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        <description>&quot;Run of Show&quot; is a show for nonprofits, associations, educators, and consultants who want their virtual events to actually work — not just go live. Sponsored by Streaming Architect and hosted by Glenn Shelton, the show breaks down what it takes to design, produce, and deliver a polished virtual experience: from event strategy and audience engagement to the behind-the-scenes production decisions that keep things running smoothly. Each episode tackles one clear, practical topic — no jargon, no hype, just the calm, confident guidance you need to stop worrying about the technology and focus on your message.</description>
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                <itunes:subtitle>&quot;Run of Show&quot; is a show for nonprofits, associations, educators, and consultants who want their virtual events to actually work — not just go live. Sponsored by Streaming Architect and hosted by Glenn Shelton, the show breaks down what it takes to design, produce, and deliver a polished virtual experience: from event strategy and audience engagement to the behind-the-scenes production decisions that keep things running smoothly. Each episode tackles one clear, practical topic — no jargon, no hype, just the calm, confident guidance you need to stop worrying about the technology and focus on your message.</itunes:subtitle>
        <itunes:author>Glenn Shelton</itunes:author>
        <itunes:type>episodic</itunes:type>
        <itunes:summary>&quot;Run of Show&quot; is a show for nonprofits, associations, educators, and consultants who want their virtual events to actually work — not just go live. Sponsored by Streaming Architect and hosted by Glenn Shelton, the show breaks down what it takes to design, produce, and deliver a polished virtual experience: from event strategy and audience engagement to the behind-the-scenes production decisions that keep things running smoothly. Each episode tackles one clear, practical topic — no jargon, no hype, just the calm, confident guidance you need to stop worrying about the technology and focus on your message.</itunes:summary>
        <itunes:owner>
            <itunes:name>Glenn Shelton</itunes:name>
            <itunes:email>Drawbridge103@outlook.com</itunes:email>
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                <title>
                    <![CDATA[Why Do Audiences Stop Paying Attention? | Run of Show]]>
                </title>
                <pubDate>Wed, 14 Oct 2026 13:00:00 +0000</pubDate>
                <dc:creator>Glenn Shelton</dc:creator>
                <guid isPermaLink="false">
                    https://permalink.castos.com/podcast/71885/episode/2657381</guid>
                                <description>
                                            <![CDATA[<p>Attention isn’t lost all at once. It leaks out slowly, through dead air, slides that run too long, unclear transitions, and moments where nothing asks the audience to do anything. In this episode of Run of Show, Glenn from Streaming Architect explains why virtual and hybrid audiences disengage, and what a produced event does differently to keep people with you from the opening minute to the close.</p>
<p> </p>
<p>In this episode:</p>
<ul>
<li>Why virtual attention behaves differently than in-room attention</li>
<li>The production moments where audiences quietly check out</li>
<li>How pacing, structure, and interaction keep viewers engaged</li>
</ul>
<p> </p>
<p>Run of Show is a series on what it takes to produce virtual events people actually want to watch.</p>
<p> </p>
<p>Learn more or book a consultation: https://streamingarchitect.com</p>
<p>Watch the full video series on YouTube.</p>
<h3>Chapters</h3>
<ul><li>(00:00:01) - Introduction: Why audiences stop paying attention</li><li>(00:00:58) - Cause 1: Static visuals and unchanging picture</li><li>(00:01:31) - Cause 2: Poor audio quality fatigue</li><li>(00:02:03) - Cause 3: Lack of interactivity</li><li>(00:02:33) - Cause 4: Monotonous pacing and format</li><li>(00:03:01) - Recap and fixable design decisions</li><li>(00:03:29) - Closing thoughts</li></ul>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Attention isn’t lost all at once. It leaks out slowly, through dead air, slides that run too long, unclear transitions, and moments where nothing asks the audience to do anything. In this episode of Run of Show, Glenn from Streaming Architect explains why virtual and hybrid audiences disengage, and what a produced event does differently to keep people with you from the opening minute to the close.
 
In this episode:

Why virtual attention behaves differently than in-room attention
The production moments where audiences quietly check out
How pacing, structure, and interaction keep viewers engaged

 
Run of Show is a series on what it takes to produce virtual events people actually want to watch.
 
Learn more or book a consultation: https://streamingarchitect.com
Watch the full video series on YouTube.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Why Do Audiences Stop Paying Attention? | Run of Show]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Attention isn’t lost all at once. It leaks out slowly, through dead air, slides that run too long, unclear transitions, and moments where nothing asks the audience to do anything. In this episode of Run of Show, Glenn from Streaming Architect explains why virtual and hybrid audiences disengage, and what a produced event does differently to keep people with you from the opening minute to the close.</p>
<p> </p>
<p>In this episode:</p>
<ul>
<li>Why virtual attention behaves differently than in-room attention</li>
<li>The production moments where audiences quietly check out</li>
<li>How pacing, structure, and interaction keep viewers engaged</li>
</ul>
<p> </p>
<p>Run of Show is a series on what it takes to produce virtual events people actually want to watch.</p>
<p> </p>
<p>Learn more or book a consultation: https://streamingarchitect.com</p>
<p>Watch the full video series on YouTube.</p>]]>
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                                <itunes:summary>
                    <![CDATA[Attention isn’t lost all at once. It leaks out slowly, through dead air, slides that run too long, unclear transitions, and moments where nothing asks the audience to do anything. In this episode of Run of Show, Glenn from Streaming Architect explains why virtual and hybrid audiences disengage, and what a produced event does differently to keep people with you from the opening minute to the close.
 
In this episode:

Why virtual attention behaves differently than in-room attention
The production moments where audiences quietly check out
How pacing, structure, and interaction keep viewers engaged

 
Run of Show is a series on what it takes to produce virtual events people actually want to watch.
 
Learn more or book a consultation: https://streamingarchitect.com
Watch the full video series on YouTube.]]>
                </itunes:summary>
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                                                                            <itunes:duration>00:04:02</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Glenn Shelton]]>
                </itunes:author>
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                <title>
                    <![CDATA[What’s the Difference Between a Zoom Call and a Produced Event?]]>
                </title>
                <pubDate>Wed, 30 Sep 2026 13:00:00 +0000</pubDate>
                <dc:creator>Glenn Shelton</dc:creator>
                <guid isPermaLink="false">
                    https://permalink.castos.com/podcast/71885/episode/2637409</guid>
                                    <link>https://streamingarchitect.com/</link>
                                <description>
                                            <![CDATA[<p>Same platform, completely different first impression. A Zoom call and a produced event can run on the exact same software — here’s what actually separates them, and why your audience notices in the first ten seconds.</p>
<p> </p>
<p>Planning a virtual event that should feel produced, not just a call? Start here: https://streamingarchitect.com</p>
<p> </p>
<p>In this episode:</p>
<p>• Why Zoom is the plumbing, not the differentiator</p>
<p>• The five layers that sit on top: mixed and monitored audio, intentional layouts and scene changes, on-screen graphics and branding, coordinated presenters, and a backup plan running underneath</p>
<p>• What a static grid call quietly tells a donor, a board, or a member — and what a produced event tells them instead</p>
<p> </p>
<p>Timestamps:</p>
<p>0:00 Intro</p>
<p>0:07 A Zoom call vs. a produced event</p>
<p>0:23 The platform isn’t the differentiator</p>
<p>0:47 What’s actually different: audio</p>
<p>0:59 Layout &amp; scenes</p>
<p>1:11 Graphics &amp; branding</p>
<p>1:24 Presenter coordination</p>
<p>1:33 Backup plans</p>
<p>1:44 Why the first ten seconds matter</p>
<p>2:13 The system on top of the platform</p>
<p> </p>
<p>Watch the video version on YouTube: <a href="https://youtu.be/HPFfujYR8Kc">https://youtu.be/HPFfujYR8Kc</a></p>
<p>More in the Virtual Event Production Excellence series: <a href="https://www.youtube.com/playlist?list=PLMTrxE1dhPKo">https://www.youtube.com/playlist?list=PLMTrxE1dhPKo</a></p>
<p> </p>
<p>Streaming Architect designs and produces virtual events for associations, nonprofits, professional service firms, consultants, and educators.</p>
<h3>Chapters</h3>
<ul><li>(00:00:08) - Zoom vs a produced event</li><li>(00:00:47) - What makes a production different</li><li>(00:01:24) - Why first impressions matter</li></ul>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Same platform, completely different first impression. A Zoom call and a produced event can run on the exact same software — here’s what actually separates them, and why your audience notices in the first ten seconds.
 
Planning a virtual event that should feel produced, not just a call? Start here: https://streamingarchitect.com
 
In this episode:
• Why Zoom is the plumbing, not the differentiator
• The five layers that sit on top: mixed and monitored audio, intentional layouts and scene changes, on-screen graphics and branding, coordinated presenters, and a backup plan running underneath
• What a static grid call quietly tells a donor, a board, or a member — and what a produced event tells them instead
 
Timestamps:
0:00 Intro
0:07 A Zoom call vs. a produced event
0:23 The platform isn’t the differentiator
0:47 What’s actually different: audio
0:59 Layout & scenes
1:11 Graphics & branding
1:24 Presenter coordination
1:33 Backup plans
1:44 Why the first ten seconds matter
2:13 The system on top of the platform
 
Watch the video version on YouTube: https://youtu.be/HPFfujYR8Kc
More in the Virtual Event Production Excellence series: https://www.youtube.com/playlist?list=PLMTrxE1dhPKo
 
Streaming Architect designs and produces virtual events for associations, nonprofits, professional service firms, consultants, and educators.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[What’s the Difference Between a Zoom Call and a Produced Event?]]>
                </itunes:title>
                                    <itunes:episode>3</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Same platform, completely different first impression. A Zoom call and a produced event can run on the exact same software — here’s what actually separates them, and why your audience notices in the first ten seconds.</p>
<p> </p>
<p>Planning a virtual event that should feel produced, not just a call? Start here: https://streamingarchitect.com</p>
<p> </p>
<p>In this episode:</p>
<p>• Why Zoom is the plumbing, not the differentiator</p>
<p>• The five layers that sit on top: mixed and monitored audio, intentional layouts and scene changes, on-screen graphics and branding, coordinated presenters, and a backup plan running underneath</p>
<p>• What a static grid call quietly tells a donor, a board, or a member — and what a produced event tells them instead</p>
<p> </p>
<p>Timestamps:</p>
<p>0:00 Intro</p>
<p>0:07 A Zoom call vs. a produced event</p>
<p>0:23 The platform isn’t the differentiator</p>
<p>0:47 What’s actually different: audio</p>
<p>0:59 Layout &amp; scenes</p>
<p>1:11 Graphics &amp; branding</p>
<p>1:24 Presenter coordination</p>
<p>1:33 Backup plans</p>
<p>1:44 Why the first ten seconds matter</p>
<p>2:13 The system on top of the platform</p>
<p> </p>
<p>Watch the video version on YouTube: <a href="https://youtu.be/HPFfujYR8Kc">https://youtu.be/HPFfujYR8Kc</a></p>
<p>More in the Virtual Event Production Excellence series: <a href="https://www.youtube.com/playlist?list=PLMTrxE1dhPKo">https://www.youtube.com/playlist?list=PLMTrxE1dhPKo</a></p>
<p> </p>
<p>Streaming Architect designs and produces virtual events for associations, nonprofits, professional service firms, consultants, and educators.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/66a6e170181e47-50702267/2637409/c1e-9mdgza2z0x3tdvmo3-v607361ksjqq-yeuks5.mp3" length="2635879"
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                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Same platform, completely different first impression. A Zoom call and a produced event can run on the exact same software — here’s what actually separates them, and why your audience notices in the first ten seconds.
 
Planning a virtual event that should feel produced, not just a call? Start here: https://streamingarchitect.com
 
In this episode:
• Why Zoom is the plumbing, not the differentiator
• The five layers that sit on top: mixed and monitored audio, intentional layouts and scene changes, on-screen graphics and branding, coordinated presenters, and a backup plan running underneath
• What a static grid call quietly tells a donor, a board, or a member — and what a produced event tells them instead
 
Timestamps:
0:00 Intro
0:07 A Zoom call vs. a produced event
0:23 The platform isn’t the differentiator
0:47 What’s actually different: audio
0:59 Layout & scenes
1:11 Graphics & branding
1:24 Presenter coordination
1:33 Backup plans
1:44 Why the first ten seconds matter
2:13 The system on top of the platform
 
Watch the video version on YouTube: https://youtu.be/HPFfujYR8Kc
More in the Virtual Event Production Excellence series: https://www.youtube.com/playlist?list=PLMTrxE1dhPKo
 
Streaming Architect designs and produces virtual events for associations, nonprofits, professional service firms, consultants, and educators.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/66a6e170181e47-50702267/images/2637409/c1a-6r58m-v6073617uwm-ndyp3o.png"></itunes:image>
                                                                            <itunes:duration>00:02:44</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Glenn Shelton]]>
                </itunes:author>
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                <title>
                    <![CDATA[Why Do Clients Ultimately Hire a Production Partner?]]>
                </title>
                <pubDate>Wed, 23 Sep 2026 10:00:00 +0000</pubDate>
                <dc:creator>Glenn Shelton</dc:creator>
                <guid isPermaLink="false">
                    https://permalink.castos.com/podcast/71885/episode/2621983</guid>
                                <description>
                                            <![CDATA[<p style="font-weight:400;">Almost every organization could run its own virtual event. The tools are free, the staff already exists, and the internet connection is usually good enough. So why do organizations bring in a production partner?</p>
<p style="font-weight:400;">In this episode of Run of Show, Glenn from Streaming Architect covers the three reasons clients hire a producer:</p>
<ol style="font-weight:400;">
<li><strong>Focus on the message, not the microphone.</strong> Once speakers start worrying about screen sharing, slide advances or their internet connection, they stop being present for their audience.</li>
<li><strong>Problems solved before they happen.</strong> A speaker's power goes out, the platform glitches mid-session, a slide won't load. A good producer has already planned for these, so the next step is decided before anything goes wrong.</li>
<li><strong>Looking capable and credible.</strong> A choppy, awkward virtual event can undercut months of good work in twenty minutes. A well-produced one reinforces it.</li>
</ol>
<p style="font-weight:400;">None of it is really about the technology. It's about designing the whole experience so you can focus on your audience and trust that everything behind you is handled. That's the difference between operating a stream and architecting an event.</p>
<p style="font-weight:400;">Planning your next webinar or virtual event? Let's talk: <a href="https://streamingarchitect.com">https://streamingarchitect.com</a></p>
<p style="font-weight:400;"></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Almost every organization could run its own virtual event. The tools are free, the staff already exists, and the internet connection is usually good enough. So why do organizations bring in a production partner?
In this episode of Run of Show, Glenn from Streaming Architect covers the three reasons clients hire a producer:

Focus on the message, not the microphone. Once speakers start worrying about screen sharing, slide advances or their internet connection, they stop being present for their audience.
Problems solved before they happen. A speaker's power goes out, the platform glitches mid-session, a slide won't load. A good producer has already planned for these, so the next step is decided before anything goes wrong.
Looking capable and credible. A choppy, awkward virtual event can undercut months of good work in twenty minutes. A well-produced one reinforces it.

None of it is really about the technology. It's about designing the whole experience so you can focus on your audience and trust that everything behind you is handled. That's the difference between operating a stream and architecting an event.
Planning your next webinar or virtual event? Let's talk: https://streamingarchitect.com
]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Why Do Clients Ultimately Hire a Production Partner?]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p style="font-weight:400;">Almost every organization could run its own virtual event. The tools are free, the staff already exists, and the internet connection is usually good enough. So why do organizations bring in a production partner?</p>
<p style="font-weight:400;">In this episode of Run of Show, Glenn from Streaming Architect covers the three reasons clients hire a producer:</p>
<ol style="font-weight:400;">
<li><strong>Focus on the message, not the microphone.</strong> Once speakers start worrying about screen sharing, slide advances or their internet connection, they stop being present for their audience.</li>
<li><strong>Problems solved before they happen.</strong> A speaker's power goes out, the platform glitches mid-session, a slide won't load. A good producer has already planned for these, so the next step is decided before anything goes wrong.</li>
<li><strong>Looking capable and credible.</strong> A choppy, awkward virtual event can undercut months of good work in twenty minutes. A well-produced one reinforces it.</li>
</ol>
<p style="font-weight:400;">None of it is really about the technology. It's about designing the whole experience so you can focus on your audience and trust that everything behind you is handled. That's the difference between operating a stream and architecting an event.</p>
<p style="font-weight:400;">Planning your next webinar or virtual event? Let's talk: <a href="https://streamingarchitect.com">https://streamingarchitect.com</a></p>
<p style="font-weight:400;"></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/66a6e170181e47-50702267/2621983/c1e-p21nohwkjpwf1qgp0-9j26x568srz5-l1jdje.mp3" length="8439360"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Almost every organization could run its own virtual event. The tools are free, the staff already exists, and the internet connection is usually good enough. So why do organizations bring in a production partner?
In this episode of Run of Show, Glenn from Streaming Architect covers the three reasons clients hire a producer:

Focus on the message, not the microphone. Once speakers start worrying about screen sharing, slide advances or their internet connection, they stop being present for their audience.
Problems solved before they happen. A speaker's power goes out, the platform glitches mid-session, a slide won't load. A good producer has already planned for these, so the next step is decided before anything goes wrong.
Looking capable and credible. A choppy, awkward virtual event can undercut months of good work in twenty minutes. A well-produced one reinforces it.

None of it is really about the technology. It's about designing the whole experience so you can focus on your audience and trust that everything behind you is handled. That's the difference between operating a stream and architecting an event.
Planning your next webinar or virtual event? Let's talk: https://streamingarchitect.com
]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/66a6e170181e47-50702267/images/2621983/c1a-6r58m-25o6jd6vuz8z-ryh1sy.png"></itunes:image>
                                                                            <itunes:duration>00:03:30</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Glenn Shelton]]>
                </itunes:author>
                                            </item>
                    <item>
                <title>
                    <![CDATA[WHAT HAPPENS BEHIND THE SCENES DURING A LIVE PRODUCTION?]]>
                </title>
                <pubDate>Wed, 16 Sep 2026 05:07:05 +0000</pubDate>
                <dc:creator>Glenn Shelton</dc:creator>
                <guid isPermaLink="false">
                    https://permalink.castos.com/podcast/71885/episode/2613089</guid>
                                <description>
                                            <![CDATA[<p>From the audience's side, a well-run virtual event looks effortless — smooth transitions, clean audio, a speaker who never seems to trip over the tech. That's the point. But here's what's actually happening behind the scenes to make it look that way.</p>
<p>In this episode, Glenn Shelton walks through what a production team is really doing during a live event: the double run-throughs before anyone joins the call, the backup internet connection standing by, the minute-by-minute run-of-show, and the four things someone is watching in real time — video, audio, chat, and the script itself — so the speaker only has to think about their message. And when something genuinely goes wrong? That's exactly what all the preparation was for.</p>
<p>If you've got an event coming up and would rather focus on your message than your tech stack, this episode shows you what a real production partner actually does.</p>
<p></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[From the audience's side, a well-run virtual event looks effortless — smooth transitions, clean audio, a speaker who never seems to trip over the tech. That's the point. But here's what's actually happening behind the scenes to make it look that way.
In this episode, Glenn Shelton walks through what a production team is really doing during a live event: the double run-throughs before anyone joins the call, the backup internet connection standing by, the minute-by-minute run-of-show, and the four things someone is watching in real time — video, audio, chat, and the script itself — so the speaker only has to think about their message. And when something genuinely goes wrong? That's exactly what all the preparation was for.
If you've got an event coming up and would rather focus on your message than your tech stack, this episode shows you what a real production partner actually does.
]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[WHAT HAPPENS BEHIND THE SCENES DURING A LIVE PRODUCTION?]]>
                </itunes:title>
                                    <itunes:episode>1</itunes:episode>
                                                    <itunes:season>1</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>From the audience's side, a well-run virtual event looks effortless — smooth transitions, clean audio, a speaker who never seems to trip over the tech. That's the point. But here's what's actually happening behind the scenes to make it look that way.</p>
<p>In this episode, Glenn Shelton walks through what a production team is really doing during a live event: the double run-throughs before anyone joins the call, the backup internet connection standing by, the minute-by-minute run-of-show, and the four things someone is watching in real time — video, audio, chat, and the script itself — so the speaker only has to think about their message. And when something genuinely goes wrong? That's exactly what all the preparation was for.</p>
<p>If you've got an event coming up and would rather focus on your message than your tech stack, this episode shows you what a real production partner actually does.</p>
<p></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/66a6e170181e47-50702267/2613089/c1e-m7n95h4gw72u3g67n-qdxk52qpa9rr-xktdsv.mp3" length="8232000"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[From the audience's side, a well-run virtual event looks effortless — smooth transitions, clean audio, a speaker who never seems to trip over the tech. That's the point. But here's what's actually happening behind the scenes to make it look that way.
In this episode, Glenn Shelton walks through what a production team is really doing during a live event: the double run-throughs before anyone joins the call, the backup internet connection standing by, the minute-by-minute run-of-show, and the four things someone is watching in real time — video, audio, chat, and the script itself — so the speaker only has to think about their message. And when something genuinely goes wrong? That's exactly what all the preparation was for.
If you've got an event coming up and would rather focus on your message than your tech stack, this episode shows you what a real production partner actually does.
]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/66a6e170181e47-50702267/images/2613089/c1a-6r58m-jpk1mgzkaqx8-zol9q6.jpg"></itunes:image>
                                                                            <itunes:duration>00:03:25</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Glenn Shelton]]>
                </itunes:author>
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            </channel>
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