master of None season 2, HBO’s Crashing, and the Apple+ series Little America. We chat specifically about Amy’s recent work on Amazon Prime’s new series, The Wilds. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[AMY WILLIAMS & The Wilds]]>
                </itunes:title>
                                    <itunes:episode>43</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we chat with Emmy award-winning production designer, Amy Williams. Amy has worked on over 40 films, including a number of Sundance selections, in addition to several TV shows. She won an Emmy for her scenic design work on A Crime To Remember, and some of her other work includes Master of None season 2, HBO’s Crashing, and the Apple+ series Little America. We chat specifically about Amy’s recent work on Amazon Prime’s new series, The Wilds. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/d8HItMlzx2BFvqX56YMUmOnaViZQa6b8FmM2yTlC.mp3" length="12039109"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we chat with Emmy award-winning production designer, Amy Williams. Amy has worked on over 40 films, including a number of Sundance selections, in addition to several TV shows. She won an Emmy for her scenic design work on A Crime To Remember, and some of her other work includes Master of None season 2, HBO’s Crashing, and the Apple+ series Little America. We chat specifically about Amy’s recent work on Amazon Prime’s new series, The Wilds. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:16:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ASHLEY O'SHAY and MORGAN JOHNSON & Unapologetic]]>
                </title>
                <pubDate>Thu, 18 Feb 2021 08:05:28 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/ashley-oshay-and-morgan-johnson-unapologetic-39538ee7b538d2</guid>
                                    <link>https://afemalelens.castos.com/episodes/ashley-oshay-and-morgan-johnson-unapologetic-39538ee7b538d2</link>
                                <description>
                                            <![CDATA[This week, we chat with director Ashley O’Shay and producer Morgan Johnson about their film Unapologetic. They talked about collaborating, their love for Chicago, and why this doc following two fierce abolitionist leaders coming of age within the Movement for Black Lives in Chicago is a timely watch. The film most recently screened at TIFF Next Wave Festival and will be playing at the Black Lesbian Film Festival and Big Sky Documentary Film Festival this weekend. Check out unapologeticflm.com to see where you can watch. Enjoy our conversation!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with director Ashley O’Shay and producer Morgan Johnson about their film Unapologetic. They talked about collaborating, their love for Chicago, and why this doc following two fierce abolitionist leaders coming of age within the Movement for Black Lives in Chicago is a timely watch. The film most recently screened at TIFF Next Wave Festival and will be playing at the Black Lesbian Film Festival and Big Sky Documentary Film Festival this weekend. Check out unapologeticflm.com to see where you can watch. Enjoy our conversation!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ASHLEY O'SHAY and MORGAN JOHNSON & Unapologetic]]>
                </itunes:title>
                                    <itunes:episode>42</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with director Ashley O’Shay and producer Morgan Johnson about their film Unapologetic. They talked about collaborating, their love for Chicago, and why this doc following two fierce abolitionist leaders coming of age within the Movement for Black Lives in Chicago is a timely watch. The film most recently screened at TIFF Next Wave Festival and will be playing at the Black Lesbian Film Festival and Big Sky Documentary Film Festival this weekend. Check out unapologeticflm.com to see where you can watch. Enjoy our conversation!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/PMx86gZ9cROrxEyJFlyCbF5HdK3GDL4LQfSpn8gq.mp3" length="18825543"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with director Ashley O’Shay and producer Morgan Johnson about their film Unapologetic. They talked about collaborating, their love for Chicago, and why this doc following two fierce abolitionist leaders coming of age within the Movement for Black Lives in Chicago is a timely watch. The film most recently screened at TIFF Next Wave Festival and will be playing at the Black Lesbian Film Festival and Big Sky Documentary Film Festival this weekend. Check out unapologeticflm.com to see where you can watch. Enjoy our conversation!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:26:05</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[GILLIAN WALLACE HORVAT & I Blame Society]]>
                </title>
                <pubDate>Thu, 11 Feb 2021 08:00:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/gillian-wallace-horvat-i-blame-society-394e38fe420010</guid>
                                    <link>https://afemalelens.castos.com/episodes/gillian-wallace-horvat-i-blame-society-394e38fe420010</link>
                                <description>
                                            <![CDATA[This week, we chat with Gillian Wallace Horvat, a Los Angeles-based filmmaker, writer, and film programmer about her new film I BLAME SOCIETY. I BLAME SOCIETY is Gillian’s feature film debut; previous projects include KISS KISS FINGERBANG, which was awarded the Jury Prize in the Midnight Shorts category at the 2015 South by Southwest Film Festival, and a Vimeo Staff Pick. She has also produced several documentaries and is  a guest columnist for Filmmaker magazine. I BLAME SOCIETY is available to watch on demand February 12!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Gillian Wallace Horvat, a Los Angeles-based filmmaker, writer, and film programmer about her new film I BLAME SOCIETY. I BLAME SOCIETY is Gillian’s feature film debut; previous projects include KISS KISS FINGERBANG, which was awarded the Jury Prize in the Midnight Shorts category at the 2015 South by Southwest Film Festival, and a Vimeo Staff Pick. She has also produced several documentaries and is  a guest columnist for Filmmaker magazine. I BLAME SOCIETY is available to watch on demand February 12!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[GILLIAN WALLACE HORVAT & I Blame Society]]>
                </itunes:title>
                                    <itunes:episode>41</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Gillian Wallace Horvat, a Los Angeles-based filmmaker, writer, and film programmer about her new film I BLAME SOCIETY. I BLAME SOCIETY is Gillian’s feature film debut; previous projects include KISS KISS FINGERBANG, which was awarded the Jury Prize in the Midnight Shorts category at the 2015 South by Southwest Film Festival, and a Vimeo Staff Pick. She has also produced several documentaries and is  a guest columnist for Filmmaker magazine. I BLAME SOCIETY is available to watch on demand February 12!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/UWNIUiIOJcnPctqi6sVkGyOefo5Mu16HOhsfYkFj.mp3" length="12284124"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Gillian Wallace Horvat, a Los Angeles-based filmmaker, writer, and film programmer about her new film I BLAME SOCIETY. I BLAME SOCIETY is Gillian’s feature film debut; previous projects include KISS KISS FINGERBANG, which was awarded the Jury Prize in the Midnight Shorts category at the 2015 South by Southwest Film Festival, and a Vimeo Staff Pick. She has also produced several documentaries and is  a guest columnist for Filmmaker magazine. I BLAME SOCIETY is available to watch on demand February 12!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:16:59</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[BEANDREA JULY & Sundance 2021 Roundup]]>
                </title>
                <pubDate>Tue, 09 Feb 2021 08:06:23 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/beandrea-july-sundance-2021-roundup-394caa39af1648</guid>
                                    <link>https://afemalelens.castos.com/episodes/beandrea-july-sundance-2021-roundup-394caa39af1648</link>
                                <description>
                                            <![CDATA[It's a Sundance tradition! We welcome back friend of the pod + film critic Beandrea July to chat with us about her Sundance Film Festival 2021 virtual experience and her favorite films. 

Beandrea July (@beandreadotcom) is a freelance film critic based in Los Angeles who works in print and audio. Her work has appeared in several publications including Vanity Fair, The New York Times, Time, The Hollywood Reporter, Hyperallergic, Level and NPR. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. Of the nine films that Sidney Poitier has directed the eighth one is still a favorite.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[It's a Sundance tradition! We welcome back friend of the pod + film critic Beandrea July to chat with us about her Sundance Film Festival 2021 virtual experience and her favorite films. 

Beandrea July (@beandreadotcom) is a freelance film critic based in Los Angeles who works in print and audio. Her work has appeared in several publications including Vanity Fair, The New York Times, Time, The Hollywood Reporter, Hyperallergic, Level and NPR. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. Of the nine films that Sidney Poitier has directed the eighth one is still a favorite.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[BEANDREA JULY & Sundance 2021 Roundup]]>
                </itunes:title>
                                    <itunes:episode>40</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[It's a Sundance tradition! We welcome back friend of the pod + film critic Beandrea July to chat with us about her Sundance Film Festival 2021 virtual experience and her favorite films. 

Beandrea July (@beandreadotcom) is a freelance film critic based in Los Angeles who works in print and audio. Her work has appeared in several publications including Vanity Fair, The New York Times, Time, The Hollywood Reporter, Hyperallergic, Level and NPR. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. Of the nine films that Sidney Poitier has directed the eighth one is still a favorite.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/molranoHvq6mfZKRKSyGv18hHuHROE4VV5VzUWS2.mp3" length="15368081"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[It's a Sundance tradition! We welcome back friend of the pod + film critic Beandrea July to chat with us about her Sundance Film Festival 2021 virtual experience and her favorite films. 

Beandrea July (@beandreadotcom) is a freelance film critic based in Los Angeles who works in print and audio. Her work has appeared in several publications including Vanity Fair, The New York Times, Time, The Hollywood Reporter, Hyperallergic, Level and NPR. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. Of the nine films that Sidney Poitier has directed the eighth one is still a favorite.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:17</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[AMEY RENÉ & Marvelous and the Black Hole]]>
                </title>
                <pubDate>Sat, 30 Jan 2021 08:05:46 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/amey-rene-marvelous-and-the-black-hole-3944bf375ca2be</guid>
                                    <link>https://afemalelens.castos.com/episodes/amey-rene-marvelous-and-the-black-hole-3944bf375ca2be</link>
                                <description>
                                            <![CDATA[Happy (virtual) Sundance Film Festival! We're warching films from our living rooms all week and bringing you interviews with Sundance filmmakers. 

We chatted with a favorite past guest, Amey René, casting director of MARVELOUS AND THE BLACK HOLE, directed by Kate Tsang. She tells us about the casting process for the film and what special skills she brought to the table for this project!

MARVELOUS AND THE BLACK HOLE synopsis: Thirteen-year-old Sammy is struggling to cope with the death of her mother. After she is caught vandalizing one of her school’s restrooms, her father, fed up with her wild behavior, enrolls her in a summer course—if she fails, she’ll be sent to a boot camp for delinquent youth. After storming out of her first class, Sammy meets Margot, a surly magician. Margot forces Sammy to be her assistant for a performance, and although Sammy seems uninterested, she seeks Margot out after the show and asks to become Margot’s pupil. Margot agrees, and as their unlikely friendship grows, we learn that she and Sammy understand each other more than they expected.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're warching films from our living rooms all week and bringing you interviews with Sundance filmmakers. 

We chatted with a favorite past guest, Amey René, casting director of MARVELOUS AND THE BLACK HOLE, directed by Kate Tsang. She tells us about the casting process for the film and what special skills she brought to the table for this project!

MARVELOUS AND THE BLACK HOLE synopsis: Thirteen-year-old Sammy is struggling to cope with the death of her mother. After she is caught vandalizing one of her school’s restrooms, her father, fed up with her wild behavior, enrolls her in a summer course—if she fails, she’ll be sent to a boot camp for delinquent youth. After storming out of her first class, Sammy meets Margot, a surly magician. Margot forces Sammy to be her assistant for a performance, and although Sammy seems uninterested, she seeks Margot out after the show and asks to become Margot’s pupil. Margot agrees, and as their unlikely friendship grows, we learn that she and Sammy understand each other more than they expected.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[AMEY RENÉ & Marvelous and the Black Hole]]>
                </itunes:title>
                                    <itunes:episode>39</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're warching films from our living rooms all week and bringing you interviews with Sundance filmmakers. 

We chatted with a favorite past guest, Amey René, casting director of MARVELOUS AND THE BLACK HOLE, directed by Kate Tsang. She tells us about the casting process for the film and what special skills she brought to the table for this project!

MARVELOUS AND THE BLACK HOLE synopsis: Thirteen-year-old Sammy is struggling to cope with the death of her mother. After she is caught vandalizing one of her school’s restrooms, her father, fed up with her wild behavior, enrolls her in a summer course—if she fails, she’ll be sent to a boot camp for delinquent youth. After storming out of her first class, Sammy meets Margot, a surly magician. Margot forces Sammy to be her assistant for a performance, and although Sammy seems uninterested, she seeks Margot out after the show and asks to become Margot’s pupil. Margot agrees, and as their unlikely friendship grows, we learn that she and Sammy understand each other more than they expected.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/m2lJTtbuOrlYwPVIEo1nvV7uvpZkpbjc2OaAWWGM.mp3" length="11213684"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're warching films from our living rooms all week and bringing you interviews with Sundance filmmakers. 

We chatted with a favorite past guest, Amey René, casting director of MARVELOUS AND THE BLACK HOLE, directed by Kate Tsang. She tells us about the casting process for the film and what special skills she brought to the table for this project!

MARVELOUS AND THE BLACK HOLE synopsis: Thirteen-year-old Sammy is struggling to cope with the death of her mother. After she is caught vandalizing one of her school’s restrooms, her father, fed up with her wild behavior, enrolls her in a summer course—if she fails, she’ll be sent to a boot camp for delinquent youth. After storming out of her first class, Sammy meets Margot, a surly magician. Margot forces Sammy to be her assistant for a performance, and although Sammy seems uninterested, she seeks Margot out after the show and asks to become Margot’s pupil. Margot agrees, and as their unlikely friendship grows, we learn that she and Sammy understand each other more than they expected.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:15:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SUNDANCE: Julia Baylis, Deanna Gibson & WIGGLE ROOM]]>
                </title>
                <pubDate>Fri, 29 Jan 2021 20:16:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sundance-julia-baylis-deanna-gibson-wiggle-room-39449a018a03bc</guid>
                                    <link>https://afemalelens.castos.com/episodes/sundance-julia-baylis-deanna-gibson-wiggle-room-39449a018a03bc</link>
                                <description>
                                            <![CDATA[Happy (virtual) Sundance Film Festival! We're watching films from our living rooms all week and bringing you interviews with Sundance filmmakers. First up, we chatted with co-director/co-writer Julia Baylis, and actor Deanna Gibson, about their short film WIGGLE ROOM.

WIGGLE ROOM synopsis: Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. *This short is available on-demand throughout the Festival with purchase of a pass.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're watching films from our living rooms all week and bringing you interviews with Sundance filmmakers. First up, we chatted with co-director/co-writer Julia Baylis, and actor Deanna Gibson, about their short film WIGGLE ROOM.

WIGGLE ROOM synopsis: Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. *This short is available on-demand throughout the Festival with purchase of a pass.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SUNDANCE: Julia Baylis, Deanna Gibson & WIGGLE ROOM]]>
                </itunes:title>
                                    <itunes:episode>38</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're watching films from our living rooms all week and bringing you interviews with Sundance filmmakers. First up, we chatted with co-director/co-writer Julia Baylis, and actor Deanna Gibson, about their short film WIGGLE ROOM.

WIGGLE ROOM synopsis: Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. *This short is available on-demand throughout the Festival with purchase of a pass.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/ViRsMBGUlaUAMJouQKo4ZpxCZrkHdQUEP22QMrc2.mp3" length="6533049"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Happy (virtual) Sundance Film Festival! We're watching films from our living rooms all week and bringing you interviews with Sundance filmmakers. First up, we chatted with co-director/co-writer Julia Baylis, and actor Deanna Gibson, about their short film WIGGLE ROOM.

WIGGLE ROOM synopsis: Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. *This short is available on-demand throughout the Festival with purchase of a pass.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:09:02</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[CHANTAL POTTER & Balloon Man]]>
                </title>
                <pubDate>Thu, 28 Jan 2021 08:01:05 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/chantal-potter-balloon-man-3943195638a97e</guid>
                                    <link>https://afemalelens.castos.com/episodes/chantal-potter-balloon-man-3943195638a97e</link>
                                <description>
                                            <![CDATA[This week we sat down with award-winning director, producer, and writer, Chantal Potter, and talked with her about her directorial debut, Balloon Man. Chantal founded Made For T.V. Productions in 2008 and she was previously known for BET Network's award-winning docu-series, The Defining Moment &amp; Turning Point, where she was the creator, Executive Producer, and host.

Her feature directorial debut Balloon Man, is an intimate portrait of a her father--a former NFL athlete who learned how to navigate through the clouds, becoming the first African American Hot-Air Balloon Master Pilot in the world. Balloon Man will be released worldwide on-demand on February 2, 2021.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we sat down with award-winning director, producer, and writer, Chantal Potter, and talked with her about her directorial debut, Balloon Man. Chantal founded Made For T.V. Productions in 2008 and she was previously known for BET Network's award-winning docu-series, The Defining Moment & Turning Point, where she was the creator, Executive Producer, and host.

Her feature directorial debut Balloon Man, is an intimate portrait of a her father--a former NFL athlete who learned how to navigate through the clouds, becoming the first African American Hot-Air Balloon Master Pilot in the world. Balloon Man will be released worldwide on-demand on February 2, 2021.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[CHANTAL POTTER & Balloon Man]]>
                </itunes:title>
                                    <itunes:episode>37</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we sat down with award-winning director, producer, and writer, Chantal Potter, and talked with her about her directorial debut, Balloon Man. Chantal founded Made For T.V. Productions in 2008 and she was previously known for BET Network's award-winning docu-series, The Defining Moment &amp; Turning Point, where she was the creator, Executive Producer, and host.

Her feature directorial debut Balloon Man, is an intimate portrait of a her father--a former NFL athlete who learned how to navigate through the clouds, becoming the first African American Hot-Air Balloon Master Pilot in the world. Balloon Man will be released worldwide on-demand on February 2, 2021.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/5PanriCNIWNu3OjJNw7htpTpGR4fzvoJHLBCr97f.mp3" length="13586433"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we sat down with award-winning director, producer, and writer, Chantal Potter, and talked with her about her directorial debut, Balloon Man. Chantal founded Made For T.V. Productions in 2008 and she was previously known for BET Network's award-winning docu-series, The Defining Moment & Turning Point, where she was the creator, Executive Producer, and host.

Her feature directorial debut Balloon Man, is an intimate portrait of a her father--a former NFL athlete who learned how to navigate through the clouds, becoming the first African American Hot-Air Balloon Master Pilot in the world. Balloon Man will be released worldwide on-demand on February 2, 2021.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:18:48</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[LAURA CRISTINA ORTIZ & Synchronic]]>
                </title>
                <pubDate>Thu, 21 Jan 2021 09:05:19 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/laura-cristina-ortiz-synchronic-393db13f007128</guid>
                                    <link>https://afemalelens.castos.com/episodes/laura-cristina-ortiz-synchronic-393db13f007128</link>
                                <description>
                                            <![CDATA[This week, we chat with costume designer Laura Cristina Ortiz. She chats with us about discovering her love for costuming (it’s in her blood!) and her passion for ethical fashion. She talks with us about her recent project, the film Synchronic which can be found on VOD, and the fascinating design challenges she faced on that. Enjoy our conversation!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with costume designer Laura Cristina Ortiz. She chats with us about discovering her love for costuming (it’s in her blood!) and her passion for ethical fashion. She talks with us about her recent project, the film Synchronic which can be found on VOD, and the fascinating design challenges she faced on that. Enjoy our conversation!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[LAURA CRISTINA ORTIZ & Synchronic]]>
                </itunes:title>
                                    <itunes:episode>36</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with costume designer Laura Cristina Ortiz. She chats with us about discovering her love for costuming (it’s in her blood!) and her passion for ethical fashion. She talks with us about her recent project, the film Synchronic which can be found on VOD, and the fascinating design challenges she faced on that. Enjoy our conversation!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/pCROJGxVMIn2nsMIPjFEvgj22QYxRVOTPjYSLuZC.mp3" length="19866835"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with costume designer Laura Cristina Ortiz. She chats with us about discovering her love for costuming (it’s in her blood!) and her passion for ethical fashion. She talks with us about her recent project, the film Synchronic which can be found on VOD, and the fascinating design challenges she faced on that. Enjoy our conversation!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:27:30</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SUJATA DAY & Definition Please]]>
                </title>
                <pubDate>Thu, 14 Jan 2021 09:05:05 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sujata-day-definition-please-3937f6afcba61c</guid>
                                    <link>https://afemalelens.castos.com/episodes/sujata-day-definition-please-3937f6afcba61c</link>
                                <description>
                                            <![CDATA[With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has established herself as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show. Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure. Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism. Sujata's debut feature film, Definition Please, is currently touring the film festival circuit.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has established herself as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show. Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure. Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism. Sujata's debut feature film, Definition Please, is currently touring the film festival circuit.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SUJATA DAY & Definition Please]]>
                </itunes:title>
                                    <itunes:episode>35</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has established herself as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show. Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure. Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism. Sujata's debut feature film, Definition Please, is currently touring the film festival circuit.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/BMHo8zM6RDTNhhruakvlPW6QW75nElutPvLbXD7I.mp3" length="21480300"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has established herself as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show. Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure. Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism. Sujata's debut feature film, Definition Please, is currently touring the film festival circuit.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:29:45</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SADE NDYA & The Red Futon]]>
                </title>
                <pubDate>Thu, 07 Jan 2021 08:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sade-ndya-the-red-futon-3932c85adfea60</guid>
                                    <link>https://afemalelens.castos.com/episodes/sade-ndya-the-red-futon-3932c85adfea60</link>
                                <description>
                                            <![CDATA[This week, we chat with Sade Ndya, an LA based Cinematographer, who also specializes in Fine Art Photography and Community Organizing. Through her creative work, Sade is actively dedicated to providing safe creative spaces for fellow BIPOC to carry out their personal visions and endeavors. At only 19, she started her own freelance production company called The Red Futon, where she cultivates space for BIPOC talent to freelance creating content for local brands and musicians. Additionally, she is also a Cinematography mentor at Made In Her Image, which is a non-profit that provides young brown and black girls education, resources and industry opportunities to learn the world of filmmaking.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Sade Ndya, an LA based Cinematographer, who also specializes in Fine Art Photography and Community Organizing. Through her creative work, Sade is actively dedicated to providing safe creative spaces for fellow BIPOC to carry out their personal visions and endeavors. At only 19, she started her own freelance production company called The Red Futon, where she cultivates space for BIPOC talent to freelance creating content for local brands and musicians. Additionally, she is also a Cinematography mentor at Made In Her Image, which is a non-profit that provides young brown and black girls education, resources and industry opportunities to learn the world of filmmaking.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SADE NDYA & The Red Futon]]>
                </itunes:title>
                                    <itunes:episode>34</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Sade Ndya, an LA based Cinematographer, who also specializes in Fine Art Photography and Community Organizing. Through her creative work, Sade is actively dedicated to providing safe creative spaces for fellow BIPOC to carry out their personal visions and endeavors. At only 19, she started her own freelance production company called The Red Futon, where she cultivates space for BIPOC talent to freelance creating content for local brands and musicians. Additionally, she is also a Cinematography mentor at Made In Her Image, which is a non-profit that provides young brown and black girls education, resources and industry opportunities to learn the world of filmmaking.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/ZslxKX45Q4EP3LIbsaimFHoQq8ASjjd1uOO5dnGA.mp3" length="14103962"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Sade Ndya, an LA based Cinematographer, who also specializes in Fine Art Photography and Community Organizing. Through her creative work, Sade is actively dedicated to providing safe creative spaces for fellow BIPOC to carry out their personal visions and endeavors. At only 19, she started her own freelance production company called The Red Futon, where she cultivates space for BIPOC talent to freelance creating content for local brands and musicians. Additionally, she is also a Cinematography mentor at Made In Her Image, which is a non-profit that provides young brown and black girls education, resources and industry opportunities to learn the world of filmmaking.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:19:31</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[TARA MIELE & Wander Darkly]]>
                </title>
                <pubDate>Thu, 17 Dec 2020 09:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/tara-miele-wander-darkly-392232ce61dccc</guid>
                                    <link>https://afemalelens.castos.com/episodes/tara-miele-wander-darkly-392232ce61dccc</link>
                                <description>
                                            <![CDATA[This week, we have a conversation with writer/director Tara Miele about her recent feature film, Wander Darkly, which premiered at the 2020 Sundance Film Festival. Tara is well known for the viral video 'Meet a Muslim' which she created to combat Islamophobia. The video has been featured on Refinery 29, Buzzfeed, Upworthy, and was shared around the world over 45 million times. Tara recently directed the backdoor pilot Green Arrow and The Canaries, and has directed episodes of Arrow, Batwoman and Hawaii Five-0, as well as four micro budget feature films. She is also a graduate of Ryan Murphy's Half Foundation and the CBS Directing Initiative. Wander Darkly is now available to watch on VOD.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we have a conversation with writer/director Tara Miele about her recent feature film, Wander Darkly, which premiered at the 2020 Sundance Film Festival. Tara is well known for the viral video 'Meet a Muslim' which she created to combat Islamophobia. The video has been featured on Refinery 29, Buzzfeed, Upworthy, and was shared around the world over 45 million times. Tara recently directed the backdoor pilot Green Arrow and The Canaries, and has directed episodes of Arrow, Batwoman and Hawaii Five-0, as well as four micro budget feature films. She is also a graduate of Ryan Murphy's Half Foundation and the CBS Directing Initiative. Wander Darkly is now available to watch on VOD.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[TARA MIELE & Wander Darkly]]>
                </itunes:title>
                                    <itunes:episode>33</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we have a conversation with writer/director Tara Miele about her recent feature film, Wander Darkly, which premiered at the 2020 Sundance Film Festival. Tara is well known for the viral video 'Meet a Muslim' which she created to combat Islamophobia. The video has been featured on Refinery 29, Buzzfeed, Upworthy, and was shared around the world over 45 million times. Tara recently directed the backdoor pilot Green Arrow and The Canaries, and has directed episodes of Arrow, Batwoman and Hawaii Five-0, as well as four micro budget feature films. She is also a graduate of Ryan Murphy's Half Foundation and the CBS Directing Initiative. Wander Darkly is now available to watch on VOD.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/36FzYd5TwngsDVFbbCdSGaSxT2Jmllk7hj7E2AGO.mp3" length="19442594"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we have a conversation with writer/director Tara Miele about her recent feature film, Wander Darkly, which premiered at the 2020 Sundance Film Festival. Tara is well known for the viral video 'Meet a Muslim' which she created to combat Islamophobia. The video has been featured on Refinery 29, Buzzfeed, Upworthy, and was shared around the world over 45 million times. Tara recently directed the backdoor pilot Green Arrow and The Canaries, and has directed episodes of Arrow, Batwoman and Hawaii Five-0, as well as four micro budget feature films. She is also a graduate of Ryan Murphy's Half Foundation and the CBS Directing Initiative. Wander Darkly is now available to watch on VOD.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:26:57</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[KENNA WRIGHT & Palms]]>
                </title>
                <pubDate>Thu, 10 Dec 2020 08:00:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/kenna-wright-palms-391ca68d127a18</guid>
                                    <link>https://afemalelens.castos.com/episodes/kenna-wright-palms-391ca68d127a18</link>
                                <description>
                                            <![CDATA[This week, we bring you a delightful conversation with Kenna Wright. Kenna is an actress, dancer, and choreographer based in Los Angeles. She has appeared on TV shows such as Veronica Mars, Grown-Ish, The Affair, Fresh Off The Boat and multiple national commercials. Kenna recently directed, wrote and produced her own short film PALMS, that takes a deeper look at the world through the eyes of a young African American girl. PALMS is currently being submitted film festivals around the country and has received a series of awards and acknowledgements. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we bring you a delightful conversation with Kenna Wright. Kenna is an actress, dancer, and choreographer based in Los Angeles. She has appeared on TV shows such as Veronica Mars, Grown-Ish, The Affair, Fresh Off The Boat and multiple national commercials. Kenna recently directed, wrote and produced her own short film PALMS, that takes a deeper look at the world through the eyes of a young African American girl. PALMS is currently being submitted film festivals around the country and has received a series of awards and acknowledgements. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[KENNA WRIGHT & Palms]]>
                </itunes:title>
                                    <itunes:episode>32</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we bring you a delightful conversation with Kenna Wright. Kenna is an actress, dancer, and choreographer based in Los Angeles. She has appeared on TV shows such as Veronica Mars, Grown-Ish, The Affair, Fresh Off The Boat and multiple national commercials. Kenna recently directed, wrote and produced her own short film PALMS, that takes a deeper look at the world through the eyes of a young African American girl. PALMS is currently being submitted film festivals around the country and has received a series of awards and acknowledgements. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/0Yjb88U32NwcQSDxmV4LeVA6MlHwDaADVyyE8Dyy.mp3" length="15417180"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we bring you a delightful conversation with Kenna Wright. Kenna is an actress, dancer, and choreographer based in Los Angeles. She has appeared on TV shows such as Veronica Mars, Grown-Ish, The Affair, Fresh Off The Boat and multiple national commercials. Kenna recently directed, wrote and produced her own short film PALMS, that takes a deeper look at the world through the eyes of a young African American girl. PALMS is currently being submitted film festivals around the country and has received a series of awards and acknowledgements. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:20</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[TRACY DISHMAN & Black Bear]]>
                </title>
                <pubDate>Fri, 04 Dec 2020 21:30:30 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/tracy-dishman-black-bear-39189d592e15a6</guid>
                                    <link>https://afemalelens.castos.com/episodes/tracy-dishman-black-bear-39189d592e15a6</link>
                                <description>
                                            <![CDATA[Special Episode! We're so excited to re-air this conversation (and one of our last in-person interviews!?) with film production designer, Tracy Dishman. We chatted with Tracy at the 2020 Sundance Film Festival about the film Black Bear, which she designed for. Black Bear was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Tune in for our conversation with Tracy and check out Black Bear on demand, today!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Special Episode! We're so excited to re-air this conversation (and one of our last in-person interviews!?) with film production designer, Tracy Dishman. We chatted with Tracy at the 2020 Sundance Film Festival about the film Black Bear, which she designed for. Black Bear was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Tune in for our conversation with Tracy and check out Black Bear on demand, today!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[TRACY DISHMAN & Black Bear]]>
                </itunes:title>
                                    <itunes:episode>31</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Special Episode! We're so excited to re-air this conversation (and one of our last in-person interviews!?) with film production designer, Tracy Dishman. We chatted with Tracy at the 2020 Sundance Film Festival about the film Black Bear, which she designed for. Black Bear was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Tune in for our conversation with Tracy and check out Black Bear on demand, today!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/zcuTqMwz1LUHUAaoc03FA6oovkgY3W3N1z4mWtnR.mp3" length="12129637"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Special Episode! We're so excited to re-air this conversation (and one of our last in-person interviews!?) with film production designer, Tracy Dishman. We chatted with Tracy at the 2020 Sundance Film Festival about the film Black Bear, which she designed for. Black Bear was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Tune in for our conversation with Tracy and check out Black Bear on demand, today!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:16:45</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[HILLARY SPERA - The Craft: Legacy & Run]]>
                </title>
                <pubDate>Thu, 03 Dec 2020 08:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/hillary-spera-the-craft-legacy-run-391739cc82bea8</guid>
                                    <link>https://afemalelens.castos.com/episodes/hillary-spera-the-craft-legacy-run-391739cc82bea8</link>
                                <description>
                                            <![CDATA[Hillary Spera is a cinematographer based in Brooklyn, NY. We’ve coinicidentally watched a handful of Hillary’s films during the pandemic, so we were delighted to chat with her about a couple of her most recent ones! We specifically talked with her about her work on the Blumhouse/Sony Pictures reboot of THE CRAFT, directed by Zoe Lister Jones, as well as the Lionsgate feature RUN, directed by Aneesh Chaganty. 

Hillary’s credits include Zoe Lister-Jones’ BAND AID, Miguel Arteta’s DUCK BUTTER, Craig Johnson’s ALEX STRANGELOVE, and THE PACKAGE, directed by Jake Szymanski, executive produced by Ben Stiller. Her narrative television work includes the pilot for P-VALLEY for Starz, THE LOST BOYS for Warner Brothers/CW and currently she is working on Warner Brothers’ THE FLIGHT ATTENDANT.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Hillary Spera is a cinematographer based in Brooklyn, NY. We’ve coinicidentally watched a handful of Hillary’s films during the pandemic, so we were delighted to chat with her about a couple of her most recent ones! We specifically talked with her about her work on the Blumhouse/Sony Pictures reboot of THE CRAFT, directed by Zoe Lister Jones, as well as the Lionsgate feature RUN, directed by Aneesh Chaganty. 

Hillary’s credits include Zoe Lister-Jones’ BAND AID, Miguel Arteta’s DUCK BUTTER, Craig Johnson’s ALEX STRANGELOVE, and THE PACKAGE, directed by Jake Szymanski, executive produced by Ben Stiller. Her narrative television work includes the pilot for P-VALLEY for Starz, THE LOST BOYS for Warner Brothers/CW and currently she is working on Warner Brothers’ THE FLIGHT ATTENDANT.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[HILLARY SPERA - The Craft: Legacy & Run]]>
                </itunes:title>
                                    <itunes:episode>30</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Hillary Spera is a cinematographer based in Brooklyn, NY. We’ve coinicidentally watched a handful of Hillary’s films during the pandemic, so we were delighted to chat with her about a couple of her most recent ones! We specifically talked with her about her work on the Blumhouse/Sony Pictures reboot of THE CRAFT, directed by Zoe Lister Jones, as well as the Lionsgate feature RUN, directed by Aneesh Chaganty. 

Hillary’s credits include Zoe Lister-Jones’ BAND AID, Miguel Arteta’s DUCK BUTTER, Craig Johnson’s ALEX STRANGELOVE, and THE PACKAGE, directed by Jake Szymanski, executive produced by Ben Stiller. Her narrative television work includes the pilot for P-VALLEY for Starz, THE LOST BOYS for Warner Brothers/CW and currently she is working on Warner Brothers’ THE FLIGHT ATTENDANT.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/ewjbF83sAmMUT4gqCUjexMkSbcmgNii2A63mCKuY.mp3" length="4193386"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Hillary Spera is a cinematographer based in Brooklyn, NY. We’ve coinicidentally watched a handful of Hillary’s films during the pandemic, so we were delighted to chat with her about a couple of her most recent ones! We specifically talked with her about her work on the Blumhouse/Sony Pictures reboot of THE CRAFT, directed by Zoe Lister Jones, as well as the Lionsgate feature RUN, directed by Aneesh Chaganty. 

Hillary’s credits include Zoe Lister-Jones’ BAND AID, Miguel Arteta’s DUCK BUTTER, Craig Johnson’s ALEX STRANGELOVE, and THE PACKAGE, directed by Jake Szymanski, executive produced by Ben Stiller. Her narrative television work includes the pilot for P-VALLEY for Starz, THE LOST BOYS for Warner Brothers/CW and currently she is working on Warner Brothers’ THE FLIGHT ATTENDANT.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:48</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[KELLY WALKER & My Fiona]]>
                </title>
                <pubDate>Thu, 19 Nov 2020 08:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/kelly-walker-my-fiona-390c35604bfae6</guid>
                                    <link>https://afemalelens.castos.com/episodes/kelly-walker-my-fiona-390c35604bfae6</link>
                                <description>
                                            <![CDATA[Kelly Walker is an Australian multi-hyphenate award winning filmmaker. She's had multiple short films in the festival circuit, most notably The Brownlist, directed and edited by Walker, which received the Jury Award for Best Short Film at Bentonville Film Festival. We chatted with Kelly about her debut feature, My Fiona. She was invited to participate in Australian's In Film's Writers Lab for her script and completed shooting the film in the summer 2019. My Fiona was set to world premiere at BFI Flare in London in March 2020, but due to Covid-19 the premiere was cancelled.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Kelly Walker is an Australian multi-hyphenate award winning filmmaker. She's had multiple short films in the festival circuit, most notably The Brownlist, directed and edited by Walker, which received the Jury Award for Best Short Film at Bentonville Film Festival. We chatted with Kelly about her debut feature, My Fiona. She was invited to participate in Australian's In Film's Writers Lab for her script and completed shooting the film in the summer 2019. My Fiona was set to world premiere at BFI Flare in London in March 2020, but due to Covid-19 the premiere was cancelled.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[KELLY WALKER & My Fiona]]>
                </itunes:title>
                                    <itunes:episode>29</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Kelly Walker is an Australian multi-hyphenate award winning filmmaker. She's had multiple short films in the festival circuit, most notably The Brownlist, directed and edited by Walker, which received the Jury Award for Best Short Film at Bentonville Film Festival. We chatted with Kelly about her debut feature, My Fiona. She was invited to participate in Australian's In Film's Writers Lab for her script and completed shooting the film in the summer 2019. My Fiona was set to world premiere at BFI Flare in London in March 2020, but due to Covid-19 the premiere was cancelled.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/ztxPK6BDrTCOniv0OyYQSLV5hVgDdDD7EuCFvFbN.mp3" length="9399744"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Kelly Walker is an Australian multi-hyphenate award winning filmmaker. She's had multiple short films in the festival circuit, most notably The Brownlist, directed and edited by Walker, which received the Jury Award for Best Short Film at Bentonville Film Festival. We chatted with Kelly about her debut feature, My Fiona. She was invited to participate in Australian's In Film's Writers Lab for her script and completed shooting the film in the summer 2019. My Fiona was set to world premiere at BFI Flare in London in March 2020, but due to Covid-19 the premiere was cancelled.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:12:58</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ANNA KERRIGAN & Cowboys]]>
                </title>
                <pubDate>Thu, 12 Nov 2020 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/anna-kerrigan-cowboys-390681db97415c</guid>
                                    <link>https://afemalelens.castos.com/episodes/anna-kerrigan-cowboys-390681db97415c</link>
                                <description>
                                            <![CDATA[Anna Kerrigan is a Los Angeles-based filmmaker with a background in independent film, digital storytelling and theater. HOT SEAT, which she wrote and directed, premiered at the 2017 Sundance Film Festival. She also directed THE CHANCES, a digital series written by and starring two deaf actors, which also premiered at the 2017 Sundance Film Festival. We specifically chatted with her about her film Cowboys, which was a 2020 Tribeca selection, in addition to Outfest, Frameline, Nashville, Newfest, and Leiden. Anna won the award for Best Screenplay at Tribeca and the film won the Audience Award for Best Feature at Nashville Film Festival. And since we chatted, Cowboys got picked up by Samuel Goldwyn and will be released early next year!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Anna Kerrigan is a Los Angeles-based filmmaker with a background in independent film, digital storytelling and theater. HOT SEAT, which she wrote and directed, premiered at the 2017 Sundance Film Festival. She also directed THE CHANCES, a digital series written by and starring two deaf actors, which also premiered at the 2017 Sundance Film Festival. We specifically chatted with her about her film Cowboys, which was a 2020 Tribeca selection, in addition to Outfest, Frameline, Nashville, Newfest, and Leiden. Anna won the award for Best Screenplay at Tribeca and the film won the Audience Award for Best Feature at Nashville Film Festival. And since we chatted, Cowboys got picked up by Samuel Goldwyn and will be released early next year!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ANNA KERRIGAN & Cowboys]]>
                </itunes:title>
                                    <itunes:episode>28</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Anna Kerrigan is a Los Angeles-based filmmaker with a background in independent film, digital storytelling and theater. HOT SEAT, which she wrote and directed, premiered at the 2017 Sundance Film Festival. She also directed THE CHANCES, a digital series written by and starring two deaf actors, which also premiered at the 2017 Sundance Film Festival. We specifically chatted with her about her film Cowboys, which was a 2020 Tribeca selection, in addition to Outfest, Frameline, Nashville, Newfest, and Leiden. Anna won the award for Best Screenplay at Tribeca and the film won the Audience Award for Best Feature at Nashville Film Festival. And since we chatted, Cowboys got picked up by Samuel Goldwyn and will be released early next year!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/kyLRxIVzeGbUZ9yFXixls7EuBjDKPjGR0OxzxUOV.mp3" length="15243835"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Anna Kerrigan is a Los Angeles-based filmmaker with a background in independent film, digital storytelling and theater. HOT SEAT, which she wrote and directed, premiered at the 2017 Sundance Film Festival. She also directed THE CHANCES, a digital series written by and starring two deaf actors, which also premiered at the 2017 Sundance Film Festival. We specifically chatted with her about her film Cowboys, which was a 2020 Tribeca selection, in addition to Outfest, Frameline, Nashville, Newfest, and Leiden. Anna won the award for Best Screenplay at Tribeca and the film won the Audience Award for Best Feature at Nashville Film Festival. And since we chatted, Cowboys got picked up by Samuel Goldwyn and will be released early next year!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:07</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[KYRA JONES & The Right Swipe]]>
                </title>
                <pubDate>Thu, 05 Nov 2020 08:05:20 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/kyra-jones-the-right-swipe-39013f68a60116</guid>
                                    <link>https://afemalelens.castos.com/episodes/kyra-jones-the-right-swipe-39013f68a60116</link>
                                <description>
                                            <![CDATA[Kyra Jones is a Black queer screenwriter, actor, and filmmaker based in Chicago. She holds a degree in Theatre and Gender Studies from Northwestern University. In 2019, Kyra co-wrote, executive produced, and starred in the award-winning web series,The Right Swipe (OTV), which was an official selection at Austin Film Festival, Urban World Film Festival, and several others. Her half-hour comedy pilot script, Good Vibes Only, has placed in several competitions, including the Sundance Episodic Lab, Diverse Voices, and the Nashville Film Festival. She's currently in pre-production for her first feature, Go to the Body, a boxing film that explores sexual violence in the Black community. Her extensive work as a sex educator and survivor advocate lends itself to her artistic endeavors, inspiring scripts that focus on Black women's experiences with relationships, sex, and intimacy. 

Since we chatted, Kyra’s script Good Vibes Only won Best Half Hour pilot at the Nashville Film Fest and Kyra’s feature Go To The Body won The Pitch at the Chicago International Film Festival. Kyra also just wrapped production on the proof of concept for Go To The Body.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Kyra Jones is a Black queer screenwriter, actor, and filmmaker based in Chicago. She holds a degree in Theatre and Gender Studies from Northwestern University. In 2019, Kyra co-wrote, executive produced, and starred in the award-winning web series,The Right Swipe (OTV), which was an official selection at Austin Film Festival, Urban World Film Festival, and several others. Her half-hour comedy pilot script, Good Vibes Only, has placed in several competitions, including the Sundance Episodic Lab, Diverse Voices, and the Nashville Film Festival. She's currently in pre-production for her first feature, Go to the Body, a boxing film that explores sexual violence in the Black community. Her extensive work as a sex educator and survivor advocate lends itself to her artistic endeavors, inspiring scripts that focus on Black women's experiences with relationships, sex, and intimacy. 

Since we chatted, Kyra’s script Good Vibes Only won Best Half Hour pilot at the Nashville Film Fest and Kyra’s feature Go To The Body won The Pitch at the Chicago International Film Festival. Kyra also just wrapped production on the proof of concept for Go To The Body.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[KYRA JONES & The Right Swipe]]>
                </itunes:title>
                                    <itunes:episode>27</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Kyra Jones is a Black queer screenwriter, actor, and filmmaker based in Chicago. She holds a degree in Theatre and Gender Studies from Northwestern University. In 2019, Kyra co-wrote, executive produced, and starred in the award-winning web series,The Right Swipe (OTV), which was an official selection at Austin Film Festival, Urban World Film Festival, and several others. Her half-hour comedy pilot script, Good Vibes Only, has placed in several competitions, including the Sundance Episodic Lab, Diverse Voices, and the Nashville Film Festival. She's currently in pre-production for her first feature, Go to the Body, a boxing film that explores sexual violence in the Black community. Her extensive work as a sex educator and survivor advocate lends itself to her artistic endeavors, inspiring scripts that focus on Black women's experiences with relationships, sex, and intimacy. 

Since we chatted, Kyra’s script Good Vibes Only won Best Half Hour pilot at the Nashville Film Fest and Kyra’s feature Go To The Body won The Pitch at the Chicago International Film Festival. Kyra also just wrapped production on the proof of concept for Go To The Body.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/wh6QveYygVTVsTc11zUyItOtrK8ZKCWTmhm0V8eD.mp3" length="19953770"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Kyra Jones is a Black queer screenwriter, actor, and filmmaker based in Chicago. She holds a degree in Theatre and Gender Studies from Northwestern University. In 2019, Kyra co-wrote, executive produced, and starred in the award-winning web series,The Right Swipe (OTV), which was an official selection at Austin Film Festival, Urban World Film Festival, and several others. Her half-hour comedy pilot script, Good Vibes Only, has placed in several competitions, including the Sundance Episodic Lab, Diverse Voices, and the Nashville Film Festival. She's currently in pre-production for her first feature, Go to the Body, a boxing film that explores sexual violence in the Black community. Her extensive work as a sex educator and survivor advocate lends itself to her artistic endeavors, inspiring scripts that focus on Black women's experiences with relationships, sex, and intimacy. 

Since we chatted, Kyra’s script Good Vibes Only won Best Half Hour pilot at the Nashville Film Fest and Kyra’s feature Go To The Body won The Pitch at the Chicago International Film Festival. Kyra also just wrapped production on the proof of concept for Go To The Body.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:27:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[JESSIE KAHNWEILER & He's The One]]>
                </title>
                <pubDate>Thu, 29 Oct 2020 07:05:21 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/jessie-kahnweiler-hes-the-one-38fb99714fddb4</guid>
                                    <link>https://afemalelens.castos.com/episodes/jessie-kahnweiler-hes-the-one-38fb99714fddb4</link>
                                <description>
                                            <![CDATA[This week, we chat with Jessie Kahnweiler about her short film He’s The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist’ that imagines Jessie bumping into her rapist at the farmer’s market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny’, a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny’ was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries’ for CW, ‘Bump’ for ABC Digital, and staffed on ‘Skam AUSTIN’ for Facebook Watch. Jessie’s short film, ‘He’s The One,’ premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie’s latest horror short, RETREAT, that she directed for Hulu.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Jessie Kahnweiler about her short film He’s The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist’ that imagines Jessie bumping into her rapist at the farmer’s market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny’, a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny’ was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries’ for CW, ‘Bump’ for ABC Digital, and staffed on ‘Skam AUSTIN’ for Facebook Watch. Jessie’s short film, ‘He’s The One,’ premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie’s latest horror short, RETREAT, that she directed for Hulu.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[JESSIE KAHNWEILER & He's The One]]>
                </itunes:title>
                                    <itunes:episode>26</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Jessie Kahnweiler about her short film He’s The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist’ that imagines Jessie bumping into her rapist at the farmer’s market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny’, a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny’ was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries’ for CW, ‘Bump’ for ABC Digital, and staffed on ‘Skam AUSTIN’ for Facebook Watch. Jessie’s short film, ‘He’s The One,’ premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie’s latest horror short, RETREAT, that she directed for Hulu.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/DypgJv4EfpsbZSiuhohKX1pl57kBghdOXEjqEfm8.mp3" length="12631495"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Jessie Kahnweiler about her short film He’s The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist’ that imagines Jessie bumping into her rapist at the farmer’s market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny’, a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny’ was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries’ for CW, ‘Bump’ for ABC Digital, and staffed on ‘Skam AUSTIN’ for Facebook Watch. Jessie’s short film, ‘He’s The One,’ premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie’s latest horror short, RETREAT, that she directed for Hulu.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:17:28</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[KIM TRAN & Zoe and Hanh]]>
                </title>
                <pubDate>Thu, 22 Oct 2020 08:05:23 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/kim-tran-zoe-and-hanh-38f61268cd5768</guid>
                                    <link>https://afemalelens.castos.com/episodes/kim-tran-zoe-and-hanh-38f61268cd5768</link>
                                <description>
                                            <![CDATA[This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler’s Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. 

Since we chatted with Kim, some exciting updates have come up! Kim  was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler’s Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. 

Since we chatted with Kim, some exciting updates have come up! Kim  was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[KIM TRAN & Zoe and Hanh]]>
                </itunes:title>
                                    <itunes:episode>25</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler’s Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. 

Since we chatted with Kim, some exciting updates have come up! Kim  was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/DWnUcdY9knXCtfqT37bhzjpIf3uKZJ0PrpM1IrIM.mp3" length="15512601"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler’s Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. 

Since we chatted with Kim, some exciting updates have come up! Kim  was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:28</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[BRIDGET MOLONEY & Blocks]]>
                </title>
                <pubDate>Thu, 15 Oct 2020 07:05:53 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/bridget-moloney-blocks-38f0bdd9ea47fc</guid>
                                    <link>https://afemalelens.castos.com/episodes/bridget-moloney-blocks-38f0bdd9ea47fc</link>
                                <description>
                                            <![CDATA[For this week's episode, we talked with Bridget Moloney, back at the beginning of quarantine! Bridget is an award-winning writer and director working in television, film and commercials. We talk to her about the short film, BLOCKS, that she wrote and directed. She is also the writer/director of the independent television pilot I Was A Teenage Pillow Queen that premiered at the 2018 Tribeca TV Festival. Bridget shot Blocks while a member of AFI’s Directing Workshop for Women 2020. The AFI Directing Workshop for Women has been dedicated to advancing the number of women working professionally as narrative screen directors since 1974. The workshop annually provides eight gifted directors with immersive training in screen directing, professional development resources and inroads to the industry – all at no cost to participants. Blocks was an official selection at Sundance, SXSW, Brooklyn Film Festival, Women and Film Festival, Atlanta Film Festival, and Oxford Film Festival, and will be playing at this year’s AFI FEST. AFI Fest starts today, so buy a ticket to watch Blocks at FEST.AFI.com.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[For this week's episode, we talked with Bridget Moloney, back at the beginning of quarantine! Bridget is an award-winning writer and director working in television, film and commercials. We talk to her about the short film, BLOCKS, that she wrote and directed. She is also the writer/director of the independent television pilot I Was A Teenage Pillow Queen that premiered at the 2018 Tribeca TV Festival. Bridget shot Blocks while a member of AFI’s Directing Workshop for Women 2020. The AFI Directing Workshop for Women has been dedicated to advancing the number of women working professionally as narrative screen directors since 1974. The workshop annually provides eight gifted directors with immersive training in screen directing, professional development resources and inroads to the industry – all at no cost to participants. Blocks was an official selection at Sundance, SXSW, Brooklyn Film Festival, Women and Film Festival, Atlanta Film Festival, and Oxford Film Festival, and will be playing at this year’s AFI FEST. AFI Fest starts today, so buy a ticket to watch Blocks at FEST.AFI.com.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[BRIDGET MOLONEY & Blocks]]>
                </itunes:title>
                                    <itunes:episode>24</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[For this week's episode, we talked with Bridget Moloney, back at the beginning of quarantine! Bridget is an award-winning writer and director working in television, film and commercials. We talk to her about the short film, BLOCKS, that she wrote and directed. She is also the writer/director of the independent television pilot I Was A Teenage Pillow Queen that premiered at the 2018 Tribeca TV Festival. Bridget shot Blocks while a member of AFI’s Directing Workshop for Women 2020. The AFI Directing Workshop for Women has been dedicated to advancing the number of women working professionally as narrative screen directors since 1974. The workshop annually provides eight gifted directors with immersive training in screen directing, professional development resources and inroads to the industry – all at no cost to participants. Blocks was an official selection at Sundance, SXSW, Brooklyn Film Festival, Women and Film Festival, Atlanta Film Festival, and Oxford Film Festival, and will be playing at this year’s AFI FEST. AFI Fest starts today, so buy a ticket to watch Blocks at FEST.AFI.com.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/GV6oFhYhILjeO57mHaPH1rg4eNocN00wCo0ZS1kW.mp3" length="20664880"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[For this week's episode, we talked with Bridget Moloney, back at the beginning of quarantine! Bridget is an award-winning writer and director working in television, film and commercials. We talk to her about the short film, BLOCKS, that she wrote and directed. She is also the writer/director of the independent television pilot I Was A Teenage Pillow Queen that premiered at the 2018 Tribeca TV Festival. Bridget shot Blocks while a member of AFI’s Directing Workshop for Women 2020. The AFI Directing Workshop for Women has been dedicated to advancing the number of women working professionally as narrative screen directors since 1974. The workshop annually provides eight gifted directors with immersive training in screen directing, professional development resources and inroads to the industry – all at no cost to participants. Blocks was an official selection at Sundance, SXSW, Brooklyn Film Festival, Women and Film Festival, Atlanta Film Festival, and Oxford Film Festival, and will be playing at this year’s AFI FEST. AFI Fest starts today, so buy a ticket to watch Blocks at FEST.AFI.com.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:28:37</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SATINDER KAUR & Blood and Glory]]>
                </title>
                <pubDate>Thu, 08 Oct 2020 07:00:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/satinder-kaur-blood-and-glory-38eb1f11a90c4c</guid>
                                    <link>https://afemalelens.castos.com/episodes/satinder-kaur-blood-and-glory-38eb1f11a90c4c</link>
                                <description>
                                            <![CDATA[For this week’s episode, we talked with writer, director, and U.S. Army veteran, Satinder Kaur about her  short film Blood and Glory. Blood and Glory premiered at Tribeca Film Festival and won the Grand Prize in Women in Media CAMERAderie initiative. Kaur is a fellow of the Writers Guild Foundation’s Veterans Writing Project. She recently started the Global Talent Development &amp; Inclusion program through NBC/Universal, where she is currently writing two features as part of the program. 

Blood and Glory Synopsis: 
Two homeless, female veterans’ friendship is tested when they confront adversity, discrimination, and even mother nature itself in their attempt to find work and survive the day.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[For this week’s episode, we talked with writer, director, and U.S. Army veteran, Satinder Kaur about her  short film Blood and Glory. Blood and Glory premiered at Tribeca Film Festival and won the Grand Prize in Women in Media CAMERAderie initiative. Kaur is a fellow of the Writers Guild Foundation’s Veterans Writing Project. She recently started the Global Talent Development & Inclusion program through NBC/Universal, where she is currently writing two features as part of the program. 

Blood and Glory Synopsis: 
Two homeless, female veterans’ friendship is tested when they confront adversity, discrimination, and even mother nature itself in their attempt to find work and survive the day.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SATINDER KAUR & Blood and Glory]]>
                </itunes:title>
                                    <itunes:episode>23</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[For this week’s episode, we talked with writer, director, and U.S. Army veteran, Satinder Kaur about her  short film Blood and Glory. Blood and Glory premiered at Tribeca Film Festival and won the Grand Prize in Women in Media CAMERAderie initiative. Kaur is a fellow of the Writers Guild Foundation’s Veterans Writing Project. She recently started the Global Talent Development &amp; Inclusion program through NBC/Universal, where she is currently writing two features as part of the program. 

Blood and Glory Synopsis: 
Two homeless, female veterans’ friendship is tested when they confront adversity, discrimination, and even mother nature itself in their attempt to find work and survive the day.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/4x5s93pqeo39by3v16Kv4wPyiS9fukFJStpPqqao.mp3" length="14032627"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[For this week’s episode, we talked with writer, director, and U.S. Army veteran, Satinder Kaur about her  short film Blood and Glory. Blood and Glory premiered at Tribeca Film Festival and won the Grand Prize in Women in Media CAMERAderie initiative. Kaur is a fellow of the Writers Guild Foundation’s Veterans Writing Project. She recently started the Global Talent Development & Inclusion program through NBC/Universal, where she is currently writing two features as part of the program. 

Blood and Glory Synopsis: 
Two homeless, female veterans’ friendship is tested when they confront adversity, discrimination, and even mother nature itself in their attempt to find work and survive the day.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:19:25</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[KEYLEE KOOP-SUDDUTH & Backsliders]]>
                </title>
                <pubDate>Thu, 01 Oct 2020 07:01:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/keylee-koop-sudduth-backsliders-38e5a10910c58c</guid>
                                    <link>https://afemalelens.castos.com/episodes/keylee-koop-sudduth-backsliders-38e5a10910c58c</link>
                                <description>
                                            <![CDATA[Keylee Koop-Sudduth is a Texas born and raised actor, writer, producer, and director now living in Los Angeles. In 2013, she co-founded the award-winning independent production company Bob Billiams Productions with her husband and creative partner Micah Sudduth. Keylee’s original projects have become Official Selections of Tribeca Film Festival (2018, 2020) and won awards like Best Series at LA Indie Fest and Sunset Comedy Series. Keylee’s latest project, BACKSLIDERS, is an Official Selection of Tribeca Film Festival 2020. She is currently co-writing a half-hour comedy pilot under the same title with Micah Sudduth and co-writing a feature film with Micah Sudduth and Matt Cook of Hazard Pay Productions.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Keylee Koop-Sudduth is a Texas born and raised actor, writer, producer, and director now living in Los Angeles. In 2013, she co-founded the award-winning independent production company Bob Billiams Productions with her husband and creative partner Micah Sudduth. Keylee’s original projects have become Official Selections of Tribeca Film Festival (2018, 2020) and won awards like Best Series at LA Indie Fest and Sunset Comedy Series. Keylee’s latest project, BACKSLIDERS, is an Official Selection of Tribeca Film Festival 2020. She is currently co-writing a half-hour comedy pilot under the same title with Micah Sudduth and co-writing a feature film with Micah Sudduth and Matt Cook of Hazard Pay Productions.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[KEYLEE KOOP-SUDDUTH & Backsliders]]>
                </itunes:title>
                                    <itunes:episode>22</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Keylee Koop-Sudduth is a Texas born and raised actor, writer, producer, and director now living in Los Angeles. In 2013, she co-founded the award-winning independent production company Bob Billiams Productions with her husband and creative partner Micah Sudduth. Keylee’s original projects have become Official Selections of Tribeca Film Festival (2018, 2020) and won awards like Best Series at LA Indie Fest and Sunset Comedy Series. Keylee’s latest project, BACKSLIDERS, is an Official Selection of Tribeca Film Festival 2020. She is currently co-writing a half-hour comedy pilot under the same title with Micah Sudduth and co-writing a feature film with Micah Sudduth and Matt Cook of Hazard Pay Productions.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/qRbqxdQt3CdHr5sILfMrmquwMuR8XWc9QwTEBWEH.mp3" length="18702631"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Keylee Koop-Sudduth is a Texas born and raised actor, writer, producer, and director now living in Los Angeles. In 2013, she co-founded the award-winning independent production company Bob Billiams Productions with her husband and creative partner Micah Sudduth. Keylee’s original projects have become Official Selections of Tribeca Film Festival (2018, 2020) and won awards like Best Series at LA Indie Fest and Sunset Comedy Series. Keylee’s latest project, BACKSLIDERS, is an Official Selection of Tribeca Film Festival 2020. She is currently co-writing a half-hour comedy pilot under the same title with Micah Sudduth and co-writing a feature film with Micah Sudduth and Matt Cook of Hazard Pay Productions.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:25:54</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ISABEL SANDOVAL & Lingua Franca]]>
                </title>
                <pubDate>Thu, 24 Sep 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/isabel-sandoval-lingua-franca-38e030ee41bde0</guid>
                                    <link>https://afemalelens.castos.com/episodes/isabel-sandoval-lingua-franca-38e030ee41bde0</link>
                                <description>
                                            <![CDATA[An emerging auteur recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic", Isabel Sandoval is a US-based filmmaker who has written and directed three features. Isabel's third feature LINGUA FRANCA (2019), co-starring Eamon Farren (Twin Peaks: The Return), premiered at the Venice IFF, where she become the first trans woman director to compete at the festival. LINGUA FRANCA follows an undocumented Filipina trans woman Olivia (Isabel Sandoval) after she has secured a job as a live-in caregiver for Olga (Lynn Cohen), an elderly Russian woman in Brooklyn’s Brighton Beach neighborhood. Olivia’s main priority is to secure a green card to stay in America. But when she unexpectedly becomes romantically involved with Olga’s adult grandson Alex (Eamon Farren), issues around identity, civil rights and immigration threatens her very existence. Distributed by ARRAY, the film is now available to stream on Netflix.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[An emerging auteur recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic", Isabel Sandoval is a US-based filmmaker who has written and directed three features. Isabel's third feature LINGUA FRANCA (2019), co-starring Eamon Farren (Twin Peaks: The Return), premiered at the Venice IFF, where she become the first trans woman director to compete at the festival. LINGUA FRANCA follows an undocumented Filipina trans woman Olivia (Isabel Sandoval) after she has secured a job as a live-in caregiver for Olga (Lynn Cohen), an elderly Russian woman in Brooklyn’s Brighton Beach neighborhood. Olivia’s main priority is to secure a green card to stay in America. But when she unexpectedly becomes romantically involved with Olga’s adult grandson Alex (Eamon Farren), issues around identity, civil rights and immigration threatens her very existence. Distributed by ARRAY, the film is now available to stream on Netflix.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ISABEL SANDOVAL & Lingua Franca]]>
                </itunes:title>
                                    <itunes:episode>21</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[An emerging auteur recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic", Isabel Sandoval is a US-based filmmaker who has written and directed three features. Isabel's third feature LINGUA FRANCA (2019), co-starring Eamon Farren (Twin Peaks: The Return), premiered at the Venice IFF, where she become the first trans woman director to compete at the festival. LINGUA FRANCA follows an undocumented Filipina trans woman Olivia (Isabel Sandoval) after she has secured a job as a live-in caregiver for Olga (Lynn Cohen), an elderly Russian woman in Brooklyn’s Brighton Beach neighborhood. Olivia’s main priority is to secure a green card to stay in America. But when she unexpectedly becomes romantically involved with Olga’s adult grandson Alex (Eamon Farren), issues around identity, civil rights and immigration threatens her very existence. Distributed by ARRAY, the film is now available to stream on Netflix.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/AhoDplJIcwYJTYsi0resK0izXICUe0u99CGDZ5E4.mp3" length="13072581"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[An emerging auteur recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic", Isabel Sandoval is a US-based filmmaker who has written and directed three features. Isabel's third feature LINGUA FRANCA (2019), co-starring Eamon Farren (Twin Peaks: The Return), premiered at the Venice IFF, where she become the first trans woman director to compete at the festival. LINGUA FRANCA follows an undocumented Filipina trans woman Olivia (Isabel Sandoval) after she has secured a job as a live-in caregiver for Olga (Lynn Cohen), an elderly Russian woman in Brooklyn’s Brighton Beach neighborhood. Olivia’s main priority is to secure a green card to stay in America. But when she unexpectedly becomes romantically involved with Olga’s adult grandson Alex (Eamon Farren), issues around identity, civil rights and immigration threatens her very existence. Distributed by ARRAY, the film is now available to stream on Netflix.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:18:04</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[MONICA SOTTO & Drunk History]]>
                </title>
                <pubDate>Thu, 17 Sep 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/monica-sotto-drunk-history-38dab8aa50e1b6</guid>
                                    <link>https://afemalelens.castos.com/episodes/monica-sotto-drunk-history-38dab8aa50e1b6</link>
                                <description>
                                            <![CDATA[With 15 years in the entertainment business, Monica Sotto is just beginning her path as a full-time Production Designer. Monica is a first generation Filipina-American who grew up in Pasadena, CA. Earlier this year, Monica won an Art Directors Guild Award for her Production Design work on the hit Comedy Central TV series, “Drunk History.” Additionally, she and the Drunk History Art team recently nabbed a Primetime Emmy nomination in the 72nd annual awards. While we just found out she and the Drunk History team lost the Emmy to SNL, we’re still so excited for Monica and, as she says, ‘the honor of being nominated.’ In addition to Drunk History, Monica’s credits and clients include the shows RuPaul’s Drag Race (World of Wonder), American Horror Story, It’s Always Sunny in Philadelphia, Bones (FX/FoxTelevision), Miss 2059 (Go90) and Rizzoli &amp; Isles (TNT).]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[With 15 years in the entertainment business, Monica Sotto is just beginning her path as a full-time Production Designer. Monica is a first generation Filipina-American who grew up in Pasadena, CA. Earlier this year, Monica won an Art Directors Guild Award for her Production Design work on the hit Comedy Central TV series, “Drunk History.” Additionally, she and the Drunk History Art team recently nabbed a Primetime Emmy nomination in the 72nd annual awards. While we just found out she and the Drunk History team lost the Emmy to SNL, we’re still so excited for Monica and, as she says, ‘the honor of being nominated.’ In addition to Drunk History, Monica’s credits and clients include the shows RuPaul’s Drag Race (World of Wonder), American Horror Story, It’s Always Sunny in Philadelphia, Bones (FX/FoxTelevision), Miss 2059 (Go90) and Rizzoli & Isles (TNT).]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[MONICA SOTTO & Drunk History]]>
                </itunes:title>
                                    <itunes:episode>20</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[With 15 years in the entertainment business, Monica Sotto is just beginning her path as a full-time Production Designer. Monica is a first generation Filipina-American who grew up in Pasadena, CA. Earlier this year, Monica won an Art Directors Guild Award for her Production Design work on the hit Comedy Central TV series, “Drunk History.” Additionally, she and the Drunk History Art team recently nabbed a Primetime Emmy nomination in the 72nd annual awards. While we just found out she and the Drunk History team lost the Emmy to SNL, we’re still so excited for Monica and, as she says, ‘the honor of being nominated.’ In addition to Drunk History, Monica’s credits and clients include the shows RuPaul’s Drag Race (World of Wonder), American Horror Story, It’s Always Sunny in Philadelphia, Bones (FX/FoxTelevision), Miss 2059 (Go90) and Rizzoli &amp; Isles (TNT).]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/9npIO5SIONfs9Q6hgBRMEcrwQUHKNEb2dAcysSwQ.mp3" length="21617481"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[With 15 years in the entertainment business, Monica Sotto is just beginning her path as a full-time Production Designer. Monica is a first generation Filipina-American who grew up in Pasadena, CA. Earlier this year, Monica won an Art Directors Guild Award for her Production Design work on the hit Comedy Central TV series, “Drunk History.” Additionally, she and the Drunk History Art team recently nabbed a Primetime Emmy nomination in the 72nd annual awards. While we just found out she and the Drunk History team lost the Emmy to SNL, we’re still so excited for Monica and, as she says, ‘the honor of being nominated.’ In addition to Drunk History, Monica’s credits and clients include the shows RuPaul’s Drag Race (World of Wonder), American Horror Story, It’s Always Sunny in Philadelphia, Bones (FX/FoxTelevision), Miss 2059 (Go90) and Rizzoli & Isles (TNT).]]>
                </itunes:summary>
                                                                            <itunes:duration>00:29:56</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[JESSIE BARR & Sophie Jones]]>
                </title>
                <pubDate>Thu, 10 Sep 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/jessie-barr-sophie-jones-38d52c37ef508e</guid>
                                    <link>https://afemalelens.castos.com/episodes/jessie-barr-sophie-jones-38d52c37ef508e</link>
                                <description>
                                            <![CDATA[Back at the beginning of quarantine, we chatted Jessie Barr. Jessie is a filmmaker and 2020 Sundance Fellow based in Los, Angeles. She is an actor, writer, director and producer with a background in independent film, digital storytelling and theater. She makes her feature film directorial debut with Sophie Jones, from executive producer Nicole Holofcener. 

Sophie Jones will have its world premiere in competition at the 2020 Deauville American Film Festival in France today, Sept 10th. Jessie is one of the seven first-time directors screening in competition. Additionally, eight of the 15 films in competition are directed by women. Stay tuned for upcoming festival announcements that will include virtual offerings, and in the meantime, enjoy our conversation with Jessie!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Back at the beginning of quarantine, we chatted Jessie Barr. Jessie is a filmmaker and 2020 Sundance Fellow based in Los, Angeles. She is an actor, writer, director and producer with a background in independent film, digital storytelling and theater. She makes her feature film directorial debut with Sophie Jones, from executive producer Nicole Holofcener. 

Sophie Jones will have its world premiere in competition at the 2020 Deauville American Film Festival in France today, Sept 10th. Jessie is one of the seven first-time directors screening in competition. Additionally, eight of the 15 films in competition are directed by women. Stay tuned for upcoming festival announcements that will include virtual offerings, and in the meantime, enjoy our conversation with Jessie!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[JESSIE BARR & Sophie Jones]]>
                </itunes:title>
                                    <itunes:episode>19</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Back at the beginning of quarantine, we chatted Jessie Barr. Jessie is a filmmaker and 2020 Sundance Fellow based in Los, Angeles. She is an actor, writer, director and producer with a background in independent film, digital storytelling and theater. She makes her feature film directorial debut with Sophie Jones, from executive producer Nicole Holofcener. 

Sophie Jones will have its world premiere in competition at the 2020 Deauville American Film Festival in France today, Sept 10th. Jessie is one of the seven first-time directors screening in competition. Additionally, eight of the 15 films in competition are directed by women. Stay tuned for upcoming festival announcements that will include virtual offerings, and in the meantime, enjoy our conversation with Jessie!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/QVZhovN4RHq79zmH26BYv9ag3ES7d3mnEkOpJN4Q.mp3" length="15270617"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Back at the beginning of quarantine, we chatted Jessie Barr. Jessie is a filmmaker and 2020 Sundance Fellow based in Los, Angeles. She is an actor, writer, director and producer with a background in independent film, digital storytelling and theater. She makes her feature film directorial debut with Sophie Jones, from executive producer Nicole Holofcener. 

Sophie Jones will have its world premiere in competition at the 2020 Deauville American Film Festival in France today, Sept 10th. Jessie is one of the seven first-time directors screening in competition. Additionally, eight of the 15 films in competition are directed by women. Stay tuned for upcoming festival announcements that will include virtual offerings, and in the meantime, enjoy our conversation with Jessie!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:08</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[LEAH MEYERHOFF & Film Fatales]]>
                </title>
                <pubDate>Thu, 03 Sep 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/leah-meyerhoff-film-fatales-38cf8ef6df7d24</guid>
                                    <link>https://afemalelens.castos.com/episodes/leah-meyerhoff-film-fatales-38cf8ef6df7d24</link>
                                <description>
                                            <![CDATA[Leah Meyerhoff is an award winning independent filmmaker who wrote and directed the narrative feature film I BELIEVE IN UNICORNS starring Natalia Dyer and Peter Vack, which was released theatrically after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Tribeca Film Institute, San Francisco Film Society, Woodstock Film Festival, and the Adrienne Shelly Foundation.

Leah is the founder of FILM FATALES, a non-profit organization which advocates for parity in the film industry and supports hundreds of women feature film and television directors around the world. Over the past five years, she has produced over one hundred panel discussions, educational workshops and networking events for marginalized filmmakers in collaboration with organizations such as Sundance Institute, Tribeca Film Institute, Hot Docs, and Toronto International Film Festival. 


In an entertainment industry where women direct less than 5% of the top box office films and less than 20% of episodic television shows, Film Fatales provides a structure that enables women directors to get their films made and seen. By offering space for mentorship, peer networking and direct participation, Film Fatales is expanding the landscape of storytelling to bring exciting new films to the screen.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Leah Meyerhoff is an award winning independent filmmaker who wrote and directed the narrative feature film I BELIEVE IN UNICORNS starring Natalia Dyer and Peter Vack, which was released theatrically after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Tribeca Film Institute, San Francisco Film Society, Woodstock Film Festival, and the Adrienne Shelly Foundation.

Leah is the founder of FILM FATALES, a non-profit organization which advocates for parity in the film industry and supports hundreds of women feature film and television directors around the world. Over the past five years, she has produced over one hundred panel discussions, educational workshops and networking events for marginalized filmmakers in collaboration with organizations such as Sundance Institute, Tribeca Film Institute, Hot Docs, and Toronto International Film Festival. 


In an entertainment industry where women direct less than 5% of the top box office films and less than 20% of episodic television shows, Film Fatales provides a structure that enables women directors to get their films made and seen. By offering space for mentorship, peer networking and direct participation, Film Fatales is expanding the landscape of storytelling to bring exciting new films to the screen.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[LEAH MEYERHOFF & Film Fatales]]>
                </itunes:title>
                                    <itunes:episode>18</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Leah Meyerhoff is an award winning independent filmmaker who wrote and directed the narrative feature film I BELIEVE IN UNICORNS starring Natalia Dyer and Peter Vack, which was released theatrically after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Tribeca Film Institute, San Francisco Film Society, Woodstock Film Festival, and the Adrienne Shelly Foundation.

Leah is the founder of FILM FATALES, a non-profit organization which advocates for parity in the film industry and supports hundreds of women feature film and television directors around the world. Over the past five years, she has produced over one hundred panel discussions, educational workshops and networking events for marginalized filmmakers in collaboration with organizations such as Sundance Institute, Tribeca Film Institute, Hot Docs, and Toronto International Film Festival. 


In an entertainment industry where women direct less than 5% of the top box office films and less than 20% of episodic television shows, Film Fatales provides a structure that enables women directors to get their films made and seen. By offering space for mentorship, peer networking and direct participation, Film Fatales is expanding the landscape of storytelling to bring exciting new films to the screen.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/VhEQPmwRfkXeAmmSEjKFdq5rATLQA1zRmqbb51P1.mp3" length="28849599"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Leah Meyerhoff is an award winning independent filmmaker who wrote and directed the narrative feature film I BELIEVE IN UNICORNS starring Natalia Dyer and Peter Vack, which was released theatrically after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Tribeca Film Institute, San Francisco Film Society, Woodstock Film Festival, and the Adrienne Shelly Foundation.

Leah is the founder of FILM FATALES, a non-profit organization which advocates for parity in the film industry and supports hundreds of women feature film and television directors around the world. Over the past five years, she has produced over one hundred panel discussions, educational workshops and networking events for marginalized filmmakers in collaboration with organizations such as Sundance Institute, Tribeca Film Institute, Hot Docs, and Toronto International Film Festival. 


In an entertainment industry where women direct less than 5% of the top box office films and less than 20% of episodic television shows, Film Fatales provides a structure that enables women directors to get their films made and seen. By offering space for mentorship, peer networking and direct participation, Film Fatales is expanding the landscape of storytelling to bring exciting new films to the screen.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:40:00</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[TAHAJAH SAMUELS & Black PR Girl Magic]]>
                </title>
                <pubDate>Thu, 27 Aug 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/tahajah-samuels-black-pr-girl-magic-38ca0d7f3f6194</guid>
                                    <link>https://afemalelens.castos.com/episodes/tahajah-samuels-black-pr-girl-magic-38ca0d7f3f6194</link>
                                <description>
                                            <![CDATA[For today’s episode we interviewed film publicist, Tahajah Samuels. Tahajah (pronounced: ta•hay•ja) serves as Senior Digital Publicist at BRIGADE where she manages digital publicity campaigns for films' theatrical, streaming, PVOD and/or home entertainment releases. Clients of hers include Focus Features (The High Note, Johnny English Strikes Again) Lionsgate (John Wick: Chapter 3, Uncle Drew), Netflix (6 Underground, Da 5 Bloods, Dolemite Is My Name, The Irishman, Project Power), United Artists Releasing (Creed II, No Time To Die), and Universal Pictures (Breaking In, First Man) to name a few. 

Additionally, in 2017, Tahajah founded community and digital platform Black PR Girl Magic™ which hosts seasonal mixers and an array of programs for Black women in the PR and Comms space as well as partnered events with organizations that cater to a wide range of millennials, professionals of color and women.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[For today’s episode we interviewed film publicist, Tahajah Samuels. Tahajah (pronounced: ta•hay•ja) serves as Senior Digital Publicist at BRIGADE where she manages digital publicity campaigns for films' theatrical, streaming, PVOD and/or home entertainment releases. Clients of hers include Focus Features (The High Note, Johnny English Strikes Again) Lionsgate (John Wick: Chapter 3, Uncle Drew), Netflix (6 Underground, Da 5 Bloods, Dolemite Is My Name, The Irishman, Project Power), United Artists Releasing (Creed II, No Time To Die), and Universal Pictures (Breaking In, First Man) to name a few. 

Additionally, in 2017, Tahajah founded community and digital platform Black PR Girl Magic™ which hosts seasonal mixers and an array of programs for Black women in the PR and Comms space as well as partnered events with organizations that cater to a wide range of millennials, professionals of color and women.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[TAHAJAH SAMUELS & Black PR Girl Magic]]>
                </itunes:title>
                                    <itunes:episode>17</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[For today’s episode we interviewed film publicist, Tahajah Samuels. Tahajah (pronounced: ta•hay•ja) serves as Senior Digital Publicist at BRIGADE where she manages digital publicity campaigns for films' theatrical, streaming, PVOD and/or home entertainment releases. Clients of hers include Focus Features (The High Note, Johnny English Strikes Again) Lionsgate (John Wick: Chapter 3, Uncle Drew), Netflix (6 Underground, Da 5 Bloods, Dolemite Is My Name, The Irishman, Project Power), United Artists Releasing (Creed II, No Time To Die), and Universal Pictures (Breaking In, First Man) to name a few. 

Additionally, in 2017, Tahajah founded community and digital platform Black PR Girl Magic™ which hosts seasonal mixers and an array of programs for Black women in the PR and Comms space as well as partnered events with organizations that cater to a wide range of millennials, professionals of color and women.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/HQN78A8Tlwy1GH6V0NT2JoZvJKtStpqGtOnAavPK.mp3" length="15396480"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[For today’s episode we interviewed film publicist, Tahajah Samuels. Tahajah (pronounced: ta•hay•ja) serves as Senior Digital Publicist at BRIGADE where she manages digital publicity campaigns for films' theatrical, streaming, PVOD and/or home entertainment releases. Clients of hers include Focus Features (The High Note, Johnny English Strikes Again) Lionsgate (John Wick: Chapter 3, Uncle Drew), Netflix (6 Underground, Da 5 Bloods, Dolemite Is My Name, The Irishman, Project Power), United Artists Releasing (Creed II, No Time To Die), and Universal Pictures (Breaking In, First Man) to name a few. 

Additionally, in 2017, Tahajah founded community and digital platform Black PR Girl Magic™ which hosts seasonal mixers and an array of programs for Black women in the PR and Comms space as well as partnered events with organizations that cater to a wide range of millennials, professionals of color and women.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:21:18</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[BEANDREA JULY & Film in the Covid Era]]>
                </title>
                <pubDate>Thu, 20 Aug 2020 07:03:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/beandrea-july-film-in-the-covid-era-38c48188449e2e</guid>
                                    <link>https://afemalelens.castos.com/episodes/beandrea-july-film-in-the-covid-era-38c48188449e2e</link>
                                <description>
                                            <![CDATA[We're happy to have friend of the pod, Beandrea July, return for a discussion about the film landscape during pandemic times. Beandrea is a freelance writer and audio producer focused on culture. Her film criticism has been published in several outlets including The New York Times, Time, The Hollywood Reporter and broadcast on NPR. She is a regular contributor to TheCherryPicks.com a website that prioritizes women’s voices in film criticism. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. She is based in Los Angeles, although definitely not from there. She grew up in Dayton, Ohio. Her cinematic comfort food is the eighth feature Sidney Poitier directed. It’s a solid B movie about a group of kids from Ohio who move to NYC to make it big as dancers. Google it. @beandreadotcom]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We're happy to have friend of the pod, Beandrea July, return for a discussion about the film landscape during pandemic times. Beandrea is a freelance writer and audio producer focused on culture. Her film criticism has been published in several outlets including The New York Times, Time, The Hollywood Reporter and broadcast on NPR. She is a regular contributor to TheCherryPicks.com a website that prioritizes women’s voices in film criticism. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. She is based in Los Angeles, although definitely not from there. She grew up in Dayton, Ohio. Her cinematic comfort food is the eighth feature Sidney Poitier directed. It’s a solid B movie about a group of kids from Ohio who move to NYC to make it big as dancers. Google it. @beandreadotcom]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[BEANDREA JULY & Film in the Covid Era]]>
                </itunes:title>
                                    <itunes:episode>16</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We're happy to have friend of the pod, Beandrea July, return for a discussion about the film landscape during pandemic times. Beandrea is a freelance writer and audio producer focused on culture. Her film criticism has been published in several outlets including The New York Times, Time, The Hollywood Reporter and broadcast on NPR. She is a regular contributor to TheCherryPicks.com a website that prioritizes women’s voices in film criticism. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. She is based in Los Angeles, although definitely not from there. She grew up in Dayton, Ohio. Her cinematic comfort food is the eighth feature Sidney Poitier directed. It’s a solid B movie about a group of kids from Ohio who move to NYC to make it big as dancers. Google it. @beandreadotcom]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/pbXU3ZiMfQ6KFTVTozoaLedsIY6ds3SJDqP0Adap.mp3" length="21624292"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We're happy to have friend of the pod, Beandrea July, return for a discussion about the film landscape during pandemic times. Beandrea is a freelance writer and audio producer focused on culture. Her film criticism has been published in several outlets including The New York Times, Time, The Hollywood Reporter and broadcast on NPR. She is a regular contributor to TheCherryPicks.com a website that prioritizes women’s voices in film criticism. She has also been a guest on the NPR shows 1A and The Takeaway as well as KPCC SoCal’s The Frame. She is based in Los Angeles, although definitely not from there. She grew up in Dayton, Ohio. Her cinematic comfort food is the eighth feature Sidney Poitier directed. It’s a solid B movie about a group of kids from Ohio who move to NYC to make it big as dancers. Google it. @beandreadotcom]]>
                </itunes:summary>
                                                                            <itunes:duration>00:29:58</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[TANYA SARACHO & Vida]]>
                </title>
                <pubDate>Thu, 13 Aug 2020 07:00:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/tanya-saracho-vida-38bf291d3a9b1a</guid>
                                    <link>https://afemalelens.castos.com/episodes/tanya-saracho-vida-38bf291d3a9b1a</link>
                                <description>
                                            <![CDATA[Tanya Saracho is a playwright and television writer who serves as creator, showrunner, and executive producer of the critically-acclaimed series Vida on Starz, which earned 100% critical rating on Rotten Tomatoes for its first, second and third seasons. The show, which recently aired its third and final season, featured all Latina directors in seasons two and three, including Saracho, who made her television directorial debut last year. The series had an all-Latinx writers room for seasons one and two, and in season three, the room was composed of all Latina writers. We chatted with her about making the jump from writing and showrunning to directing, and the importance of Latinx representation on television. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Tanya Saracho is a playwright and television writer who serves as creator, showrunner, and executive producer of the critically-acclaimed series Vida on Starz, which earned 100% critical rating on Rotten Tomatoes for its first, second and third seasons. The show, which recently aired its third and final season, featured all Latina directors in seasons two and three, including Saracho, who made her television directorial debut last year. The series had an all-Latinx writers room for seasons one and two, and in season three, the room was composed of all Latina writers. We chatted with her about making the jump from writing and showrunning to directing, and the importance of Latinx representation on television. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[TANYA SARACHO & Vida]]>
                </itunes:title>
                                    <itunes:episode>15</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Tanya Saracho is a playwright and television writer who serves as creator, showrunner, and executive producer of the critically-acclaimed series Vida on Starz, which earned 100% critical rating on Rotten Tomatoes for its first, second and third seasons. The show, which recently aired its third and final season, featured all Latina directors in seasons two and three, including Saracho, who made her television directorial debut last year. The series had an all-Latinx writers room for seasons one and two, and in season three, the room was composed of all Latina writers. We chatted with her about making the jump from writing and showrunning to directing, and the importance of Latinx representation on television. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/qmoFC5STd4I99KTGpGWlXNOo0yrwkJwUBzqoW8hG.mp3" length="26964625"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Tanya Saracho is a playwright and television writer who serves as creator, showrunner, and executive producer of the critically-acclaimed series Vida on Starz, which earned 100% critical rating on Rotten Tomatoes for its first, second and third seasons. The show, which recently aired its third and final season, featured all Latina directors in seasons two and three, including Saracho, who made her television directorial debut last year. The series had an all-Latinx writers room for seasons one and two, and in season three, the room was composed of all Latina writers. We chatted with her about making the jump from writing and showrunning to directing, and the importance of Latinx representation on television. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:37:23</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[LINDA GOLDSTEIN KNOWLTON & We Are The Radical Monarchs]]>
                </title>
                <pubDate>Thu, 06 Aug 2020 07:06:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/linda-goldstein-knowlton-we-are-the-radical-monarchs-38b9abe5828d02</guid>
                                    <link>https://afemalelens.castos.com/episodes/linda-goldstein-knowlton-we-are-the-radical-monarchs-38b9abe5828d02</link>
                                <description>
                                            <![CDATA[Linda Goldstein Knowlton is an Emmy-nominated filmmaker, working in both documentary and scripted feature films, as well as in television. Linda directed and produced WOMEN AND HOLLYWOOD, one of the six, one-hour documentaries for the Emmy-nominated PBS MAKERS: Women Who Make America series. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the new CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. The film was chosen as one of 10 films for the 2012 Sundance Film Forward: Advancing Cultural Dialogue program. For her directorial debut, Linda co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in completion and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.

Today, we talked to her about her most recent documentary, WE ARE THE RADICAL MONARCHS. The film follows the first troop of Radical Monarchs, an alternative to the Scout movement for girls of color, aged 8-13, for over three years, until they graduate. The film also  documents the Co-Founders, Anayvette Martinez and Marilyn Hollinquest, struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Stream now on PBS until 8/19!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Linda Goldstein Knowlton is an Emmy-nominated filmmaker, working in both documentary and scripted feature films, as well as in television. Linda directed and produced WOMEN AND HOLLYWOOD, one of the six, one-hour documentaries for the Emmy-nominated PBS MAKERS: Women Who Make America series. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the new CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. The film was chosen as one of 10 films for the 2012 Sundance Film Forward: Advancing Cultural Dialogue program. For her directorial debut, Linda co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in completion and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.

Today, we talked to her about her most recent documentary, WE ARE THE RADICAL MONARCHS. The film follows the first troop of Radical Monarchs, an alternative to the Scout movement for girls of color, aged 8-13, for over three years, until they graduate. The film also  documents the Co-Founders, Anayvette Martinez and Marilyn Hollinquest, struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Stream now on PBS until 8/19!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[LINDA GOLDSTEIN KNOWLTON & We Are The Radical Monarchs]]>
                </itunes:title>
                                    <itunes:episode>14</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Linda Goldstein Knowlton is an Emmy-nominated filmmaker, working in both documentary and scripted feature films, as well as in television. Linda directed and produced WOMEN AND HOLLYWOOD, one of the six, one-hour documentaries for the Emmy-nominated PBS MAKERS: Women Who Make America series. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the new CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. The film was chosen as one of 10 films for the 2012 Sundance Film Forward: Advancing Cultural Dialogue program. For her directorial debut, Linda co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in completion and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.

Today, we talked to her about her most recent documentary, WE ARE THE RADICAL MONARCHS. The film follows the first troop of Radical Monarchs, an alternative to the Scout movement for girls of color, aged 8-13, for over three years, until they graduate. The film also  documents the Co-Founders, Anayvette Martinez and Marilyn Hollinquest, struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Stream now on PBS until 8/19!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/PFDzqcPloZH8MnLGDIuTRAHltgpaD2qh1jAi6chM.mp3" length="20593720"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Linda Goldstein Knowlton is an Emmy-nominated filmmaker, working in both documentary and scripted feature films, as well as in television. Linda directed and produced WOMEN AND HOLLYWOOD, one of the six, one-hour documentaries for the Emmy-nominated PBS MAKERS: Women Who Make America series. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the new CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. The film was chosen as one of 10 films for the 2012 Sundance Film Forward: Advancing Cultural Dialogue program. For her directorial debut, Linda co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in completion and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.

Today, we talked to her about her most recent documentary, WE ARE THE RADICAL MONARCHS. The film follows the first troop of Radical Monarchs, an alternative to the Scout movement for girls of color, aged 8-13, for over three years, until they graduate. The film also  documents the Co-Founders, Anayvette Martinez and Marilyn Hollinquest, struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Stream now on PBS until 8/19!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:28:31</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SUE DING & The Claudia Kishi Club]]>
                </title>
                <pubDate>Thu, 30 Jul 2020 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sue-ding-the-claudia-kishi-club-38b40cf5f1f6dc</guid>
                                    <link>https://afemalelens.castos.com/episodes/sue-ding-the-claudia-kishi-club-38b40cf5f1f6dc</link>
                                <description>
                                            <![CDATA[We’re excited to announce our new name: A BRIGHTER LENS! In this time of reflection and learning, we wanted to have a more inclusive and expansive name. We’re still committed to spotlighting women in the film industry, but also want to feature more trans and non-binary folks as well and wanted our name to reflect that.

For our first episode of Season 3, we chatted with Sue Ding, director of The Claudia Kishi Club. Sue is a documentary filmmaker and new media producer based in Los Angeles. As a freelance filmmaker, Sue directs and produces nonfiction media—from feature documentaries to VR—for a wide range of clients, including The New York Times and PBS. Her documentary work explores the intersection of identity, storytelling, and visual culture.

Her short documentary explores the legacy of Claudia Kishi, the iconic (and all too rare) Asian American character from the hit Baby-Sitters Club book series. Claudia inspired a generation of young readers of color, many of whom are now successful writers and artists creating new stories of their own. The film was an official SXSW selection and is now available on Netflix.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We’re excited to announce our new name: A BRIGHTER LENS! In this time of reflection and learning, we wanted to have a more inclusive and expansive name. We’re still committed to spotlighting women in the film industry, but also want to feature more trans and non-binary folks as well and wanted our name to reflect that.

For our first episode of Season 3, we chatted with Sue Ding, director of The Claudia Kishi Club. Sue is a documentary filmmaker and new media producer based in Los Angeles. As a freelance filmmaker, Sue directs and produces nonfiction media—from feature documentaries to VR—for a wide range of clients, including The New York Times and PBS. Her documentary work explores the intersection of identity, storytelling, and visual culture.

Her short documentary explores the legacy of Claudia Kishi, the iconic (and all too rare) Asian American character from the hit Baby-Sitters Club book series. Claudia inspired a generation of young readers of color, many of whom are now successful writers and artists creating new stories of their own. The film was an official SXSW selection and is now available on Netflix.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SUE DING & The Claudia Kishi Club]]>
                </itunes:title>
                                    <itunes:episode>13</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We’re excited to announce our new name: A BRIGHTER LENS! In this time of reflection and learning, we wanted to have a more inclusive and expansive name. We’re still committed to spotlighting women in the film industry, but also want to feature more trans and non-binary folks as well and wanted our name to reflect that.

For our first episode of Season 3, we chatted with Sue Ding, director of The Claudia Kishi Club. Sue is a documentary filmmaker and new media producer based in Los Angeles. As a freelance filmmaker, Sue directs and produces nonfiction media—from feature documentaries to VR—for a wide range of clients, including The New York Times and PBS. Her documentary work explores the intersection of identity, storytelling, and visual culture.

Her short documentary explores the legacy of Claudia Kishi, the iconic (and all too rare) Asian American character from the hit Baby-Sitters Club book series. Claudia inspired a generation of young readers of color, many of whom are now successful writers and artists creating new stories of their own. The film was an official SXSW selection and is now available on Netflix.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/hI83LEWsU8eh42rNbN3KtISYUqpuInfxSJlwpI0t.mp3" length="15959809"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We’re excited to announce our new name: A BRIGHTER LENS! In this time of reflection and learning, we wanted to have a more inclusive and expansive name. We’re still committed to spotlighting women in the film industry, but also want to feature more trans and non-binary folks as well and wanted our name to reflect that.

For our first episode of Season 3, we chatted with Sue Ding, director of The Claudia Kishi Club. Sue is a documentary filmmaker and new media producer based in Los Angeles. As a freelance filmmaker, Sue directs and produces nonfiction media—from feature documentaries to VR—for a wide range of clients, including The New York Times and PBS. Her documentary work explores the intersection of identity, storytelling, and visual culture.

Her short documentary explores the legacy of Claudia Kishi, the iconic (and all too rare) Asian American character from the hit Baby-Sitters Club book series. Claudia inspired a generation of young readers of color, many of whom are now successful writers and artists creating new stories of their own. The film was an official SXSW selection and is now available on Netflix.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:22:06</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[NISHA GANATRA & The High Note]]>
                </title>
                <pubDate>Thu, 18 Jun 2020 08:39:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/nisha-ganatra-the-high-note-38924764f1322e</guid>
                                    <link>https://afemalelens.castos.com/episodes/nisha-ganatra-the-high-note-38924764f1322e</link>
                                <description>
                                            <![CDATA[We have a special bonus episode for you today featuring one of our favorite past guests, Nisha Ganatra, director of the recently released The High Note, starring Tracee Ellis Ross and Dakota Johnson. Check out watchthehighnote.com to find out where you can digitally watch it!  Hope you enjoy the conversation and stay tuned for our upcoming Season 3!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We have a special bonus episode for you today featuring one of our favorite past guests, Nisha Ganatra, director of the recently released The High Note, starring Tracee Ellis Ross and Dakota Johnson. Check out watchthehighnote.com to find out where you can digitally watch it!  Hope you enjoy the conversation and stay tuned for our upcoming Season 3!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[NISHA GANATRA & The High Note]]>
                </itunes:title>
                                    <itunes:episode>12</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We have a special bonus episode for you today featuring one of our favorite past guests, Nisha Ganatra, director of the recently released The High Note, starring Tracee Ellis Ross and Dakota Johnson. Check out watchthehighnote.com to find out where you can digitally watch it!  Hope you enjoy the conversation and stay tuned for our upcoming Season 3!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/gpre0Naw32puLvgS2faJLH7Bcq7eRmqiJcVoR352.mp3" length="12944258"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We have a special bonus episode for you today featuring one of our favorite past guests, Nisha Ganatra, director of the recently released The High Note, starring Tracee Ellis Ross and Dakota Johnson. Check out watchthehighnote.com to find out where you can digitally watch it!  Hope you enjoy the conversation and stay tuned for our upcoming Season 3!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:17:56</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[(Re-Air) In Memory of Lynn Shelton]]>
                </title>
                <pubDate>Tue, 19 May 2020 03:35:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/re-air-in-memory-of-lynn-shelton-387ba57cd661a8</guid>
                                    <link>https://afemalelens.castos.com/episodes/re-air-in-memory-of-lynn-shelton-387ba57cd661a8</link>
                                <description>
                                            <![CDATA[We were so sad to hear of the passing of beloved filmmaker and director, Lynn Shelton. We wanted to honor her memory by re-airing her episode in which we discussed her recent film Sword of Trust. Lynn was deeply loved in the film community (and beyond) and known for both her own films and her extensive TV directing resume. 

Her films include We Go Way Back, My Effortless Brilliance, Humpday, Your Sister’s Sister, Touchy Feely, Laggies, Outside In, and Sword of Trust. She had also directed episodes for The Good Place, GLOW, New Girl, The Mindy Project, Casual, Fresh Off The Boat, Mad Men, and most recently, Little Fires Everywhere. In our interview, we were especially struck by her journey of becoming a filmmaker later in life, in addition to the joy of collaboration she felt with Marc Maron. We are so grateful we had the chance to talk with her. She will be so deeply missed.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We were so sad to hear of the passing of beloved filmmaker and director, Lynn Shelton. We wanted to honor her memory by re-airing her episode in which we discussed her recent film Sword of Trust. Lynn was deeply loved in the film community (and beyond) and known for both her own films and her extensive TV directing resume. 

Her films include We Go Way Back, My Effortless Brilliance, Humpday, Your Sister’s Sister, Touchy Feely, Laggies, Outside In, and Sword of Trust. She had also directed episodes for The Good Place, GLOW, New Girl, The Mindy Project, Casual, Fresh Off The Boat, Mad Men, and most recently, Little Fires Everywhere. In our interview, we were especially struck by her journey of becoming a filmmaker later in life, in addition to the joy of collaboration she felt with Marc Maron. We are so grateful we had the chance to talk with her. She will be so deeply missed.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[(Re-Air) In Memory of Lynn Shelton]]>
                </itunes:title>
                                    <itunes:episode>12</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We were so sad to hear of the passing of beloved filmmaker and director, Lynn Shelton. We wanted to honor her memory by re-airing her episode in which we discussed her recent film Sword of Trust. Lynn was deeply loved in the film community (and beyond) and known for both her own films and her extensive TV directing resume. 

Her films include We Go Way Back, My Effortless Brilliance, Humpday, Your Sister’s Sister, Touchy Feely, Laggies, Outside In, and Sword of Trust. She had also directed episodes for The Good Place, GLOW, New Girl, The Mindy Project, Casual, Fresh Off The Boat, Mad Men, and most recently, Little Fires Everywhere. In our interview, we were especially struck by her journey of becoming a filmmaker later in life, in addition to the joy of collaboration she felt with Marc Maron. We are so grateful we had the chance to talk with her. She will be so deeply missed.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/IeJwDSUYbW9ZQoSBQbuQvCMu9iyJzs7HObzgCXO3.mp3" length="18979945"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We were so sad to hear of the passing of beloved filmmaker and director, Lynn Shelton. We wanted to honor her memory by re-airing her episode in which we discussed her recent film Sword of Trust. Lynn was deeply loved in the film community (and beyond) and known for both her own films and her extensive TV directing resume. 

Her films include We Go Way Back, My Effortless Brilliance, Humpday, Your Sister’s Sister, Touchy Feely, Laggies, Outside In, and Sword of Trust. She had also directed episodes for The Good Place, GLOW, New Girl, The Mindy Project, Casual, Fresh Off The Boat, Mad Men, and most recently, Little Fires Everywhere. In our interview, we were especially struck by her journey of becoming a filmmaker later in life, in addition to the joy of collaboration she felt with Marc Maron. We are so grateful we had the chance to talk with her. She will be so deeply missed.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:26:18</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Sundance Film Festival Roundup]]>
                </title>
                <pubDate>Mon, 24 Feb 2020 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sundance-film-festival-roundup-3838d354686b48</guid>
                                    <link>https://afemalelens.castos.com/episodes/sundance-film-festival-roundup-3838d354686b48</link>
                                <description>
                                            <![CDATA[We’re back from Sundance and have finally had a chance to catch our breath and regroup in Los Angeles! We were so inspired by the festival and by all of the films we saw. First, we interview our favorite film critic Beandrea July for her festival hot-takes and in-depth thoughts on her favorite films. We had the chance to watch some films with her during the festival and loved hearing her takeaways. Next, we interview production designer Tracy Dishman. Tracy designed for Black Bear, which was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Finally, we interview Jess Engel, founder of production company Crimes of Curiosity,  and Myriam Achard from the PHI Centre in Montreal, who both produced the New Frontier mixed-reality experience, Breathe, which uses body movement, gesture, and breath (through biometric sensors) to immerse participants in the story of air. Larkin and Elise had the chance to experience the project firsthand!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We’re back from Sundance and have finally had a chance to catch our breath and regroup in Los Angeles! We were so inspired by the festival and by all of the films we saw. First, we interview our favorite film critic Beandrea July for her festival hot-takes and in-depth thoughts on her favorite films. We had the chance to watch some films with her during the festival and loved hearing her takeaways. Next, we interview production designer Tracy Dishman. Tracy designed for Black Bear, which was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Finally, we interview Jess Engel, founder of production company Crimes of Curiosity,  and Myriam Achard from the PHI Centre in Montreal, who both produced the New Frontier mixed-reality experience, Breathe, which uses body movement, gesture, and breath (through biometric sensors) to immerse participants in the story of air. Larkin and Elise had the chance to experience the project firsthand!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Sundance Film Festival Roundup]]>
                </itunes:title>
                                    <itunes:episode>12</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We’re back from Sundance and have finally had a chance to catch our breath and regroup in Los Angeles! We were so inspired by the festival and by all of the films we saw. First, we interview our favorite film critic Beandrea July for her festival hot-takes and in-depth thoughts on her favorite films. We had the chance to watch some films with her during the festival and loved hearing her takeaways. Next, we interview production designer Tracy Dishman. Tracy designed for Black Bear, which was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Finally, we interview Jess Engel, founder of production company Crimes of Curiosity,  and Myriam Achard from the PHI Centre in Montreal, who both produced the New Frontier mixed-reality experience, Breathe, which uses body movement, gesture, and breath (through biometric sensors) to immerse participants in the story of air. Larkin and Elise had the chance to experience the project firsthand!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/sLpDZKLijCRg3nmWS5sjoqFCIHAVeAPKwk5toqtf.mp3" length="39351448"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We’re back from Sundance and have finally had a chance to catch our breath and regroup in Los Angeles! We were so inspired by the festival and by all of the films we saw. First, we interview our favorite film critic Beandrea July for her festival hot-takes and in-depth thoughts on her favorite films. We had the chance to watch some films with her during the festival and loved hearing her takeaways. Next, we interview production designer Tracy Dishman. Tracy designed for Black Bear, which was directed by Lawrence Michael Levine and stars Aubrey Plaza. We loved getting to hear about how Tracy found her way into production design and what her process was like designing for Black Bear. Finally, we interview Jess Engel, founder of production company Crimes of Curiosity,  and Myriam Achard from the PHI Centre in Montreal, who both produced the New Frontier mixed-reality experience, Breathe, which uses body movement, gesture, and breath (through biometric sensors) to immerse participants in the story of air. Larkin and Elise had the chance to experience the project firsthand!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:54:36</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SANDRA MAE FRANK, Actress]]>
                </title>
                <pubDate>Mon, 23 Dec 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sandra-mae-frank-actress-3807382d6695d4</guid>
                                    <link>https://afemalelens.castos.com/episodes/sandra-mae-frank-actress-3807382d6695d4</link>
                                <description>
                                            <![CDATA[Season 2 Finale! Thank you to all our listeners for tuning in this season. This week we reflect on our personal favorite moments about women in film in 2019, as well as our favorite AFL moments! Then, we interview Sandra Mae Frank. Sandra is a deaf trained stage and film actress, best known for her role as Wendla from Deaf West’s Spring Awakening on Broadway. She’s performed in numerous regional theatre productions, as well as Netflix's Daybreak and Freeform’s Switched at Birth. We interview her with the help of her translator, Paul Racy. Please find a transcript of our interview on our website under Sandra’s profile page via the link in our show notes!

Happy Holidays and Happy New Year from Jennifer, Larkin, and Elise at A Female Lens! If you have enjoyed listening this season, please take a moment to rate and review on Apple Podcasts, and sign up for our newsletter via our website to receive updates about Season 3!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Season 2 Finale! Thank you to all our listeners for tuning in this season. This week we reflect on our personal favorite moments about women in film in 2019, as well as our favorite AFL moments! Then, we interview Sandra Mae Frank. Sandra is a deaf trained stage and film actress, best known for her role as Wendla from Deaf West’s Spring Awakening on Broadway. She’s performed in numerous regional theatre productions, as well as Netflix's Daybreak and Freeform’s Switched at Birth. We interview her with the help of her translator, Paul Racy. Please find a transcript of our interview on our website under Sandra’s profile page via the link in our show notes!

Happy Holidays and Happy New Year from Jennifer, Larkin, and Elise at A Female Lens! If you have enjoyed listening this season, please take a moment to rate and review on Apple Podcasts, and sign up for our newsletter via our website to receive updates about Season 3!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SANDRA MAE FRANK, Actress]]>
                </itunes:title>
                                    <itunes:episode>11</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Season 2 Finale! Thank you to all our listeners for tuning in this season. This week we reflect on our personal favorite moments about women in film in 2019, as well as our favorite AFL moments! Then, we interview Sandra Mae Frank. Sandra is a deaf trained stage and film actress, best known for her role as Wendla from Deaf West’s Spring Awakening on Broadway. She’s performed in numerous regional theatre productions, as well as Netflix's Daybreak and Freeform’s Switched at Birth. We interview her with the help of her translator, Paul Racy. Please find a transcript of our interview on our website under Sandra’s profile page via the link in our show notes!

Happy Holidays and Happy New Year from Jennifer, Larkin, and Elise at A Female Lens! If you have enjoyed listening this season, please take a moment to rate and review on Apple Podcasts, and sign up for our newsletter via our website to receive updates about Season 3!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/82uX75xbYG2Z768UdPCYpEGbP6h0syub92a89OR5.mp3" length="32538816"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Season 2 Finale! Thank you to all our listeners for tuning in this season. This week we reflect on our personal favorite moments about women in film in 2019, as well as our favorite AFL moments! Then, we interview Sandra Mae Frank. Sandra is a deaf trained stage and film actress, best known for her role as Wendla from Deaf West’s Spring Awakening on Broadway. She’s performed in numerous regional theatre productions, as well as Netflix's Daybreak and Freeform’s Switched at Birth. We interview her with the help of her translator, Paul Racy. Please find a transcript of our interview on our website under Sandra’s profile page via the link in our show notes!

Happy Holidays and Happy New Year from Jennifer, Larkin, and Elise at A Female Lens! If you have enjoyed listening this season, please take a moment to rate and review on Apple Podcasts, and sign up for our newsletter via our website to receive updates about Season 3!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:45:08</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[NATALIE BRONFMAN, Costume Designer]]>
                </title>
                <pubDate>Mon, 16 Dec 2019 09:05:01 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/natalie-bronfman-costume-designer-3801e1c08d6f62</guid>
                                    <link>https://afemalelens.castos.com/episodes/natalie-bronfman-costume-designer-3801e1c08d6f62</link>
                                <description>
                                            <![CDATA[This week, we chat about the recent Golden Globes nominations and the absence of women in the Best Director category. Then, we interview Natalie Bronfman, costume designer for film, TV, and theatre. Most recently, she has designed for The Handmaid's Tale. In between projects, she can be found doing runway shows during fashion week.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat about the recent Golden Globes nominations and the absence of women in the Best Director category. Then, we interview Natalie Bronfman, costume designer for film, TV, and theatre. Most recently, she has designed for The Handmaid's Tale. In between projects, she can be found doing runway shows during fashion week.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[NATALIE BRONFMAN, Costume Designer]]>
                </itunes:title>
                                    <itunes:episode>10</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat about the recent Golden Globes nominations and the absence of women in the Best Director category. Then, we interview Natalie Bronfman, costume designer for film, TV, and theatre. Most recently, she has designed for The Handmaid's Tale. In between projects, she can be found doing runway shows during fashion week.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/w2zub2qHjltQdz4PrhfQ9vJcKi2RDsx3je5Qr2l5.mp3" length="28392628"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat about the recent Golden Globes nominations and the absence of women in the Best Director category. Then, we interview Natalie Bronfman, costume designer for film, TV, and theatre. Most recently, she has designed for The Handmaid's Tale. In between projects, she can be found doing runway shows during fashion week.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:39:23</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Sophia Takal]]>
                </title>
                <pubDate>Fri, 13 Dec 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/free-the-work-x-a-female-lens-presents-sophia-takal-37ff91221e148e</guid>
                                    <link>https://afemalelens.castos.com/episodes/free-the-work-x-a-female-lens-presents-sophia-takal-37ff91221e148e</link>
                                <description>
                                            <![CDATA[This week is the third installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel. Check out their new platform at freethework.com. 

For our third episode of this series, we interviewed writer and director Sophia Takal. Sophia directed ALWAYS SHINE starring Mackenzie Davis and Caitlin FitzGerald, which played at the Venice Film Festival and the Tribeca Film Festival. Takal co-wrote and directed NEW YEAR, NEW YOU, the January installment of the INTO THE DARK Hulu horror anthology series. And Sophia’s latest film is the Blumhouse / Universal feature BLACK CHRISTMAS, which she directed and co-wrote. Black Christmas will be released in theaters today, Friday the 13th!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week is the third installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel. Check out their new platform at freethework.com. 

For our third episode of this series, we interviewed writer and director Sophia Takal. Sophia directed ALWAYS SHINE starring Mackenzie Davis and Caitlin FitzGerald, which played at the Venice Film Festival and the Tribeca Film Festival. Takal co-wrote and directed NEW YEAR, NEW YOU, the January installment of the INTO THE DARK Hulu horror anthology series. And Sophia’s latest film is the Blumhouse / Universal feature BLACK CHRISTMAS, which she directed and co-wrote. Black Christmas will be released in theaters today, Friday the 13th!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Sophia Takal]]>
                </itunes:title>
                                    <itunes:episode>9</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week is the third installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel. Check out their new platform at freethework.com. 

For our third episode of this series, we interviewed writer and director Sophia Takal. Sophia directed ALWAYS SHINE starring Mackenzie Davis and Caitlin FitzGerald, which played at the Venice Film Festival and the Tribeca Film Festival. Takal co-wrote and directed NEW YEAR, NEW YOU, the January installment of the INTO THE DARK Hulu horror anthology series. And Sophia’s latest film is the Blumhouse / Universal feature BLACK CHRISTMAS, which she directed and co-wrote. Black Christmas will be released in theaters today, Friday the 13th!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/teBC7OWkI6eFjffFrQg1CKuXvjS5RNAdTYagLrYN.mp3" length="22247415"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week is the third installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel. Check out their new platform at freethework.com. 

For our third episode of this series, we interviewed writer and director Sophia Takal. Sophia directed ALWAYS SHINE starring Mackenzie Davis and Caitlin FitzGerald, which played at the Venice Film Festival and the Tribeca Film Festival. Takal co-wrote and directed NEW YEAR, NEW YOU, the January installment of the INTO THE DARK Hulu horror anthology series. And Sophia’s latest film is the Blumhouse / Universal feature BLACK CHRISTMAS, which she directed and co-wrote. Black Christmas will be released in theaters today, Friday the 13th!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:30:51</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SAMANTHA MCINTYRE, Writer]]>
                </title>
                <pubDate>Mon, 09 Dec 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/samantha-mcintyre-writer-37fb95527f4a0c</guid>
                                    <link>https://afemalelens.castos.com/episodes/samantha-mcintyre-writer-37fb95527f4a0c</link>
                                <description>
                                            <![CDATA[This week, we chat about the recent DGA report on female and minority TV directors and how they directed 50% of all episodic TV this year. Then, we interview writer Samantha McIntyre, who recently wrote Netflix’s Unicorn Store, directed by Brie Larson. Samantha has written for HBO’s Bored to Death, TBS’s People of Earth and is an alumnus of both the Warner Bros. Writers Workshop and the Sundance Screenwriters Lab (where Unicorn Store received the Annenberg Film Fellowship Grant). Samantha is currently a Supervising Producer on NBC’s upcoming musical dramedy, Zoey’s Extraordinary Playlist.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we chat about the recent DGA report on female and minority TV directors and how they directed 50% of all episodic TV this year. Then, we interview writer Samantha McIntyre, who recently wrote Netflix’s Unicorn Store, directed by Brie Larson. Samantha has written for HBO’s Bored to Death, TBS’s People of Earth and is an alumnus of both the Warner Bros. Writers Workshop and the Sundance Screenwriters Lab (where Unicorn Store received the Annenberg Film Fellowship Grant). Samantha is currently a Supervising Producer on NBC’s upcoming musical dramedy, Zoey’s Extraordinary Playlist.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SAMANTHA MCINTYRE, Writer]]>
                </itunes:title>
                                    <itunes:episode>8</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we chat about the recent DGA report on female and minority TV directors and how they directed 50% of all episodic TV this year. Then, we interview writer Samantha McIntyre, who recently wrote Netflix’s Unicorn Store, directed by Brie Larson. Samantha has written for HBO’s Bored to Death, TBS’s People of Earth and is an alumnus of both the Warner Bros. Writers Workshop and the Sundance Screenwriters Lab (where Unicorn Store received the Annenberg Film Fellowship Grant). Samantha is currently a Supervising Producer on NBC’s upcoming musical dramedy, Zoey’s Extraordinary Playlist.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/KbHfzJ1T0OMuJ9NJu8Mk8WvNzWwxS3fGZHAOkUHJ.mp3" length="39002082"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we chat about the recent DGA report on female and minority TV directors and how they directed 50% of all episodic TV this year. Then, we interview writer Samantha McIntyre, who recently wrote Netflix’s Unicorn Store, directed by Brie Larson. Samantha has written for HBO’s Bored to Death, TBS’s People of Earth and is an alumnus of both the Warner Bros. Writers Workshop and the Sundance Screenwriters Lab (where Unicorn Store received the Annenberg Film Fellowship Grant). Samantha is currently a Supervising Producer on NBC’s upcoming musical dramedy, Zoey’s Extraordinary Playlist.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:54:07</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[YVONNE HUFF LEE, Actress and Producer]]>
                </title>
                <pubDate>Mon, 02 Dec 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/yvonne-huff-lee-actress-and-producer-37f6d0c753ab40</guid>
                                    <link>https://afemalelens.castos.com/episodes/yvonne-huff-lee-actress-and-producer-37f6d0c753ab40</link>
                                <description>
                                            <![CDATA[This week, we’re discussing the streamlined “French Hours” shooting schedule Marielle Heller used on A Beautiful Day in the Neighborhood, which made it feasible for cast and crew to see their children while in production. Then, we interview actress and producer Yvonne Huff Lee, who is Co-CEO of Lagralane Group. This year, Yvonne has executive produced The Body Remembers When The World Broken Open, as well as Sundance darling The Infiltrators through Lagralane Group. Yvonne currently serves as president of the board at Lower Depth Theatre Ensemble and is also a board member of Array Alliance, an initiative founded by Ava Duvernay.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we’re discussing the streamlined “French Hours” shooting schedule Marielle Heller used on A Beautiful Day in the Neighborhood, which made it feasible for cast and crew to see their children while in production. Then, we interview actress and producer Yvonne Huff Lee, who is Co-CEO of Lagralane Group. This year, Yvonne has executive produced The Body Remembers When The World Broken Open, as well as Sundance darling The Infiltrators through Lagralane Group. Yvonne currently serves as president of the board at Lower Depth Theatre Ensemble and is also a board member of Array Alliance, an initiative founded by Ava Duvernay.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[YVONNE HUFF LEE, Actress and Producer]]>
                </itunes:title>
                                    <itunes:episode>7</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we’re discussing the streamlined “French Hours” shooting schedule Marielle Heller used on A Beautiful Day in the Neighborhood, which made it feasible for cast and crew to see their children while in production. Then, we interview actress and producer Yvonne Huff Lee, who is Co-CEO of Lagralane Group. This year, Yvonne has executive produced The Body Remembers When The World Broken Open, as well as Sundance darling The Infiltrators through Lagralane Group. Yvonne currently serves as president of the board at Lower Depth Theatre Ensemble and is also a board member of Array Alliance, an initiative founded by Ava Duvernay.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/iBYOAbcYgVmZcr94VAN4cmPY9840yORRopTJayaW.mp3" length="29000821"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we’re discussing the streamlined “French Hours” shooting schedule Marielle Heller used on A Beautiful Day in the Neighborhood, which made it feasible for cast and crew to see their children while in production. Then, we interview actress and producer Yvonne Huff Lee, who is Co-CEO of Lagralane Group. This year, Yvonne has executive produced The Body Remembers When The World Broken Open, as well as Sundance darling The Infiltrators through Lagralane Group. Yvonne currently serves as president of the board at Lower Depth Theatre Ensemble and is also a board member of Array Alliance, an initiative founded by Ava Duvernay.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:40:14</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[GERSHA PHILLIPS, Costume Designer]]>
                </title>
                <pubDate>Mon, 25 Nov 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/gersha-phillips-costume-designer-37f14b12820ef2</guid>
                                    <link>https://afemalelens.castos.com/episodes/gersha-phillips-costume-designer-37f14b12820ef2</link>
                                <description>
                                            <![CDATA[This week, we're discussing the Hollywood assistants' revolt and #PayUpHollywood and the implications this has for the rest of the industry. Then, we interview costume designer Gersha Phillips. 

Gersha is a costume designer who has designed for more than 30 films and numerous TV series. She currently designs for CBS’s Emmy-nominated Star Trek: Discovery, now in its second season. Her work on Season 1 earned her a Costume Designers Guild Award nomination. She has also worked on House of Cards, Black Panther, and American Psycho.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we're discussing the Hollywood assistants' revolt and #PayUpHollywood and the implications this has for the rest of the industry. Then, we interview costume designer Gersha Phillips. 

Gersha is a costume designer who has designed for more than 30 films and numerous TV series. She currently designs for CBS’s Emmy-nominated Star Trek: Discovery, now in its second season. Her work on Season 1 earned her a Costume Designers Guild Award nomination. She has also worked on House of Cards, Black Panther, and American Psycho.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[GERSHA PHILLIPS, Costume Designer]]>
                </itunes:title>
                                    <itunes:episode>6</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we're discussing the Hollywood assistants' revolt and #PayUpHollywood and the implications this has for the rest of the industry. Then, we interview costume designer Gersha Phillips. 

Gersha is a costume designer who has designed for more than 30 films and numerous TV series. She currently designs for CBS’s Emmy-nominated Star Trek: Discovery, now in its second season. Her work on Season 1 earned her a Costume Designers Guild Award nomination. She has also worked on House of Cards, Black Panther, and American Psycho.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/GvG17PGaOVSxT0l9XxRXij52mo1XfnjjdnwlLxwd.mp3" length="32444935"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we're discussing the Hollywood assistants' revolt and #PayUpHollywood and the implications this has for the rest of the industry. Then, we interview costume designer Gersha Phillips. 

Gersha is a costume designer who has designed for more than 30 films and numerous TV series. She currently designs for CBS’s Emmy-nominated Star Trek: Discovery, now in its second season. Her work on Season 1 earned her a Costume Designers Guild Award nomination. She has also worked on House of Cards, Black Panther, and American Psycho.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:45:01</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Minhal Baig]]>
                </title>
                <pubDate>Fri, 22 Nov 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/free-the-work-x-a-female-lens-presents-minhal-baig-37eef5aaf61cc6</guid>
                                    <link>https://afemalelens.castos.com/episodes/free-the-work-x-a-female-lens-presents-minhal-baig-37eef5aaf61cc6</link>
                                <description>
                                            <![CDATA[This week is our second installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel, whom we recently interviewed. Check out their new platform at freethework.com

For our second episode of this series, we interviewed Minhal Baig, writer/director of Hala.  Hala is her debut feature film, about a Muslim teenager coping with the unraveling of her family as she comes into her own. It premiered in the U.S. Dramatic Competition at the 2019 Sundance Film Festival. Hala is out in theaters today, and on Apple TV+ on December 6. Enjoy!

HALA
Seventeen-year-old Pakistani American teenager Hala struggles to balance desire with her familial, cultural and religious obligations. As she comes into her own, she grapples with a secret that threatens to unravel her family.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week is our second installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel, whom we recently interviewed. Check out their new platform at freethework.com

For our second episode of this series, we interviewed Minhal Baig, writer/director of Hala.  Hala is her debut feature film, about a Muslim teenager coping with the unraveling of her family as she comes into her own. It premiered in the U.S. Dramatic Competition at the 2019 Sundance Film Festival. Hala is out in theaters today, and on Apple TV+ on December 6. Enjoy!

HALA
Seventeen-year-old Pakistani American teenager Hala struggles to balance desire with her familial, cultural and religious obligations. As she comes into her own, she grapples with a secret that threatens to unravel her family.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Minhal Baig]]>
                </itunes:title>
                                    <itunes:episode>5</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week is our second installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel, whom we recently interviewed. Check out their new platform at freethework.com

For our second episode of this series, we interviewed Minhal Baig, writer/director of Hala.  Hala is her debut feature film, about a Muslim teenager coping with the unraveling of her family as she comes into her own. It premiered in the U.S. Dramatic Competition at the 2019 Sundance Film Festival. Hala is out in theaters today, and on Apple TV+ on December 6. Enjoy!

HALA
Seventeen-year-old Pakistani American teenager Hala struggles to balance desire with her familial, cultural and religious obligations. As she comes into her own, she grapples with a secret that threatens to unravel her family.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/KFsV55m0kz0NotYMsJKEnJxSk9iarr3AiUki8SqB.mp3" length="40828210"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week is our second installment of our collaborative series in partnership with Free the Work, which is a curated talent-discovery service of underrepresented creators. Free the Work is a non-profit founded by Alma Ha’rel, whom we recently interviewed. Check out their new platform at freethework.com

For our second episode of this series, we interviewed Minhal Baig, writer/director of Hala.  Hala is her debut feature film, about a Muslim teenager coping with the unraveling of her family as she comes into her own. It premiered in the U.S. Dramatic Competition at the 2019 Sundance Film Festival. Hala is out in theaters today, and on Apple TV+ on December 6. Enjoy!

HALA
Seventeen-year-old Pakistani American teenager Hala struggles to balance desire with her familial, cultural and religious obligations. As she comes into her own, she grapples with a secret that threatens to unravel her family.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:56:39</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[SHERRI CHUNG, Composer]]>
                </title>
                <pubDate>Mon, 18 Nov 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sherri-chung-composer-37ea55140513c8</guid>
                                    <link>https://afemalelens.castos.com/episodes/sherri-chung-composer-37ea55140513c8</link>
                                <description>
                                            <![CDATA[On this week's episode, we discuss The Academy's recent announcement that their "Best Foreign Language Film" award is now titled the "Best International Feature Film" award, and the controversy surrounding the disqualification of the entry films from Nigeria and Austria. Then, we interview film and television composer Sherri Chung. Sherri currently composes the scores for Riverdale (CW) and Blindspot (NBC). Her most recent show, The Red Line, produced by Greg Berlanti and Ava DuVernay, is a limited series which premiered on CBS and currently airs on CBS All Access. Her latest Warner Bros. film, Nancy Drew and The Hidden Staircase was released March 2019 in theaters nationwide.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[On this week's episode, we discuss The Academy's recent announcement that their "Best Foreign Language Film" award is now titled the "Best International Feature Film" award, and the controversy surrounding the disqualification of the entry films from Nigeria and Austria. Then, we interview film and television composer Sherri Chung. Sherri currently composes the scores for Riverdale (CW) and Blindspot (NBC). Her most recent show, The Red Line, produced by Greg Berlanti and Ava DuVernay, is a limited series which premiered on CBS and currently airs on CBS All Access. Her latest Warner Bros. film, Nancy Drew and The Hidden Staircase was released March 2019 in theaters nationwide.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[SHERRI CHUNG, Composer]]>
                </itunes:title>
                                    <itunes:episode>5</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[On this week's episode, we discuss The Academy's recent announcement that their "Best Foreign Language Film" award is now titled the "Best International Feature Film" award, and the controversy surrounding the disqualification of the entry films from Nigeria and Austria. Then, we interview film and television composer Sherri Chung. Sherri currently composes the scores for Riverdale (CW) and Blindspot (NBC). Her most recent show, The Red Line, produced by Greg Berlanti and Ava DuVernay, is a limited series which premiered on CBS and currently airs on CBS All Access. Her latest Warner Bros. film, Nancy Drew and The Hidden Staircase was released March 2019 in theaters nationwide.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/4jd9sRUc6DDNXycQHFAHyS4l4L2nVxYpCmOxGKnH.mp3" length="52929182"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[On this week's episode, we discuss The Academy's recent announcement that their "Best Foreign Language Film" award is now titled the "Best International Feature Film" award, and the controversy surrounding the disqualification of the entry films from Nigeria and Austria. Then, we interview film and television composer Sherri Chung. Sherri currently composes the scores for Riverdale (CW) and Blindspot (NBC). Her most recent show, The Red Line, produced by Greg Berlanti and Ava DuVernay, is a limited series which premiered on CBS and currently airs on CBS All Access. Her latest Warner Bros. film, Nancy Drew and The Hidden Staircase was released March 2019 in theaters nationwide.]]>
                </itunes:summary>
                                                                            <itunes:duration>01:13:28</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ALISON KELLY, Cinematographer]]>
                </title>
                <pubDate>Mon, 11 Nov 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/alison-kelly-cinematographer-37e5932d64389e</guid>
                                    <link>https://afemalelens.castos.com/episodes/alison-kelly-cinematographer-37e5932d64389e</link>
                                <description>
                                            <![CDATA[On this week's episode we discuss recent controversy over the censorship of same-sex love scenes in Olivia Wilde's film "Booksmart" for in-flight entertainment. Then, we interview cinematographer Alison Kelly. Alison is the cinematographer behind the ABC drama Grand Hotel, which is executive produced by and stars Eva Longoria. Alison has worked on other notable projects including AMC’s Dietland, MTV’s Finding Carter, Who's Afraid of Vagina Wolf?, and STARZ’s Counterpart. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[On this week's episode we discuss recent controversy over the censorship of same-sex love scenes in Olivia Wilde's film "Booksmart" for in-flight entertainment. Then, we interview cinematographer Alison Kelly. Alison is the cinematographer behind the ABC drama Grand Hotel, which is executive produced by and stars Eva Longoria. Alison has worked on other notable projects including AMC’s Dietland, MTV’s Finding Carter, Who's Afraid of Vagina Wolf?, and STARZ’s Counterpart. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ALISON KELLY, Cinematographer]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[On this week's episode we discuss recent controversy over the censorship of same-sex love scenes in Olivia Wilde's film "Booksmart" for in-flight entertainment. Then, we interview cinematographer Alison Kelly. Alison is the cinematographer behind the ABC drama Grand Hotel, which is executive produced by and stars Eva Longoria. Alison has worked on other notable projects including AMC’s Dietland, MTV’s Finding Carter, Who's Afraid of Vagina Wolf?, and STARZ’s Counterpart. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/zePb9IcYP4k1TqXu6HCfgAt7qUc5U1oKa7BxXN94.mp3" length="32106004"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[On this week's episode we discuss recent controversy over the censorship of same-sex love scenes in Olivia Wilde's film "Booksmart" for in-flight entertainment. Then, we interview cinematographer Alison Kelly. Alison is the cinematographer behind the ABC drama Grand Hotel, which is executive produced by and stars Eva Longoria. Alison has worked on other notable projects including AMC’s Dietland, MTV’s Finding Carter, Who's Afraid of Vagina Wolf?, and STARZ’s Counterpart. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:44:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[NENA ERB, Editor]]>
                </title>
                <pubDate>Mon, 04 Nov 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/nena-erb-editor-37e0d79d6f0610</guid>
                                    <link>https://afemalelens.castos.com/episodes/nena-erb-editor-37e0d79d6f0610</link>
                                <description>
                                            <![CDATA[This week, we discuss Geena Davis, the Geena Davis Institute on Gender in Media, and their new tool "GD-IQ: Spellcheck for Bias." Then, we interview Nena Erb, ACE, an Emmy-winning editor based in Los Angeles. Nena has been the editor on productions for HBO, Universal, CBS, ABC, and others. In 2016, she received an Emmy award for her work on HBO’s documentary series Project Greenlight, and in 2019, she received an ACE Eddie nomination for her work on HBO's Peabody award-winning series Insecure. Currently, she is editing Little America, an anthology series on America's immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we discuss Geena Davis, the Geena Davis Institute on Gender in Media, and their new tool "GD-IQ: Spellcheck for Bias." Then, we interview Nena Erb, ACE, an Emmy-winning editor based in Los Angeles. Nena has been the editor on productions for HBO, Universal, CBS, ABC, and others. In 2016, she received an Emmy award for her work on HBO’s documentary series Project Greenlight, and in 2019, she received an ACE Eddie nomination for her work on HBO's Peabody award-winning series Insecure. Currently, she is editing Little America, an anthology series on America's immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[NENA ERB, Editor]]>
                </itunes:title>
                                    <itunes:episode>3</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we discuss Geena Davis, the Geena Davis Institute on Gender in Media, and their new tool "GD-IQ: Spellcheck for Bias." Then, we interview Nena Erb, ACE, an Emmy-winning editor based in Los Angeles. Nena has been the editor on productions for HBO, Universal, CBS, ABC, and others. In 2016, she received an Emmy award for her work on HBO’s documentary series Project Greenlight, and in 2019, she received an ACE Eddie nomination for her work on HBO's Peabody award-winning series Insecure. Currently, she is editing Little America, an anthology series on America's immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/cLnZn3npHEiUzSyJexyAoZs2NwXocMpJASJmQYYp.mp3" length="30494429"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we discuss Geena Davis, the Geena Davis Institute on Gender in Media, and their new tool "GD-IQ: Spellcheck for Bias." Then, we interview Nena Erb, ACE, an Emmy-winning editor based in Los Angeles. Nena has been the editor on productions for HBO, Universal, CBS, ABC, and others. In 2016, she received an Emmy award for her work on HBO’s documentary series Project Greenlight, and in 2019, she received an ACE Eddie nomination for her work on HBO's Peabody award-winning series Insecure. Currently, she is editing Little America, an anthology series on America's immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:42:18</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[AMEY RENÉ, Casting Director]]>
                </title>
                <pubDate>Mon, 28 Oct 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/amey-rene-casting-director-37db4f0c75774c</guid>
                                    <link>https://afemalelens.castos.com/episodes/amey-rene-casting-director-37db4f0c75774c</link>
                                <description>
                                            <![CDATA[This week we're discussing the Big Little Lies S2 director debacle, and the writer pay disparity on the Crazy Rich Asians sequel. Then, we interview Amey René, an Artios Award nominated Casting Director. Many of her films have premiered at Sundance, SXSW, Tribeca, Cannes and Toronto International Film Festivals. She had three films premiere at the Sundance 2019 Film Festival, including Greener Grass, which is currently in theaters.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we're discussing the Big Little Lies S2 director debacle, and the writer pay disparity on the Crazy Rich Asians sequel. Then, we interview Amey René, an Artios Award nominated Casting Director. Many of her films have premiered at Sundance, SXSW, Tribeca, Cannes and Toronto International Film Festivals. She had three films premiere at the Sundance 2019 Film Festival, including Greener Grass, which is currently in theaters.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[AMEY RENÉ, Casting Director]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we're discussing the Big Little Lies S2 director debacle, and the writer pay disparity on the Crazy Rich Asians sequel. Then, we interview Amey René, an Artios Award nominated Casting Director. Many of her films have premiered at Sundance, SXSW, Tribeca, Cannes and Toronto International Film Festivals. She had three films premiere at the Sundance 2019 Film Festival, including Greener Grass, which is currently in theaters.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/vGnmj5MXOhG6TdEVDpYqyy89I3yN7N5tyaaQyJXR.mp3" length="48935719"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we're discussing the Big Little Lies S2 director debacle, and the writer pay disparity on the Crazy Rich Asians sequel. Then, we interview Amey René, an Artios Award nominated Casting Director. Many of her films have premiered at Sundance, SXSW, Tribeca, Cannes and Toronto International Film Festivals. She had three films premiere at the Sundance 2019 Film Festival, including Greener Grass, which is currently in theaters.]]>
                </itunes:summary>
                                                                            <itunes:duration>01:07:55</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[CHRISTINA CHOE, Writer/Director]]>
                </title>
                <pubDate>Mon, 21 Oct 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/christina-choe-writerdirector-37d5ce35fb0c36</guid>
                                    <link>https://afemalelens.castos.com/episodes/christina-choe-writerdirector-37d5ce35fb0c36</link>
                                <description>
                                            <![CDATA[We are back for Season 2! We have an exciting slate of interviews this season and we're so thrilled to announce our new associate producer, Elise Welch! To start the season off, we're talking about the number of top films directed by women (so far) in 2019, which has already exceeded the number directed by women in 2018. Then, we interview writer and director Christina Choe, who's feature film debut NANCY premiered at Sundance in the 2018 US Dramatic Competition, where it won the Waldo Salt Best Screenplay Award. Enjoy!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We are back for Season 2! We have an exciting slate of interviews this season and we're so thrilled to announce our new associate producer, Elise Welch! To start the season off, we're talking about the number of top films directed by women (so far) in 2019, which has already exceeded the number directed by women in 2018. Then, we interview writer and director Christina Choe, who's feature film debut NANCY premiered at Sundance in the 2018 US Dramatic Competition, where it won the Waldo Salt Best Screenplay Award. Enjoy!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[CHRISTINA CHOE, Writer/Director]]>
                </itunes:title>
                                    <itunes:episode>1</itunes:episode>
                                                    <itunes:season>2</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We are back for Season 2! We have an exciting slate of interviews this season and we're so thrilled to announce our new associate producer, Elise Welch! To start the season off, we're talking about the number of top films directed by women (so far) in 2019, which has already exceeded the number directed by women in 2018. Then, we interview writer and director Christina Choe, who's feature film debut NANCY premiered at Sundance in the 2018 US Dramatic Competition, where it won the Waldo Salt Best Screenplay Award. Enjoy!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/BX4RRPsXnTlJMmbjibiTEdjYkil8LMLnro8M6ynx.mp3" length="48686072"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We are back for Season 2! We have an exciting slate of interviews this season and we're so thrilled to announce our new associate producer, Elise Welch! To start the season off, we're talking about the number of top films directed by women (so far) in 2019, which has already exceeded the number directed by women in 2018. Then, we interview writer and director Christina Choe, who's feature film debut NANCY premiered at Sundance in the 2018 US Dramatic Competition, where it won the Waldo Salt Best Screenplay Award. Enjoy!]]>
                </itunes:summary>
                                                                            <itunes:duration>01:07:34</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Liza Mandelup]]>
                </title>
                <pubDate>Thu, 19 Sep 2019 23:30:53 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/free-the-work-x-a-female-lens-presents-liza-mandelup-37bc89c4c63864</guid>
                                    <link>https://afemalelens.castos.com/episodes/free-the-work-x-a-female-lens-presents-liza-mandelup-37bc89c4c63864</link>
                                <description>
                                            <![CDATA[This week, we’re introducing our new monthly collaborative series in partnership with FREE THE WORK, a 501c3 non-profit founded by Alma Ha’rel (whom we recently interviewed). This revolutionary talent discovery platform connects women and underrepresented creators to those who hire in film, television, advertising, and media. Check out the launch of the FREE THE WORK website on October 17. 

For our first episode of this series, we interviewed Liza Mandelup, director of the new documentary film, Jawline. She talks to us about her process and approach to documentaries, how she stays inspired to keep working, and her experience in the commercial world. Watch Jawline on Hulu now!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we’re introducing our new monthly collaborative series in partnership with FREE THE WORK, a 501c3 non-profit founded by Alma Ha’rel (whom we recently interviewed). This revolutionary talent discovery platform connects women and underrepresented creators to those who hire in film, television, advertising, and media. Check out the launch of the FREE THE WORK website on October 17. 

For our first episode of this series, we interviewed Liza Mandelup, director of the new documentary film, Jawline. She talks to us about her process and approach to documentaries, how she stays inspired to keep working, and her experience in the commercial world. Watch Jawline on Hulu now!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[FREE THE WORK x A FEMALE LENS Presents: Liza Mandelup]]>
                </itunes:title>
                                    <itunes:episode>13</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we’re introducing our new monthly collaborative series in partnership with FREE THE WORK, a 501c3 non-profit founded by Alma Ha’rel (whom we recently interviewed). This revolutionary talent discovery platform connects women and underrepresented creators to those who hire in film, television, advertising, and media. Check out the launch of the FREE THE WORK website on October 17. 

For our first episode of this series, we interviewed Liza Mandelup, director of the new documentary film, Jawline. She talks to us about her process and approach to documentaries, how she stays inspired to keep working, and her experience in the commercial world. Watch Jawline on Hulu now!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/PyCIUzP3ycwN77a9K4wvCtWJgB4aWGLhAK4QQTDa.mp3" length="26560832"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we’re introducing our new monthly collaborative series in partnership with FREE THE WORK, a 501c3 non-profit founded by Alma Ha’rel (whom we recently interviewed). This revolutionary talent discovery platform connects women and underrepresented creators to those who hire in film, television, advertising, and media. Check out the launch of the FREE THE WORK website on October 17. 

For our first episode of this series, we interviewed Liza Mandelup, director of the new documentary film, Jawline. She talks to us about her process and approach to documentaries, how she stays inspired to keep working, and her experience in the commercial world. Watch Jawline on Hulu now!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:36:50</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Summer Movie Roundup with Beandrea July]]>
                </title>
                <pubDate>Mon, 19 Aug 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/summer-movie-roundup-with-beandrea-july-37a44e170b24a0</guid>
                                    <link>https://afemalelens.castos.com/episodes/summer-movie-roundup-with-beandrea-july-37a44e170b24a0</link>
                                <description>
                                            <![CDATA[We're thrilled to have film critic Beandrea July back on the podcast to discuss her take what a "summer movie" is, how it's changed over the years, and what's on her summer 2019 box office radar!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We're thrilled to have film critic Beandrea July back on the podcast to discuss her take what a "summer movie" is, how it's changed over the years, and what's on her summer 2019 box office radar!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Summer Movie Roundup with Beandrea July]]>
                </itunes:title>
                                    <itunes:episode>12</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We're thrilled to have film critic Beandrea July back on the podcast to discuss her take what a "summer movie" is, how it's changed over the years, and what's on her summer 2019 box office radar!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/boWi61lDeIA1kVWTagMWlRuqM5uoEtmpNR2xMSMq.mp3" length="13901213"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We're thrilled to have film critic Beandrea July back on the podcast to discuss her take what a "summer movie" is, how it's changed over the years, and what's on her summer 2019 box office radar!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:19:04</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[LYNN SHELTON, Director]]>
                </title>
                <pubDate>Fri, 12 Jul 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/lynn-shelton-director-37867177860218</guid>
                                    <link>https://afemalelens.castos.com/episodes/lynn-shelton-director-37867177860218</link>
                                <description>
                                            <![CDATA[This week we interviewed director Lynn Shelton about her new film, Sword of Trust which stars Marc Maron, Jillian Bell, Michaela Watkins, and Jon Bass. Tune in for our chat with Lynn about her improvisational approach to the film, what she looks for in fellow collaborators, and her filmmaking process. Sword of Trust is out in theaters today, July 12!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we interviewed director Lynn Shelton about her new film, Sword of Trust which stars Marc Maron, Jillian Bell, Michaela Watkins, and Jon Bass. Tune in for our chat with Lynn about her improvisational approach to the film, what she looks for in fellow collaborators, and her filmmaking process. Sword of Trust is out in theaters today, July 12!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[LYNN SHELTON, Director]]>
                </itunes:title>
                                    <itunes:episode>11</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we interviewed director Lynn Shelton about her new film, Sword of Trust which stars Marc Maron, Jillian Bell, Michaela Watkins, and Jon Bass. Tune in for our chat with Lynn about her improvisational approach to the film, what she looks for in fellow collaborators, and her filmmaking process. Sword of Trust is out in theaters today, July 12!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/X82zWMXdoMWMFqIGaPMpHhG94EmgAlJOyfSJt73i.mp3" length="18439989"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we interviewed director Lynn Shelton about her new film, Sword of Trust which stars Marc Maron, Jillian Bell, Michaela Watkins, and Jon Bass. Tune in for our chat with Lynn about her improvisational approach to the film, what she looks for in fellow collaborators, and her filmmaking process. Sword of Trust is out in theaters today, July 12!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:25:34</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Alma Har'el + Free The Bid]]>
                </title>
                <pubDate>Mon, 17 Jun 2019 14:53:53 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/alma-harel-free-the-bid-376df95dd03bde</guid>
                                    <link>https://afemalelens.castos.com/episodes/alma-harel-free-the-bid-376df95dd03bde</link>
                                <description>
                                            <![CDATA[“That’s what I’m aiming for: a renaissance of creativity.” —Alma Har’el

Bonus episode alert: this week we chatted with Alma Har’el about her initiative Free The Bid and its upcoming relaunch!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[“That’s what I’m aiming for: a renaissance of creativity.” —Alma Har’el

Bonus episode alert: this week we chatted with Alma Har’el about her initiative Free The Bid and its upcoming relaunch!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Alma Har'el + Free The Bid]]>
                </itunes:title>
                                    <itunes:episode>10</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[“That’s what I’m aiming for: a renaissance of creativity.” —Alma Har’el

Bonus episode alert: this week we chatted with Alma Har’el about her initiative Free The Bid and its upcoming relaunch!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/aod0WaBrjVEBkTuKyKglGTyz34nfVTqiHLKKbRUV.mp3" length="32476442"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[“That’s what I’m aiming for: a renaissance of creativity.” —Alma Har’el

Bonus episode alert: this week we chatted with Alma Har’el about her initiative Free The Bid and its upcoming relaunch!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:44:52</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[NISHA GANATRA, Director]]>
                </title>
                <pubDate>Fri, 07 Jun 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/nisha-ganatra-director-376b010475e40a</guid>
                                    <link>https://afemalelens.castos.com/episodes/nisha-ganatra-director-376b010475e40a</link>
                                <description>
                                            <![CDATA[We're taking a break from our break to bring you a special bonus episode! Listen for our interview with Nisha Ganatra, director of the film LATE NIGHT. LATE NIGHT stars Emma Thompson and Mindy Kaling, and is written by Mindy Kaling. We love the film and had an amazing time talking with Nisha. Check out our episode, then go see LATE NIGHT in theaters! Stay tuned for Season 2 of AFL later this summer.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We're taking a break from our break to bring you a special bonus episode! Listen for our interview with Nisha Ganatra, director of the film LATE NIGHT. LATE NIGHT stars Emma Thompson and Mindy Kaling, and is written by Mindy Kaling. We love the film and had an amazing time talking with Nisha. Check out our episode, then go see LATE NIGHT in theaters! Stay tuned for Season 2 of AFL later this summer.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[NISHA GANATRA, Director]]>
                </itunes:title>
                                    <itunes:episode>10</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We're taking a break from our break to bring you a special bonus episode! Listen for our interview with Nisha Ganatra, director of the film LATE NIGHT. LATE NIGHT stars Emma Thompson and Mindy Kaling, and is written by Mindy Kaling. We love the film and had an amazing time talking with Nisha. Check out our episode, then go see LATE NIGHT in theaters! Stay tuned for Season 2 of AFL later this summer.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/DPGcG45FpdkIDcBEVStkDgTDNaTIQxldTtCP7PMO.mp3" length="25831074"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We're taking a break from our break to bring you a special bonus episode! Listen for our interview with Nisha Ganatra, director of the film LATE NIGHT. LATE NIGHT stars Emma Thompson and Mindy Kaling, and is written by Mindy Kaling. We love the film and had an amazing time talking with Nisha. Check out our episode, then go see LATE NIGHT in theaters! Stay tuned for Season 2 of AFL later this summer.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:35:49</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[HADEEL REDA, Producer]]>
                </title>
                <pubDate>Mon, 18 Mar 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/hadeel-reda-producer-372b5dca77a4e8</guid>
                                    <link>https://afemalelens.castos.com/episodes/hadeel-reda-producer-372b5dca77a4e8</link>
                                <description>
                                            <![CDATA[We are thrilled to share our Season 1 Finale episode of A Female Lens with you! We have a SXSW Film Festival roundup, and then we interview inspiring producer, Hadeel Reda. Thank you for all of your support and for lending your ears to our podcast. We have had a fantastic first season, and we're already hard at work on Season 2! Stay tuned.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We are thrilled to share our Season 1 Finale episode of A Female Lens with you! We have a SXSW Film Festival roundup, and then we interview inspiring producer, Hadeel Reda. Thank you for all of your support and for lending your ears to our podcast. We have had a fantastic first season, and we're already hard at work on Season 2! Stay tuned.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[HADEEL REDA, Producer]]>
                </itunes:title>
                                    <itunes:episode>10</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We are thrilled to share our Season 1 Finale episode of A Female Lens with you! We have a SXSW Film Festival roundup, and then we interview inspiring producer, Hadeel Reda. Thank you for all of your support and for lending your ears to our podcast. We have had a fantastic first season, and we're already hard at work on Season 2! Stay tuned.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/yzyka1Ro1Dtt8h2kSMcd2ztYvV3G6aXd7CrD23hx.mp3" length="25114357"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We are thrilled to share our Season 1 Finale episode of A Female Lens with you! We have a SXSW Film Festival roundup, and then we interview inspiring producer, Hadeel Reda. Thank you for all of your support and for lending your ears to our podcast. We have had a fantastic first season, and we're already hard at work on Season 2! Stay tuned.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:34:50</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[AMY ADRION, Director]]>
                </title>
                <pubDate>Mon, 11 Mar 2019 07:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/amy-adrion-director-37258bf9415b7e</guid>
                                    <link>https://afemalelens.castos.com/episodes/amy-adrion-director-37258bf9415b7e</link>
                                <description>
                                            <![CDATA[This week we’re going back in the archives and talking about a female directing team that was not given equal credit on an episode of Crazy Ex-Girlfriend. Then, we interview Amy Adrion, director of the documentary Half The Picture.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we’re going back in the archives and talking about a female directing team that was not given equal credit on an episode of Crazy Ex-Girlfriend. Then, we interview Amy Adrion, director of the documentary Half The Picture.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[AMY ADRION, Director]]>
                </itunes:title>
                                    <itunes:episode>9</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we’re going back in the archives and talking about a female directing team that was not given equal credit on an episode of Crazy Ex-Girlfriend. Then, we interview Amy Adrion, director of the documentary Half The Picture.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/fwY1OQ44lv6XjJ2037wjDf3xl2cNPWunlBshUIN2.mp3" length="34563666"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we’re going back in the archives and talking about a female directing team that was not given equal credit on an episode of Crazy Ex-Girlfriend. Then, we interview Amy Adrion, director of the documentary Half The Picture.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:47:57</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Women's Weekend Film Challenge]]>
                </title>
                <pubDate>Mon, 04 Mar 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/womens-weekend-film-challenge-37205f71709758</guid>
                                    <link>https://afemalelens.castos.com/episodes/womens-weekend-film-challenge-37205f71709758</link>
                                <description>
                                            <![CDATA[This week we’re talking about Emma Thompson’s letter regarding her decision to depart Skydance’s animated film, Luck. Then, we interview the team behind the Women’s Weekend Film Challenge. Stay tuned!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week we’re talking about Emma Thompson’s letter regarding her decision to depart Skydance’s animated film, Luck. Then, we interview the team behind the Women’s Weekend Film Challenge. Stay tuned!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Women's Weekend Film Challenge]]>
                </itunes:title>
                                    <itunes:episode>8</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week we’re talking about Emma Thompson’s letter regarding her decision to depart Skydance’s animated film, Luck. Then, we interview the team behind the Women’s Weekend Film Challenge. Stay tuned!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/7r5JjIfNuVXjZFPm9yT7nNulYMmPDWlYLMchpchl.mp3" length="14494060"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week we’re talking about Emma Thompson’s letter regarding her decision to depart Skydance’s animated film, Luck. Then, we interview the team behind the Women’s Weekend Film Challenge. Stay tuned!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:20:05</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ALICIA MALONE, Film Reporter]]>
                </title>
                <pubDate>Mon, 25 Feb 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/alicia-malone-film-reporter-371ad1df937866</guid>
                                    <link>https://afemalelens.castos.com/episodes/alicia-malone-film-reporter-371ad1df937866</link>
                                <description>
                                            <![CDATA[This week, we’re talking about Brie Larson’s inclusive press tour for Captain Marvel. Then, we interview film reporter, film critic, and author, Alicia Malone, about her work and her new book The Female Gaze.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we’re talking about Brie Larson’s inclusive press tour for Captain Marvel. Then, we interview film reporter, film critic, and author, Alicia Malone, about her work and her new book The Female Gaze.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ALICIA MALONE, Film Reporter]]>
                </itunes:title>
                                    <itunes:episode>7</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we’re talking about Brie Larson’s inclusive press tour for Captain Marvel. Then, we interview film reporter, film critic, and author, Alicia Malone, about her work and her new book The Female Gaze.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/0PGUMqvWKrer1LoffA5Q0kide6ne0OWNldMufdDR.mp3" length="28360703"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we’re talking about Brie Larson’s inclusive press tour for Captain Marvel. Then, we interview film reporter, film critic, and author, Alicia Malone, about her work and her new book The Female Gaze.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:39:20</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[BRITT RENTSCHLER, Actress]]>
                </title>
                <pubDate>Mon, 18 Feb 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/britt-rentschler-actress-37155d1b755cc6</guid>
                                    <link>https://afemalelens.castos.com/episodes/britt-rentschler-actress-37155d1b755cc6</link>
                                <description>
                                            <![CDATA[This week, we’re celebrating the women nominated for Academy Awards this year. Then, we interview actress Britt Rentschler about her recent film, Instant Family which just wrapped up a theatrical release and is available to watch on Amazon Prime tomorrow, February 19.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we’re celebrating the women nominated for Academy Awards this year. Then, we interview actress Britt Rentschler about her recent film, Instant Family which just wrapped up a theatrical release and is available to watch on Amazon Prime tomorrow, February 19.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[BRITT RENTSCHLER, Actress]]>
                </itunes:title>
                                    <itunes:episode>6</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we’re celebrating the women nominated for Academy Awards this year. Then, we interview actress Britt Rentschler about her recent film, Instant Family which just wrapped up a theatrical release and is available to watch on Amazon Prime tomorrow, February 19.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/32oJk4kkG8rQrSwh6TVXdl7ZouA00KDerRkxPgrI.mp3" length="17452710"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we’re celebrating the women nominated for Academy Awards this year. Then, we interview actress Britt Rentschler about her recent film, Instant Family which just wrapped up a theatrical release and is available to watch on Amazon Prime tomorrow, February 19.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:24:11</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Women of Virtual Reality at Sundance]]>
                </title>
                <pubDate>Wed, 13 Feb 2019 08:05:13 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/women-of-virtual-reality-at-sundance-370fbfe6f91a0c</guid>
                                    <link>https://afemalelens.castos.com/episodes/women-of-virtual-reality-at-sundance-370fbfe6f91a0c</link>
                                <description>
                                            <![CDATA[While we were at the Sundance Film Festival, we had the opportunity to talk with two virtual reality artists and one team about their virtual reality projects premiering in the New Frontier program at the festival. First, we interview Melissa Painter about her project, Embody. Then, we talk with the team behind Mechanical Souls: Gaëlle Mourre, L.P. Lee, and Céline Tricart. Lastly, we interview Teek Mach about her project, Grisaille.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[While we were at the Sundance Film Festival, we had the opportunity to talk with two virtual reality artists and one team about their virtual reality projects premiering in the New Frontier program at the festival. First, we interview Melissa Painter about her project, Embody. Then, we talk with the team behind Mechanical Souls: Gaëlle Mourre, L.P. Lee, and Céline Tricart. Lastly, we interview Teek Mach about her project, Grisaille.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Women of Virtual Reality at Sundance]]>
                </itunes:title>
                                    <itunes:episode>5</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[While we were at the Sundance Film Festival, we had the opportunity to talk with two virtual reality artists and one team about their virtual reality projects premiering in the New Frontier program at the festival. First, we interview Melissa Painter about her project, Embody. Then, we talk with the team behind Mechanical Souls: Gaëlle Mourre, L.P. Lee, and Céline Tricart. Lastly, we interview Teek Mach about her project, Grisaille.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/Oz77h7yPFLU3YaVHuZg3Dzr2njnqkGLfx2yNrO7f.mp3" length="24422975"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[While we were at the Sundance Film Festival, we had the opportunity to talk with two virtual reality artists and one team about their virtual reality projects premiering in the New Frontier program at the festival. First, we interview Melissa Painter about her project, Embody. Then, we talk with the team behind Mechanical Souls: Gaëlle Mourre, L.P. Lee, and Céline Tricart. Lastly, we interview Teek Mach about her project, Grisaille.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:33:41</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[EMMA FORREST, Writer/Director]]>
                </title>
                <pubDate>Mon, 11 Feb 2019 08:05:17 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/emma-forrest-writerdirector-370fd2583aba2e</guid>
                                    <link>https://afemalelens.castos.com/episodes/emma-forrest-writerdirector-370fd2583aba2e</link>
                                <description>
                                            <![CDATA[This week, we’re discussing an essay by Emily Best, the founder of Seed &amp; Spark, a crowdfunding site for films. Then, we interview writer/director Emma Forrest about her new film, Untogether which was released in select theaters on February 8th.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This week, we’re discussing an essay by Emily Best, the founder of Seed & Spark, a crowdfunding site for films. Then, we interview writer/director Emma Forrest about her new film, Untogether which was released in select theaters on February 8th.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[EMMA FORREST, Writer/Director]]>
                </itunes:title>
                                    <itunes:episode>5</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[This week, we’re discussing an essay by Emily Best, the founder of Seed &amp; Spark, a crowdfunding site for films. Then, we interview writer/director Emma Forrest about her new film, Untogether which was released in select theaters on February 8th.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/U5yQS0x9JfMPzZ8qMn2tAqBNfZadCgUDffO83yam.mp3" length="23164711"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[This week, we’re discussing an essay by Emily Best, the founder of Seed & Spark, a crowdfunding site for films. Then, we interview writer/director Emma Forrest about her new film, Untogether which was released in select theaters on February 8th.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:07</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Sundance Film Critics: Beandrea July + Aramide Tinubu]]>
                </title>
                <pubDate>Wed, 06 Feb 2019 08:05:59 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/sundance-film-critics-beandrea-july-aramide-tinubu-370a509fd570d0</guid>
                                    <link>https://afemalelens.castos.com/episodes/sundance-film-critics-beandrea-july-aramide-tinubu-370a509fd570d0</link>
                                <description>
                                            <![CDATA[We caught up with film critics Beandrea July and Aramide Tinubu at the Sundance Film Festival to get their take on this year's festival!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[We caught up with film critics Beandrea July and Aramide Tinubu at the Sundance Film Festival to get their take on this year's festival!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>bonus</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Sundance Film Critics: Beandrea July + Aramide Tinubu]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[We caught up with film critics Beandrea July and Aramide Tinubu at the Sundance Film Festival to get their take on this year's festival!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/pFvu8ptioRAT7G0gnet7eh6t3QeysHjCaLyXVfw9.mp3" length="11344219"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[We caught up with film critics Beandrea July and Aramide Tinubu at the Sundance Film Festival to get their take on this year's festival!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:15:31</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[AMBER SEALEY, Writer/Director]]>
                </title>
                <pubDate>Mon, 04 Feb 2019 08:05:43 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/amber-sealey-writerdirector-370a4c1b94d648</guid>
                                    <link>https://afemalelens.castos.com/episodes/amber-sealey-writerdirector-370a4c1b94d648</link>
                                <description>
                                            <![CDATA[In this week's episode, we discuss the ad placed in Variety honoring female directors that were overlooked this year by the DGA and the Acadamy Awards. Then, we interview Amber Sealey who we met at Sundance. Her short film, How Does It Start, premeiered at this year's Festival. We are joined by her main actress, Lola Wayne Villa at the end of the interview. Please enjoy (and forgive our voices-we both have Sundance colds!)]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this week's episode, we discuss the ad placed in Variety honoring female directors that were overlooked this year by the DGA and the Acadamy Awards. Then, we interview Amber Sealey who we met at Sundance. Her short film, How Does It Start, premeiered at this year's Festival. We are joined by her main actress, Lola Wayne Villa at the end of the interview. Please enjoy (and forgive our voices-we both have Sundance colds!)]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[AMBER SEALEY, Writer/Director]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[In this week's episode, we discuss the ad placed in Variety honoring female directors that were overlooked this year by the DGA and the Acadamy Awards. Then, we interview Amber Sealey who we met at Sundance. Her short film, How Does It Start, premeiered at this year's Festival. We are joined by her main actress, Lola Wayne Villa at the end of the interview. Please enjoy (and forgive our voices-we both have Sundance colds!)]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/kjC4j76qUVGyMSgQrtDTrwZTIfCyBPxnhRkzWoNG.mp3" length="24196387"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In this week's episode, we discuss the ad placed in Variety honoring female directors that were overlooked this year by the DGA and the Acadamy Awards. Then, we interview Amber Sealey who we met at Sundance. Her short film, How Does It Start, premeiered at this year's Festival. We are joined by her main actress, Lola Wayne Villa at the end of the interview. Please enjoy (and forgive our voices-we both have Sundance colds!)]]>
                </itunes:summary>
                                                                            <itunes:duration>00:33:33</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[JESI NELSON, Composer]]>
                </title>
                <pubDate>Mon, 28 Jan 2019 08:05:00 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/jesi-nelson-composer-3704eb44d62534</guid>
                                    <link>https://afemalelens.castos.com/episodes/jesi-nelson-composer-3704eb44d62534</link>
                                <description>
                                            <![CDATA[In this week's episode, we discuss women in film in the news at Sundance  (since we're at the Sundance Film Festival!) Then, we interview film composer Jesi Nelson.

Jesi Nelson is a Los Angeles based composer for film &amp; media, conductor and orchestrator. She received her BFA in Music Composition and Technology from the University of Wisconsin-Milwaukee and Master of Fine Arts in Music Composition for the Screen at Columbia College. Upon her move to LA, she interned for Danny Elfman at Studio Della Morte, and soon after started assisting composer Michael Kramer, writing additional music for the Emmy nominated Disney/LucasFilm Lego Star Wars: The Freemaker Adventures TV series and Ninjago: The Legend of Spinjitzu, under his lead. She also scored the award winning film JINN, which made its premiere at this year's SXSW to great acclaim, with a theatrical and nationwide release later in the year. Lastly, Jesi also composed the original theme music for A Female Lens!]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this week's episode, we discuss women in film in the news at Sundance  (since we're at the Sundance Film Festival!) Then, we interview film composer Jesi Nelson.

Jesi Nelson is a Los Angeles based composer for film & media, conductor and orchestrator. She received her BFA in Music Composition and Technology from the University of Wisconsin-Milwaukee and Master of Fine Arts in Music Composition for the Screen at Columbia College. Upon her move to LA, she interned for Danny Elfman at Studio Della Morte, and soon after started assisting composer Michael Kramer, writing additional music for the Emmy nominated Disney/LucasFilm Lego Star Wars: The Freemaker Adventures TV series and Ninjago: The Legend of Spinjitzu, under his lead. She also scored the award winning film JINN, which made its premiere at this year's SXSW to great acclaim, with a theatrical and nationwide release later in the year. Lastly, Jesi also composed the original theme music for A Female Lens!]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[JESI NELSON, Composer]]>
                </itunes:title>
                                    <itunes:episode>3</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[In this week's episode, we discuss women in film in the news at Sundance  (since we're at the Sundance Film Festival!) Then, we interview film composer Jesi Nelson.

Jesi Nelson is a Los Angeles based composer for film &amp; media, conductor and orchestrator. She received her BFA in Music Composition and Technology from the University of Wisconsin-Milwaukee and Master of Fine Arts in Music Composition for the Screen at Columbia College. Upon her move to LA, she interned for Danny Elfman at Studio Della Morte, and soon after started assisting composer Michael Kramer, writing additional music for the Emmy nominated Disney/LucasFilm Lego Star Wars: The Freemaker Adventures TV series and Ninjago: The Legend of Spinjitzu, under his lead. She also scored the award winning film JINN, which made its premiere at this year's SXSW to great acclaim, with a theatrical and nationwide release later in the year. Lastly, Jesi also composed the original theme music for A Female Lens!]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/H5DZymMzoUDKg0XZVF51ttUGy72FGRip8xxY8GOq.mp3" length="23904695"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In this week's episode, we discuss women in film in the news at Sundance  (since we're at the Sundance Film Festival!) Then, we interview film composer Jesi Nelson.

Jesi Nelson is a Los Angeles based composer for film & media, conductor and orchestrator. She received her BFA in Music Composition and Technology from the University of Wisconsin-Milwaukee and Master of Fine Arts in Music Composition for the Screen at Columbia College. Upon her move to LA, she interned for Danny Elfman at Studio Della Morte, and soon after started assisting composer Michael Kramer, writing additional music for the Emmy nominated Disney/LucasFilm Lego Star Wars: The Freemaker Adventures TV series and Ninjago: The Legend of Spinjitzu, under his lead. She also scored the award winning film JINN, which made its premiere at this year's SXSW to great acclaim, with a theatrical and nationwide release later in the year. Lastly, Jesi also composed the original theme music for A Female Lens!]]>
                </itunes:summary>
                                                                            <itunes:duration>00:33:09</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[TIFFANY LITTLE CANFIELD, Casting Director]]>
                </title>
                <pubDate>Mon, 21 Jan 2019 08:05:48 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
                <guid isPermaLink="true">
                    https://afemalelens.castos.com/podcasts/28016/episodes/tiffany-little-canfield-casting-director-36ff537afecf16</guid>
                                    <link>https://afemalelens.castos.com/episodes/tiffany-little-canfield-casting-director-36ff537afecf16</link>
                                <description>
                                            <![CDATA[Tiffany Little Canfield, CSA is a casting director for theatre, film, and television at the prestigious bi-coastal casting office, Telsey + Company. Some notable projects include This Is Us, Mary Poppins Returns, Atypical, Smash, The Intern, Into the Woods, The Intern, Ricki and The Flash, and Masters of Sex. She received the Independent Spirit Robert Altman Award for her work on Margin Call in 2012. She was also nominated for a Primetime Emmy Award for Outstanding Casting for a Limited Series, Movie, or a Special for her work on Grease Live.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Tiffany Little Canfield, CSA is a casting director for theatre, film, and television at the prestigious bi-coastal casting office, Telsey + Company. Some notable projects include This Is Us, Mary Poppins Returns, Atypical, Smash, The Intern, Into the Woods, The Intern, Ricki and The Flash, and Masters of Sex. She received the Independent Spirit Robert Altman Award for her work on Margin Call in 2012. She was also nominated for a Primetime Emmy Award for Outstanding Casting for a Limited Series, Movie, or a Special for her work on Grease Live.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[TIFFANY LITTLE CANFIELD, Casting Director]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[Tiffany Little Canfield, CSA is a casting director for theatre, film, and television at the prestigious bi-coastal casting office, Telsey + Company. Some notable projects include This Is Us, Mary Poppins Returns, Atypical, Smash, The Intern, Into the Woods, The Intern, Ricki and The Flash, and Masters of Sex. She received the Independent Spirit Robert Altman Award for her work on Margin Call in 2012. She was also nominated for a Primetime Emmy Award for Outstanding Casting for a Limited Series, Movie, or a Special for her work on Grease Live.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/LKu7JZsuzS8MLJ6AxFrt9gacN64B5QaC366BVbVG.mp3" length="23465331"
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                                <itunes:summary>
                    <![CDATA[Tiffany Little Canfield, CSA is a casting director for theatre, film, and television at the prestigious bi-coastal casting office, Telsey + Company. Some notable projects include This Is Us, Mary Poppins Returns, Atypical, Smash, The Intern, Into the Woods, The Intern, Ricki and The Flash, and Masters of Sex. She received the Independent Spirit Robert Altman Award for her work on Margin Call in 2012. She was also nominated for a Primetime Emmy Award for Outstanding Casting for a Limited Series, Movie, or a Special for her work on Grease Live.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[ELIZABETH CHOMKO, Writer/Director]]>
                </title>
                <pubDate>Mon, 14 Jan 2019 08:05:17 +0000</pubDate>
                <dc:creator>by Jennifer Zahlit and Larkin Bell</dc:creator>
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                    https://afemalelens.castos.com/podcasts/28016/episodes/elizabeth-chomko-writerdirector-36f9d6dbcebe00</guid>
                                    <link>https://afemalelens.castos.com/episodes/elizabeth-chomko-writerdirector-36f9d6dbcebe00</link>
                                <description>
                                            <![CDATA[In our first episode we discuss and celebrate some of our favorite accomplishments and strides that women in film made in 2018. Then, we interview writer and director, Elizabeth Chomko. We saw the premiere of Elizabeth's film at the Sundance Film Festival last January and we were absolutely blown away by her film and her work. Happy listening!

**Elizabeth Chomko** is a director and writer best known for What They Had (2018), starring Hilary Swank. Her screenplay for What They Had won an Academy Nicholl Fellowship in 2015 and premiered at the Sundance Film Festival. She is also a playwright and theatre actress, and has appeared in television and film roles on Terriers, Common Law, and South Boston Legal,among others. Chomko attended the Sundance Institute Screenwriting Lab in 2015. She was named by Variety a Top 10 Screenwriter to Watch at the 2018 Whistler Film Festival. She is originally from Chicago, Illinois.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In our first episode we discuss and celebrate some of our favorite accomplishments and strides that women in film made in 2018. Then, we interview writer and director, Elizabeth Chomko. We saw the premiere of Elizabeth's film at the Sundance Film Festival last January and we were absolutely blown away by her film and her work. Happy listening!

**Elizabeth Chomko** is a director and writer best known for What They Had (2018), starring Hilary Swank. Her screenplay for What They Had won an Academy Nicholl Fellowship in 2015 and premiered at the Sundance Film Festival. She is also a playwright and theatre actress, and has appeared in television and film roles on Terriers, Common Law, and South Boston Legal,among others. Chomko attended the Sundance Institute Screenwriting Lab in 2015. She was named by Variety a Top 10 Screenwriter to Watch at the 2018 Whistler Film Festival. She is originally from Chicago, Illinois.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[ELIZABETH CHOMKO, Writer/Director]]>
                </itunes:title>
                                    <itunes:episode>1</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>true</itunes:explicit>
                <content:encoded>
                    <![CDATA[In our first episode we discuss and celebrate some of our favorite accomplishments and strides that women in film made in 2018. Then, we interview writer and director, Elizabeth Chomko. We saw the premiere of Elizabeth's film at the Sundance Film Festival last January and we were absolutely blown away by her film and her work. Happy listening!

**Elizabeth Chomko** is a director and writer best known for What They Had (2018), starring Hilary Swank. Her screenplay for What They Had won an Academy Nicholl Fellowship in 2015 and premiered at the Sundance Film Festival. She is also a playwright and theatre actress, and has appeared in television and film roles on Terriers, Common Law, and South Boston Legal,among others. Chomko attended the Sundance Institute Screenwriting Lab in 2015. She was named by Variety a Top 10 Screenwriter to Watch at the 2018 Whistler Film Festival. She is originally from Chicago, Illinois.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/60d5657d078bb2-92618305/wq6acX72kBEIBhl4BKIfHtYsg2XU2YUWTH0yqRtQ.mp3" length="24714624"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In our first episode we discuss and celebrate some of our favorite accomplishments and strides that women in film made in 2018. Then, we interview writer and director, Elizabeth Chomko. We saw the premiere of Elizabeth's film at the Sundance Film Festival last January and we were absolutely blown away by her film and her work. Happy listening!

**Elizabeth Chomko** is a director and writer best known for What They Had (2018), starring Hilary Swank. Her screenplay for What They Had won an Academy Nicholl Fellowship in 2015 and premiered at the Sundance Film Festival. She is also a playwright and theatre actress, and has appeared in television and film roles on Terriers, Common Law, and South Boston Legal,among others. Chomko attended the Sundance Institute Screenwriting Lab in 2015. She was named by Variety a Top 10 Screenwriter to Watch at the 2018 Whistler Film Festival. She is originally from Chicago, Illinois.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:34:16</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[by Jennifer Zahlit and Larkin Bell]]>
                </itunes:author>
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