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        <title>Talking Bach</title>
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        <description>Talking Bach is a brand new podcast series hosted by Madeleine Easton, the Artistic Director of Australia’s dedicated J.S. Bach ensemble, Bach Akademie Australia. Based around our concert series throughout the year, this podcast delves into the world of one of the greatest composers who ever lived, Johann Sebastian Bach, interviewing internationally famous performers of his work, scholars, scientists, cosmologists, academics and personalities from all walks of life who all have a connection to the man who arguably founded western classical music as we know it.</description>
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        <copyright>© 2022 Beach Shack Podcasts</copyright>
        
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                <title>Talking Bach</title>
                <link>https://beachshackpodcasts.com/series/talkingbach/</link>
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                <itunes:subtitle>Talking Bach is a brand new podcast series hosted by Madeleine Easton, the Artistic Director of Australia’s dedicated J.S. Bach ensemble, Bach Akademie Australia. Based around our concert series throughout the year, this podcast delves into the world of one of the greatest composers who ever lived, Johann Sebastian Bach, interviewing internationally famous performers of his work, scholars, scientists, cosmologists, academics and personalities from all walks of life who all have a connection to the man who arguably founded western classical music as we know it.</itunes:subtitle>
        <itunes:author>Bach Akademie Australia</itunes:author>
        <itunes:type>episodic</itunes:type>
        <itunes:summary>Talking Bach is a brand new podcast series hosted by Madeleine Easton, the Artistic Director of Australia’s dedicated J.S. Bach ensemble, Bach Akademie Australia. Based around our concert series throughout the year, this podcast delves into the world of one of the greatest composers who ever lived, Johann Sebastian Bach, interviewing internationally famous performers of his work, scholars, scientists, cosmologists, academics and personalities from all walks of life who all have a connection to the man who arguably founded western classical music as we know it.</itunes:summary>
        <itunes:owner>
            <itunes:name>madeleine@bachakademieaustralia.com.au (Bach Akademie Australia)</itunes:name>
            <itunes:email>madeleine@bachakademieaustralia.com.au</itunes:email>
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                                    <itunes:category text="Arts" />
                                                <itunes:category text="Music" />
                                                <itunes:category text="Society &amp; Culture" />
                    
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                <title>
                    <![CDATA[Artistic director Madeleine Easton is joined by Chris Watson to delve into the world of J.S Bach’s vocal motets]]>
                </title>
                <pubDate>Thu, 08 Jan 2026 20:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
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                    https://permalink.castos.com/podcast/54160/episode/2317463</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/artistic-director-madeleine-easton-is-joined-by-chris-watson-to-delve-into-the-world-of-js-bachs-v</link>
                                <description>
                                            <![CDATA[<p>In our first podcast for 2026, Artistic Director Madeleine Easton welcomes Chris Watson, the Director of Music at Trinity College as her guest. Chris is a former member of the internationally acclaimed Tallis Scholars and Director of Music at St Edmund Hall, Oxford. He has had an international career spanning 3 decades as a tenor soloists and choir director and now calls Australia home. Madeleine and Chris as Bach Akademie Australia prepare to perform all of these wondrous works throughout one program in February. For text translations and our recommended recording for listening, click the link below  <a href="https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf" title="Motet Text and translation">https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf</a></p>
<h3>Chapters</h3>
<ul><li>(00:00:22) - Talking Bach</li><li>(00:02:05) - Talking Bach</li><li>(00:03:01) - The Motets</li><li>(00:07:45) - Bach's motets</li><li>(00:12:46) - The Music of Purcell</li><li>(00:14:44) - The difficulty of singing the symphonies</li><li>(00:16:11) - The Brandenburg Concertos</li><li>(00:20:37) - Serenade</li><li>(00:21:33) - Bach's use or choice of hymns</li><li>(00:24:58) - The Motets</li></ul>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In our first podcast for 2026, Artistic Director Madeleine Easton welcomes Chris Watson, the Director of Music at Trinity College as her guest. Chris is a former member of the internationally acclaimed Tallis Scholars and Director of Music at St Edmund Hall, Oxford. He has had an international career spanning 3 decades as a tenor soloists and choir director and now calls Australia home. Madeleine and Chris as Bach Akademie Australia prepare to perform all of these wondrous works throughout one program in February. For text translations and our recommended recording for listening, click the link below  https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Artistic director Madeleine Easton is joined by Chris Watson to delve into the world of J.S Bach’s vocal motets]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>In our first podcast for 2026, Artistic Director Madeleine Easton welcomes Chris Watson, the Director of Music at Trinity College as her guest. Chris is a former member of the internationally acclaimed Tallis Scholars and Director of Music at St Edmund Hall, Oxford. He has had an international career spanning 3 decades as a tenor soloists and choir director and now calls Australia home. Madeleine and Chris as Bach Akademie Australia prepare to perform all of these wondrous works throughout one program in February. For text translations and our recommended recording for listening, click the link below  <a href="https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf" title="Motet Text and translation">https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf</a></p>]]>
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                                <itunes:summary>
                    <![CDATA[In our first podcast for 2026, Artistic Director Madeleine Easton welcomes Chris Watson, the Director of Music at Trinity College as her guest. Chris is a former member of the internationally acclaimed Tallis Scholars and Director of Music at St Edmund Hall, Oxford. He has had an international career spanning 3 decades as a tenor soloists and choir director and now calls Australia home. Madeleine and Chris as Bach Akademie Australia prepare to perform all of these wondrous works throughout one program in February. For text translations and our recommended recording for listening, click the link below  https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf]]>
                </itunes:summary>
                                                                            <itunes:duration>00:31:52</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
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                <title>
                    <![CDATA[The Art of Violin (Part 2)]]>
                </title>
                <pubDate>Sun, 31 Aug 2025 20:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/2127702</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-art-of-violin-part-2</link>
                                <description>
                                            <![CDATA[<p>In this episode of Talking Bach, Artistic Director Madeleine Easton takes listeners on a journey through The Art of Violin—a sweeping exploration of the instrument’s origins, evolution, and enduring allure. From the medieval rabab and rebec to the golden age of Cremonese violin-making, Madeleine traces how the violin rose to prominence as the most expressive and beloved instrument in Western music.</p>
<p>Along the way, she highlights the great composers and virtuosi who shaped its voice—Vivaldi, Handel, Bach, Paganini, Kreisler, and many more—revealing how performers and composers worked hand in hand to expand the violin’s technical and emotional possibilities. With vivid historical insights, musical examples, and reflections on performance, this episode celebrates the artistry of both violin makers and violinists, and the timeless music they brought into the world</p>
<h3>Chapters</h3>
<ul><li>(00:00:13) - Talking Bach</li><li>(00:01:33) - What is the violin?</li><li>(00:06:24) - The Origins of the Violin</li><li>(00:09:35) - What is the Viola?</li><li>(00:12:05) - Baroque Music</li><li>(00:14:08) - The violin's historical trajectory</li><li>(00:15:30) - What is it about the violin?</li><li>(00:17:47) - The violin</li><li>(00:21:49) - The role of the violin in music</li><li>(00:27:50) - Bach</li><li>(00:29:20) - The Art of Violin</li></ul>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton takes listeners on a journey through The Art of Violin—a sweeping exploration of the instrument’s origins, evolution, and enduring allure. From the medieval rabab and rebec to the golden age of Cremonese violin-making, Madeleine traces how the violin rose to prominence as the most expressive and beloved instrument in Western music.
Along the way, she highlights the great composers and virtuosi who shaped its voice—Vivaldi, Handel, Bach, Paganini, Kreisler, and many more—revealing how performers and composers worked hand in hand to expand the violin’s technical and emotional possibilities. With vivid historical insights, musical examples, and reflections on performance, this episode celebrates the artistry of both violin makers and violinists, and the timeless music they brought into the world]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Art of Violin (Part 2)]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>In this episode of Talking Bach, Artistic Director Madeleine Easton takes listeners on a journey through The Art of Violin—a sweeping exploration of the instrument’s origins, evolution, and enduring allure. From the medieval rabab and rebec to the golden age of Cremonese violin-making, Madeleine traces how the violin rose to prominence as the most expressive and beloved instrument in Western music.</p>
<p>Along the way, she highlights the great composers and virtuosi who shaped its voice—Vivaldi, Handel, Bach, Paganini, Kreisler, and many more—revealing how performers and composers worked hand in hand to expand the violin’s technical and emotional possibilities. With vivid historical insights, musical examples, and reflections on performance, this episode celebrates the artistry of both violin makers and violinists, and the timeless music they brought into the world</p>]]>
                </content:encoded>
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                                <itunes:summary>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton takes listeners on a journey through The Art of Violin—a sweeping exploration of the instrument’s origins, evolution, and enduring allure. From the medieval rabab and rebec to the golden age of Cremonese violin-making, Madeleine traces how the violin rose to prominence as the most expressive and beloved instrument in Western music.
Along the way, she highlights the great composers and virtuosi who shaped its voice—Vivaldi, Handel, Bach, Paganini, Kreisler, and many more—revealing how performers and composers worked hand in hand to expand the violin’s technical and emotional possibilities. With vivid historical insights, musical examples, and reflections on performance, this episode celebrates the artistry of both violin makers and violinists, and the timeless music they brought into the world]]>
                </itunes:summary>
                                                                            <itunes:duration>00:32:18</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                                    <podcast:chapters url="https://media-assets.castos.com/chapters/2127702/chapter-data.json"
                        type="application/json" />
                            </item>
                    <item>
                <title>
                    <![CDATA[The Art of Violin]]>
                </title>
                <pubDate>Sun, 17 Aug 2025 20:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/2103078</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-art-of-violin</link>
                                <description>
                                            <![CDATA[<p>In this episode of <em>Talking Bach</em>, Artistic Director Madeleine Easton is joined by violinists Simone Slattery and Rafael Font to explore <em>The Art of Violin</em>—a program that delves into the origins, evolution, and expressive power of the violin during the Baroque period. Together, they discuss the enduring fascination with this singular instrument, tracing its journey from its earliest incarnations to the virtuosic solo works of Vivaldi, Leclair, Handel, Telemann, and J.S. Bach.</p>
<p> </p>
<p>Through personal stories, historical insights, and reflections on performance practice, this conversation offers a deep appreciation for the craftsmanship and creativity of Baroque composers who redefined the violin’s potential. With works that feel like musical time travel, the episode celebrates the violin’s unique voice and its place at the heart of Western music’s past, present, and future.</p>
<h3>Chapters</h3>
<ul><li>(00:00:00) - Talking Bach</li><li>(00:01:23) - Talking Bach</li><li>(00:01:39) - The Art of the Violin</li><li>(00:08:15) - Simone On Her Journey to the Violin</li><li>(00:13:42) - The story of the Venezuelan violinist</li><li>(00:19:12) - The Discovery of the Suzuki Method</li><li>(00:25:28) - The Secret to the Violin's Success</li><li>(00:31:36) - The Claude Pierre Violin</li><li>(00:37:23) - The Baroque Violin</li><li>(00:43:03) - The story of Grancino Viola</li><li>(00:48:16) - The Baroque Violin</li><li>(00:50:28) - The Voice of Baroque Violists</li><li>(00:51:28) - Handel and Telemann violin concertos</li><li>(00:57:43) - Jean Marie Leclerc Violin Concerto</li><li>(01:01:11) - Bach's violin concertos</li><li>(01:03:23) - Bach Academy Australia</li></ul>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by violinists Simone Slattery and Rafael Font to explore The Art of Violin—a program that delves into the origins, evolution, and expressive power of the violin during the Baroque period. Together, they discuss the enduring fascination with this singular instrument, tracing its journey from its earliest incarnations to the virtuosic solo works of Vivaldi, Leclair, Handel, Telemann, and J.S. Bach.
 
Through personal stories, historical insights, and reflections on performance practice, this conversation offers a deep appreciation for the craftsmanship and creativity of Baroque composers who redefined the violin’s potential. With works that feel like musical time travel, the episode celebrates the violin’s unique voice and its place at the heart of Western music’s past, present, and future.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Art of Violin]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>In this episode of <em>Talking Bach</em>, Artistic Director Madeleine Easton is joined by violinists Simone Slattery and Rafael Font to explore <em>The Art of Violin</em>—a program that delves into the origins, evolution, and expressive power of the violin during the Baroque period. Together, they discuss the enduring fascination with this singular instrument, tracing its journey from its earliest incarnations to the virtuosic solo works of Vivaldi, Leclair, Handel, Telemann, and J.S. Bach.</p>
<p> </p>
<p>Through personal stories, historical insights, and reflections on performance practice, this conversation offers a deep appreciation for the craftsmanship and creativity of Baroque composers who redefined the violin’s potential. With works that feel like musical time travel, the episode celebrates the violin’s unique voice and its place at the heart of Western music’s past, present, and future.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/2103078/c1e-91z1gbd4qodso9d6j-2548kx8ofwg6-pyuxgi.mp3" length="79233856"
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                                <itunes:summary>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by violinists Simone Slattery and Rafael Font to explore The Art of Violin—a program that delves into the origins, evolution, and expressive power of the violin during the Baroque period. Together, they discuss the enduring fascination with this singular instrument, tracing its journey from its earliest incarnations to the virtuosic solo works of Vivaldi, Leclair, Handel, Telemann, and J.S. Bach.
 
Through personal stories, historical insights, and reflections on performance practice, this conversation offers a deep appreciation for the craftsmanship and creativity of Baroque composers who redefined the violin’s potential. With works that feel like musical time travel, the episode celebrates the violin’s unique voice and its place at the heart of Western music’s past, present, and future.]]>
                </itunes:summary>
                                                                            <itunes:duration>01:06:01</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                                    <podcast:chapters url="https://media-assets.castos.com/chapters/2103078/chapter-data.json"
                        type="application/json" />
                            </item>
                    <item>
                <title>
                    <![CDATA[The Class of '85]]>
                </title>
                <pubDate>Mon, 12 May 2025 08:30:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/2029333</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-class-of-85</link>
                                <description>
                                            <![CDATA[<p>In this episode of <em>Talking Bach</em>, Artistic Director Madeleine Easton is joined by soprano Susannah Lawergren and principal flautist Mikaela Oberg to discuss the “Class of ’85.” The odds are slim that three musicians of global significance could be born in the same year, but in 1685, that’s exactly what happened. Domenico Scarlatti, Georg Frideric Handel, and Johann Sebastian Bach—known as the Class of ’85—have had an overwhelming and enduring influence on music.</p>
<p> </p>
<p>This program features Handel’s rich <em>Concerto Grosso</em> in B-flat major, Op. 6 No. 7; Domenico Scarlatti’s <em>Salve Regina</em>, performed by mezzo-soprano Hannah Fraser; and J.S. Bach’s magnificent secular cantata <em>Non sa che sia dolore</em>, BWV 209, featuring soprano Susannah Lawergren. Together, these works celebrate the supreme craftsmanship, versatility, and imagination of these three titans of Western classical music.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by soprano Susannah Lawergren and principal flautist Mikaela Oberg to discuss the “Class of ’85.” The odds are slim that three musicians of global significance could be born in the same year, but in 1685, that’s exactly what happened. Domenico Scarlatti, Georg Frideric Handel, and Johann Sebastian Bach—known as the Class of ’85—have had an overwhelming and enduring influence on music.
 
This program features Handel’s rich Concerto Grosso in B-flat major, Op. 6 No. 7; Domenico Scarlatti’s Salve Regina, performed by mezzo-soprano Hannah Fraser; and J.S. Bach’s magnificent secular cantata Non sa che sia dolore, BWV 209, featuring soprano Susannah Lawergren. Together, these works celebrate the supreme craftsmanship, versatility, and imagination of these three titans of Western classical music.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Class of '85]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>In this episode of <em>Talking Bach</em>, Artistic Director Madeleine Easton is joined by soprano Susannah Lawergren and principal flautist Mikaela Oberg to discuss the “Class of ’85.” The odds are slim that three musicians of global significance could be born in the same year, but in 1685, that’s exactly what happened. Domenico Scarlatti, Georg Frideric Handel, and Johann Sebastian Bach—known as the Class of ’85—have had an overwhelming and enduring influence on music.</p>
<p> </p>
<p>This program features Handel’s rich <em>Concerto Grosso</em> in B-flat major, Op. 6 No. 7; Domenico Scarlatti’s <em>Salve Regina</em>, performed by mezzo-soprano Hannah Fraser; and J.S. Bach’s magnificent secular cantata <em>Non sa che sia dolore</em>, BWV 209, featuring soprano Susannah Lawergren. Together, these works celebrate the supreme craftsmanship, versatility, and imagination of these three titans of Western classical music.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/2029333/c1e-23938amj20dbm26rz-5zxz4239fk0j-fb0hhn.mp3" length="35685271"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by soprano Susannah Lawergren and principal flautist Mikaela Oberg to discuss the “Class of ’85.” The odds are slim that three musicians of global significance could be born in the same year, but in 1685, that’s exactly what happened. Domenico Scarlatti, Georg Frideric Handel, and Johann Sebastian Bach—known as the Class of ’85—have had an overwhelming and enduring influence on music.
 
This program features Handel’s rich Concerto Grosso in B-flat major, Op. 6 No. 7; Domenico Scarlatti’s Salve Regina, performed by mezzo-soprano Hannah Fraser; and J.S. Bach’s magnificent secular cantata Non sa che sia dolore, BWV 209, featuring soprano Susannah Lawergren. Together, these works celebrate the supreme craftsmanship, versatility, and imagination of these three titans of Western classical music.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:29:44</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Join Artistic Director Madeliene Easton and her guest American Countertenor Reginald Mobley in anticipation of our upcoming concert series.]]>
                </title>
                <pubDate>Sun, 23 Feb 2025 19:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1980071</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/madeleine-eastons-guest-is-none-other-than-the-internationally-recognised-grammy-nominated-american-countertenor-reginald-mobley</link>
                                <description>
                                            <![CDATA[<div> </div>
<div>Madeleine Easton’s guest is none other than the Internationally recognised Grammy nominated American Countertenor Reginald Mobley.  In anticipation of Bach Akademie Australia’s first national tour with Reginald as soloist, Mobley talks about growing up in Gainesville Florida, his wanting to be a visual artist before discovering that he had voice which was was to take him all around the world, and finally here to Australia. </div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[ 
Madeleine Easton’s guest is none other than the Internationally recognised Grammy nominated American Countertenor Reginald Mobley.  In anticipation of Bach Akademie Australia’s first national tour with Reginald as soloist, Mobley talks about growing up in Gainesville Florida, his wanting to be a visual artist before discovering that he had voice which was was to take him all around the world, and finally here to Australia. 
 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Join Artistic Director Madeliene Easton and her guest American Countertenor Reginald Mobley in anticipation of our upcoming concert series.]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div> </div>
<div>Madeleine Easton’s guest is none other than the Internationally recognised Grammy nominated American Countertenor Reginald Mobley.  In anticipation of Bach Akademie Australia’s first national tour with Reginald as soloist, Mobley talks about growing up in Gainesville Florida, his wanting to be a visual artist before discovering that he had voice which was was to take him all around the world, and finally here to Australia. </div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1980071/c1e-50n0qamwmpwbr80m1-ww6r4kgos1g2-xt4n9n.mp3" length="48525376"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[ 
Madeleine Easton’s guest is none other than the Internationally recognised Grammy nominated American Countertenor Reginald Mobley.  In anticipation of Bach Akademie Australia’s first national tour with Reginald as soloist, Mobley talks about growing up in Gainesville Florida, his wanting to be a visual artist before discovering that he had voice which was was to take him all around the world, and finally here to Australia. 
 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:40:26</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude]]>
                </title>
                <pubDate>Sun, 11 Aug 2024 21:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1805026</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/artistic-director-madeleine-easton-is-joined-by-australias-own-marko-sever-virtuoso-organist-to-talk-about-js-bachs-remarkable-journey-on-foot-of-over-400kms-to-hear-his-idol-buxtehude</link>
                                <description>
                                            <![CDATA[<div>
<blockquote>
<div dir="ltr">
<div>Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude. They discuss what kind of a person it takes to attempt such a huge feat of endurance completely on your own, his unquenchable thirst for knowledge, what he gained from the experience, and the enduring legacy for all music as a result. </div>
<div> </div>
</div>
</blockquote>
</div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[


Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude. They discuss what kind of a person it takes to attempt such a huge feat of endurance completely on your own, his unquenchable thirst for knowledge, what he gained from the experience, and the enduring legacy for all music as a result. 
 



 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div>
<blockquote>
<div dir="ltr">
<div>Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude. They discuss what kind of a person it takes to attempt such a huge feat of endurance completely on your own, his unquenchable thirst for knowledge, what he gained from the experience, and the enduring legacy for all music as a result. </div>
<div> </div>
</div>
</blockquote>
</div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1805026/c1e-39r95a5dgmdfm1k0j-mk0oqq7zizp7-xcrtol.mp3" length="40245376"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[


Artistic Director Madeleine Easton is joined by Australia’s own Marko Sever, virtuoso organist to talk about J.S. Bach’s remarkable journey on foot of over 400kms to hear his idol Buxtehude. They discuss what kind of a person it takes to attempt such a huge feat of endurance completely on your own, his unquenchable thirst for knowledge, what he gained from the experience, and the enduring legacy for all music as a result. 
 



 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:33:32</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Bach - The Mind of a Genius with renowned Australian pianist Phillip Shovk]]>
                </title>
                <pubDate>Sun, 09 Jun 2024 21:00:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1759084</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/bach-the-mind-of-a-genius-with-renowned-australian-pianist-phillip-shovk</link>
                                <description>
                                            <![CDATA[<blockquote>
<div dir="ltr">
<div>In this month’s edition of Talking Bach, Madeleine Easton interviews Australian Pianist Phillip Shovk. Phillip is not only one of Australia’s most celebrated pianists, but is also an extremely skilled chess player, attaining a world ranking. Madeleine and Phillip discuss how the mind of a genius works through the music of J.S. Bach, whose works Phillip is deeply familiar, in the run up to Bach Akademie Australia’s next concert series: 'Bach - the mind of a Genius'</div>
<div> </div>
</div>
</blockquote>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[

In this month’s edition of Talking Bach, Madeleine Easton interviews Australian Pianist Phillip Shovk. Phillip is not only one of Australia’s most celebrated pianists, but is also an extremely skilled chess player, attaining a world ranking. Madeleine and Phillip discuss how the mind of a genius works through the music of J.S. Bach, whose works Phillip is deeply familiar, in the run up to Bach Akademie Australia’s next concert series: 'Bach - the mind of a Genius'
 


 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Bach - The Mind of a Genius with renowned Australian pianist Phillip Shovk]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                    <itunes:season>3</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<blockquote>
<div dir="ltr">
<div>In this month’s edition of Talking Bach, Madeleine Easton interviews Australian Pianist Phillip Shovk. Phillip is not only one of Australia’s most celebrated pianists, but is also an extremely skilled chess player, attaining a world ranking. Madeleine and Phillip discuss how the mind of a genius works through the music of J.S. Bach, whose works Phillip is deeply familiar, in the run up to Bach Akademie Australia’s next concert series: 'Bach - the mind of a Genius'</div>
<div> </div>
</div>
</blockquote>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1759084/c1e-7mgm8b4v4d3cqpdvr-5r5mp2j6t10g-qofz1n.mp3" length="55871776"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[

In this month’s edition of Talking Bach, Madeleine Easton interviews Australian Pianist Phillip Shovk. Phillip is not only one of Australia’s most celebrated pianists, but is also an extremely skilled chess player, attaining a world ranking. Madeleine and Phillip discuss how the mind of a genius works through the music of J.S. Bach, whose works Phillip is deeply familiar, in the run up to Bach Akademie Australia’s next concert series: 'Bach - the mind of a Genius'
 


 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:46:33</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Join Artistic Director Madeleine Easton and her guest Roland Peelman as they explore everything to do with Bach and his  6 Brandenburg Concertos.]]>
                </title>
                <pubDate>Mon, 29 Apr 2024 01:26:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1719931</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/canberra-international-festival-director-roland-peelman-joins-madeleine-for-a-chat-about-the-upcoming-canberra-festival-performances</link>
                                <description>
                                            <![CDATA[<div>Roland is one of Australia’s most respected performers, academics and artistic directors. His directorship of the Song Company over many years saw the ensemble reach heights of fame and artistic excellence never before achieved. His celebrated tenure as artistic director of the Canberra International Music Festival has won him legions of fans throughout the country. 2024 is his last year I this role, however we are celebrating him and this years festival with this podcast, and looking forward to presenting the 6 masterpieces that are Bach’s Brandenburg Concertos.</div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Roland is one of Australia’s most respected performers, academics and artistic directors. His directorship of the Song Company over many years saw the ensemble reach heights of fame and artistic excellence never before achieved. His celebrated tenure as artistic director of the Canberra International Music Festival has won him legions of fans throughout the country. 2024 is his last year I this role, however we are celebrating him and this years festival with this podcast, and looking forward to presenting the 6 masterpieces that are Bach’s Brandenburg Concertos.
 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Join Artistic Director Madeleine Easton and her guest Roland Peelman as they explore everything to do with Bach and his  6 Brandenburg Concertos.]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div>Roland is one of Australia’s most respected performers, academics and artistic directors. His directorship of the Song Company over many years saw the ensemble reach heights of fame and artistic excellence never before achieved. His celebrated tenure as artistic director of the Canberra International Music Festival has won him legions of fans throughout the country. 2024 is his last year I this role, however we are celebrating him and this years festival with this podcast, and looking forward to presenting the 6 masterpieces that are Bach’s Brandenburg Concertos.</div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1719931/c1e-wj2j4ir9knmajd0mn-wngxrwx1sd5z-x0kntj.mp3" length="74935936"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Roland is one of Australia’s most respected performers, academics and artistic directors. His directorship of the Song Company over many years saw the ensemble reach heights of fame and artistic excellence never before achieved. His celebrated tenure as artistic director of the Canberra International Music Festival has won him legions of fans throughout the country. 2024 is his last year I this role, however we are celebrating him and this years festival with this podcast, and looking forward to presenting the 6 masterpieces that are Bach’s Brandenburg Concertos.
 ]]>
                </itunes:summary>
                                                                            <itunes:duration>01:02:26</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[In episode 3 of ’Talking Bach’, Artistic Director Madeleine Easton talks about everything to do with our first concert series of the year ‘Bach - the Benefactor’.]]>
                </title>
                <pubDate>Mon, 08 Apr 2024 03:54:24 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1714248</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/episode-3-46</link>
                                <description>
                                            <![CDATA[<blockquote>
<div dir="ltr">
<div> She explores the meaning of the word itself, and takes a deep dive into the program which includes Bach’s Cantata BWV 39 ‘Brich dem Hungrigen dein Brot’, dubbed Bach’s ‘refugee’ cantata, his harpsichord concerto in E which has been arranged for violin by Kati Debrezeni, and finally his Cantata BWV 147 ‘Herz und Mund, und Tat und Leben’. Madeleine takes us through the history of these works plus explores just why Bach was the greatest musical benefactor of all to us, his grateful listeners.</div>
<div> </div>
</div>
</blockquote>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[

 She explores the meaning of the word itself, and takes a deep dive into the program which includes Bach’s Cantata BWV 39 ‘Brich dem Hungrigen dein Brot’, dubbed Bach’s ‘refugee’ cantata, his harpsichord concerto in E which has been arranged for violin by Kati Debrezeni, and finally his Cantata BWV 147 ‘Herz und Mund, und Tat und Leben’. Madeleine takes us through the history of these works plus explores just why Bach was the greatest musical benefactor of all to us, his grateful listeners.
 


 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[In episode 3 of ’Talking Bach’, Artistic Director Madeleine Easton talks about everything to do with our first concert series of the year ‘Bach - the Benefactor’.]]>
                </itunes:title>
                                    <itunes:episode>3</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<blockquote>
<div dir="ltr">
<div> She explores the meaning of the word itself, and takes a deep dive into the program which includes Bach’s Cantata BWV 39 ‘Brich dem Hungrigen dein Brot’, dubbed Bach’s ‘refugee’ cantata, his harpsichord concerto in E which has been arranged for violin by Kati Debrezeni, and finally his Cantata BWV 147 ‘Herz und Mund, und Tat und Leben’. Madeleine takes us through the history of these works plus explores just why Bach was the greatest musical benefactor of all to us, his grateful listeners.</div>
<div> </div>
</div>
</blockquote>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1714248/c1e-23938a81r0rum26j0-5r5k73w4sxx3-hjzcyx.mp3" length="56165056"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[

 She explores the meaning of the word itself, and takes a deep dive into the program which includes Bach’s Cantata BWV 39 ‘Brich dem Hungrigen dein Brot’, dubbed Bach’s ‘refugee’ cantata, his harpsichord concerto in E which has been arranged for violin by Kati Debrezeni, and finally his Cantata BWV 147 ‘Herz und Mund, und Tat und Leben’. Madeleine takes us through the history of these works plus explores just why Bach was the greatest musical benefactor of all to us, his grateful listeners.
 


 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:46:48</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Dr Hans Schroeder Founder of the Australian Bach Society]]>
                </title>
                <pubDate>Sun, 11 Feb 2024 03:24:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1657313</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/ep-2-dr-hans-schroeder</link>
                                <description>
                                            <![CDATA[<div>In episode 2 of ’Talking Bach’, Artistic Director Madeleine Easton talks to one of Australia’s most important figures in the history of Bach in Australia. Dr Hans Schroeder immigrated to Australia in 1990 and discovered the music of Bach which changed his life and destiny. The inspiration he found in Bach’s music caused him to found the Australian Bach Society which stands as a nation wide beacon of knowledge, scholarship and performances of the great J.S. Bach. Dr Hans talks about his remarkable life and his legacy of the Australian Bach Society.</div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In episode 2 of ’Talking Bach’, Artistic Director Madeleine Easton talks to one of Australia’s most important figures in the history of Bach in Australia. Dr Hans Schroeder immigrated to Australia in 1990 and discovered the music of Bach which changed his life and destiny. The inspiration he found in Bach’s music caused him to found the Australian Bach Society which stands as a nation wide beacon of knowledge, scholarship and performances of the great J.S. Bach. Dr Hans talks about his remarkable life and his legacy of the Australian Bach Society.
 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Dr Hans Schroeder Founder of the Australian Bach Society]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div>In episode 2 of ’Talking Bach’, Artistic Director Madeleine Easton talks to one of Australia’s most important figures in the history of Bach in Australia. Dr Hans Schroeder immigrated to Australia in 1990 and discovered the music of Bach which changed his life and destiny. The inspiration he found in Bach’s music caused him to found the Australian Bach Society which stands as a nation wide beacon of knowledge, scholarship and performances of the great J.S. Bach. Dr Hans talks about his remarkable life and his legacy of the Australian Bach Society.</div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1657313/c1e-zw8w1h8qr7osqmo3g-nj93nn67hvr5-qlioiw.mp3" length="38085402"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In episode 2 of ’Talking Bach’, Artistic Director Madeleine Easton talks to one of Australia’s most important figures in the history of Bach in Australia. Dr Hans Schroeder immigrated to Australia in 1990 and discovered the music of Bach which changed his life and destiny. The inspiration he found in Bach’s music caused him to found the Australian Bach Society which stands as a nation wide beacon of knowledge, scholarship and performances of the great J.S. Bach. Dr Hans talks about his remarkable life and his legacy of the Australian Bach Society.
 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:31:44</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[It’s all about the Sydney Festival! Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper.]]>
                </title>
                <pubDate>Sun, 07 Jan 2024 01:23:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1628368</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/its-all-about-the-sydney-festival-madeleine-easton-interviews-olivia-ansell-the-artistic-director-of-the-sydney-festival-along-side-the-multi-instrumentalist-and-composer-benjamin-skepper</link>
                                <description>
                                            <![CDATA[<div>Welcome to our first podcast of 2024! This year you’ll be getting a podcast every month hosted by Artistic Director Madeleine Easton. She’ll be interviewing a huge range of personalities including internationally famous musicians who have close relationships with Bach, as well as scholars and professionals from all walks of life who relate to Bach’s genius.</div>
<div>In our first podcast of 2024, Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper. Olivia and Benjamin have co-curated a festival within a festival titled ’TEMPERAMENT’ - a week-long celebration and deconstruction of Bach, <span style="color:#202124;">paying homage to the revolutionary advances his music enabled and its influence on modern composers. They have invited Bach Akademie Australia to kick off this exciting week of Bach in this year’s Sydney Festival with 2 performances on the 23rd and 24th of January. </span></div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Welcome to our first podcast of 2024! This year you’ll be getting a podcast every month hosted by Artistic Director Madeleine Easton. She’ll be interviewing a huge range of personalities including internationally famous musicians who have close relationships with Bach, as well as scholars and professionals from all walks of life who relate to Bach’s genius.
In our first podcast of 2024, Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper. Olivia and Benjamin have co-curated a festival within a festival titled ’TEMPERAMENT’ - a week-long celebration and deconstruction of Bach, paying homage to the revolutionary advances his music enabled and its influence on modern composers. They have invited Bach Akademie Australia to kick off this exciting week of Bach in this year’s Sydney Festival with 2 performances on the 23rd and 24th of January. 
 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[It’s all about the Sydney Festival! Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper.]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                    <itunes:season>3</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div>Welcome to our first podcast of 2024! This year you’ll be getting a podcast every month hosted by Artistic Director Madeleine Easton. She’ll be interviewing a huge range of personalities including internationally famous musicians who have close relationships with Bach, as well as scholars and professionals from all walks of life who relate to Bach’s genius.</div>
<div>In our first podcast of 2024, Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper. Olivia and Benjamin have co-curated a festival within a festival titled ’TEMPERAMENT’ - a week-long celebration and deconstruction of Bach, <span style="color:#202124;">paying homage to the revolutionary advances his music enabled and its influence on modern composers. They have invited Bach Akademie Australia to kick off this exciting week of Bach in this year’s Sydney Festival with 2 performances on the 23rd and 24th of January. </span></div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1628368/c1e-dv0vjfkg5wxa3np46-2o1kvj7pu49k-fpqggj.mp3" length="58895296"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Welcome to our first podcast of 2024! This year you’ll be getting a podcast every month hosted by Artistic Director Madeleine Easton. She’ll be interviewing a huge range of personalities including internationally famous musicians who have close relationships with Bach, as well as scholars and professionals from all walks of life who relate to Bach’s genius.
In our first podcast of 2024, Madeleine Easton interviews Olivia Ansell, the Artistic Director of the Sydney Festival along side the multi-instrumentalist and composer Benjamin Skepper. Olivia and Benjamin have co-curated a festival within a festival titled ’TEMPERAMENT’ - a week-long celebration and deconstruction of Bach, paying homage to the revolutionary advances his music enabled and its influence on modern composers. They have invited Bach Akademie Australia to kick off this exciting week of Bach in this year’s Sydney Festival with 2 performances on the 23rd and 24th of January. 
 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:49:04</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Bach - A Child of the Stars: Troy Russell]]>
                </title>
                <pubDate>Tue, 29 Aug 2023 14:54:00 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/54160/episode/1534356</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/bach-a-child-of-the-stars</link>
                                <description>
                                            <![CDATA[<div dir="ltr">
<div>
<div>
<div>
<div>
<div dir="ltr">
<div>Join Artistic Director Madeleine Easton in conversation with indigenous Australian composer Troy Russell as he takes us on a journey through his life, his stories, family connections, and his inspiration for composing his new work ‘Clans’ that will be premiered in our next concert series </div>
<div>‘Bach - A Child of the Stars’.</div>
</div>
</div>
</div>
</div>
</div>
</div>
<p> </p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[





Join Artistic Director Madeleine Easton in conversation with indigenous Australian composer Troy Russell as he takes us on a journey through his life, his stories, family connections, and his inspiration for composing his new work ‘Clans’ that will be premiered in our next concert series 
‘Bach - A Child of the Stars’.






 ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Bach - A Child of the Stars: Troy Russell]]>
                </itunes:title>
                                    <itunes:episode>1</itunes:episode>
                                                    <itunes:season>3</itunes:season>
                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<div dir="ltr">
<div>
<div>
<div>
<div>
<div dir="ltr">
<div>Join Artistic Director Madeleine Easton in conversation with indigenous Australian composer Troy Russell as he takes us on a journey through his life, his stories, family connections, and his inspiration for composing his new work ‘Clans’ that will be premiered in our next concert series </div>
<div>‘Bach - A Child of the Stars’.</div>
</div>
</div>
</div>
</div>
</div>
</div>
<p> </p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1534356/Podcast-1-Series-3-Troy-Russell.m4a" length="33131012"
                        type="audio/x-m4a">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[





Join Artistic Director Madeleine Easton in conversation with indigenous Australian composer Troy Russell as he takes us on a journey through his life, his stories, family connections, and his inspiration for composing his new work ‘Clans’ that will be premiered in our next concert series 
‘Bach - A Child of the Stars’.






 ]]>
                </itunes:summary>
                                                                            <itunes:duration>00:34:04</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Grazie in Grazia In Thanksgiving: Matthew Manchester]]>
                </title>
                <pubDate>Tue, 08 Nov 2022 03:31:23 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=489</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/grazie-in-grazia-in-thanksgiving-matthew-manchester-1</link>
                                <description>
                                            <![CDATA[]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Grazie in Grazia In Thanksgiving: Matthew Manchester]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478036/grazie-in-grazia-in-thanksgiving-matthew-manchester.mp3" length="60872536"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478036/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:50:43</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Grazie in Grazia In Thanksgiving: Dr. Norman Swan]]>
                </title>
                <pubDate>Mon, 31 Oct 2022 03:00:18 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=485</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/grazie-in-grazia-in-thanksgiving-dr-norman-swan-1</link>
                                <description>
                                            <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton’s guest is none other than Dr Norman Swan, the incredibly popular host of the ABC’s Health Report, Coronacast and presenter of many wonderful television series and documentaries. Dr Swan kept us all very well informed throughout the pandemic and was a voice of reason and comfort throughout. Norman discusses all things pandemics with Madeleine, delving into the world of how diseases have affected human life, colonisation, and musicians throughout the centuries, and continue to do so today.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton’s guest is none other than Dr Norman Swan, the incredibly popular host of the ABC’s Health Report, Coronacast and presenter of many wonderful television series and documentaries. Dr Swan kept us all very well informed throughout the pandemic and was a voice of reason and comfort throughout. Norman discusses all things pandemics with Madeleine, delving into the world of how diseases have affected human life, colonisation, and musicians throughout the centuries, and continue to do so today.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Grazie in Grazia In Thanksgiving: Dr. Norman Swan]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton’s guest is none other than Dr Norman Swan, the incredibly popular host of the ABC’s Health Report, Coronacast and presenter of many wonderful television series and documentaries. Dr Swan kept us all very well informed throughout the pandemic and was a voice of reason and comfort throughout. Norman discusses all things pandemics with Madeleine, delving into the world of how diseases have affected human life, colonisation, and musicians throughout the centuries, and continue to do so today.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478039/grazie-in-grazia-in-thanksgiving-dr-norman-swan.mp3" length="65902886"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[In this episode of Talking Bach, Artistic Director Madeleine Easton’s guest is none other than Dr Norman Swan, the incredibly popular host of the ABC’s Health Report, Coronacast and presenter of many wonderful television series and documentaries. Dr Swan kept us all very well informed throughout the pandemic and was a voice of reason and comfort throughout. Norman discusses all things pandemics with Madeleine, delving into the world of how diseases have affected human life, colonisation, and musicians throughout the centuries, and continue to do so today.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478039/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:45:45</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[In Bach’s Orbit: Professor Peter Wollny]]>
                </title>
                <pubDate>Fri, 16 Sep 2022 03:20:19 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=480</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/in-bachs-orbit-professor-peter-wollny-1</link>
                                <description>
                                            <![CDATA[My guest today is a name many who revere Bach will know, none other than Professor Peter Wollny. Professor Wollny is a German musicologist, a Bach scholar who has contributed to and served the Bach Archive Leipzig since 1993, and as its director from 2014. Wollny has contributed to the Neue Bach-Ausgabe, and has been an editor of Carl Philipp Emanuel Bach: The Complete Works. He has been professor at the University of Leipzig, and teaches internationally. He received an honorary doctorate from the University of Uppsala and is considered one of the foremost experts of J.S Bach’s music worldwide.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[My guest today is a name many who revere Bach will know, none other than Professor Peter Wollny. Professor Wollny is a German musicologist, a Bach scholar who has contributed to and served the Bach Archive Leipzig since 1993, and as its director from 2014. Wollny has contributed to the Neue Bach-Ausgabe, and has been an editor of Carl Philipp Emanuel Bach: The Complete Works. He has been professor at the University of Leipzig, and teaches internationally. He received an honorary doctorate from the University of Uppsala and is considered one of the foremost experts of J.S Bach’s music worldwide.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[In Bach’s Orbit: Professor Peter Wollny]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[My guest today is a name many who revere Bach will know, none other than Professor Peter Wollny. Professor Wollny is a German musicologist, a Bach scholar who has contributed to and served the Bach Archive Leipzig since 1993, and as its director from 2014. Wollny has contributed to the Neue Bach-Ausgabe, and has been an editor of Carl Philipp Emanuel Bach: The Complete Works. He has been professor at the University of Leipzig, and teaches internationally. He received an honorary doctorate from the University of Uppsala and is considered one of the foremost experts of J.S Bach’s music worldwide.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478038/in-bachs-orbit-professor-peter-wollny.mp3" length="61415258"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[My guest today is a name many who revere Bach will know, none other than Professor Peter Wollny. Professor Wollny is a German musicologist, a Bach scholar who has contributed to and served the Bach Archive Leipzig since 1993, and as its director from 2014. Wollny has contributed to the Neue Bach-Ausgabe, and has been an editor of Carl Philipp Emanuel Bach: The Complete Works. He has been professor at the University of Leipzig, and teaches internationally. He received an honorary doctorate from the University of Uppsala and is considered one of the foremost experts of J.S Bach’s music worldwide.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:42:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[In Bach’s Orbit: Dr Brendan New]]>
                </title>
                <pubDate>Thu, 08 Sep 2022 03:57:49 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=478</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/in-bachs-orbit-dr-brendan-new-1</link>
                                <description>
                                            <![CDATA[My guest today is Dr Brendan New. Brendan New is a Clinical Psychologist who has worked in the field of child protection and mental health for over 15 years and has a deep commitment to working with vulnerable children and families. Brendan currently divides his time between his clinical practice in a public child mental health service in Western Sydney and varying teaching roles around NSW. He is a firm believer in the importance of reflective practice and the benefits of learning from others, and wherever possible incorporates these principles into his teaching. In this episode, Brendan helps us explore the question of Nature vs nurture from a medical point of view, exploring the ramifications of childhood trauma, which J.S Bach certainly suffered, and how that can manifest in genius or not.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[My guest today is Dr Brendan New. Brendan New is a Clinical Psychologist who has worked in the field of child protection and mental health for over 15 years and has a deep commitment to working with vulnerable children and families. Brendan currently divides his time between his clinical practice in a public child mental health service in Western Sydney and varying teaching roles around NSW. He is a firm believer in the importance of reflective practice and the benefits of learning from others, and wherever possible incorporates these principles into his teaching. In this episode, Brendan helps us explore the question of Nature vs nurture from a medical point of view, exploring the ramifications of childhood trauma, which J.S Bach certainly suffered, and how that can manifest in genius or not.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[In Bach’s Orbit: Dr Brendan New]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[My guest today is Dr Brendan New. Brendan New is a Clinical Psychologist who has worked in the field of child protection and mental health for over 15 years and has a deep commitment to working with vulnerable children and families. Brendan currently divides his time between his clinical practice in a public child mental health service in Western Sydney and varying teaching roles around NSW. He is a firm believer in the importance of reflective practice and the benefits of learning from others, and wherever possible incorporates these principles into his teaching. In this episode, Brendan helps us explore the question of Nature vs nurture from a medical point of view, exploring the ramifications of childhood trauma, which J.S Bach certainly suffered, and how that can manifest in genius or not.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478037/in-bachs-orbit-dr-brendan-new.mp3" length="51848172"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[My guest today is Dr Brendan New. Brendan New is a Clinical Psychologist who has worked in the field of child protection and mental health for over 15 years and has a deep commitment to working with vulnerable children and families. Brendan currently divides his time between his clinical practice in a public child mental health service in Western Sydney and varying teaching roles around NSW. He is a firm believer in the importance of reflective practice and the benefits of learning from others, and wherever possible incorporates these principles into his teaching. In this episode, Brendan helps us explore the question of Nature vs nurture from a medical point of view, exploring the ramifications of childhood trauma, which J.S Bach certainly suffered, and how that can manifest in genius or not.]]>
                </itunes:summary>
                                                                            <itunes:duration>00:36:00</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[In Bach’s Orbit: Russell Harcourt Interview]]>
                </title>
                <pubDate>Thu, 01 Sep 2022 02:32:01 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=476</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/in-bachs-orbit-russell-harcourt-interview</link>
                                <description>
                                            <![CDATA[Russell Harcourt is a graduate of both the Sydney Conservatorium of Music and the Royal Academy of Music (MA with Distinction in Opera Performance). During his time in London, Russell furthered his studies Australia’s own Yvonne Kenny, was an Associate of the Young Artists’ Program at the Royal Opera House Covent Garden, and was made an Alumnus of the Britten–Pears Young Artist Program. Since returning to Australia, Russell has appeared as soloist with ensembles such as Pinchgut Opera, opera Australia and Bach Akademie Australia.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Russell Harcourt is a graduate of both the Sydney Conservatorium of Music and the Royal Academy of Music (MA with Distinction in Opera Performance). During his time in London, Russell furthered his studies Australia’s own Yvonne Kenny, was an Associate of the Young Artists’ Program at the Royal Opera House Covent Garden, and was made an Alumnus of the Britten–Pears Young Artist Program. Since returning to Australia, Russell has appeared as soloist with ensembles such as Pinchgut Opera, opera Australia and Bach Akademie Australia.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[In Bach’s Orbit: Russell Harcourt Interview]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[Russell Harcourt is a graduate of both the Sydney Conservatorium of Music and the Royal Academy of Music (MA with Distinction in Opera Performance). During his time in London, Russell furthered his studies Australia’s own Yvonne Kenny, was an Associate of the Young Artists’ Program at the Royal Opera House Covent Garden, and was made an Alumnus of the Britten–Pears Young Artist Program. Since returning to Australia, Russell has appeared as soloist with ensembles such as Pinchgut Opera, opera Australia and Bach Akademie Australia.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478041/in-bachs-orbit-russell-harcourt.mp3" length="55448055"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Russell Harcourt is a graduate of both the Sydney Conservatorium of Music and the Royal Academy of Music (MA with Distinction in Opera Performance). During his time in London, Russell furthered his studies Australia’s own Yvonne Kenny, was an Associate of the Young Artists’ Program at the Royal Opera House Covent Garden, and was made an Alumnus of the Britten–Pears Young Artist Program. Since returning to Australia, Russell has appeared as soloist with ensembles such as Pinchgut Opera, opera Australia and Bach Akademie Australia.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478041/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:38:30</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[The Weapons of Rhetoric: Jonathan Horton Interview]]>
                </title>
                <pubDate>Thu, 09 Jun 2022 12:24:22 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=473</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-weapons-of-rhetoric-jonathan-horton-interview-1</link>
                                <description>
                                            <![CDATA[Artistic Director Madeleine Easton interviews Jonathan Horton QC, one of Australia's most distinguished legal brains. A musician in his own right, Jonathan splits his life equally between the worlds of music and law, and will be joining Madeleine on stage as guest presenter alongside the eminent Australian Actor Jonathan Biggins AM this weekend for 'The Weapons of Rhetoric' concert series. Join Madeleine and Jonathan for a fascinating conversation exploring the benefits that a knowledge of rhetoric and dialogue can bring to us all in our lives.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Artistic Director Madeleine Easton interviews Jonathan Horton QC, one of Australia's most distinguished legal brains. A musician in his own right, Jonathan splits his life equally between the worlds of music and law, and will be joining Madeleine on stage as guest presenter alongside the eminent Australian Actor Jonathan Biggins AM this weekend for 'The Weapons of Rhetoric' concert series. Join Madeleine and Jonathan for a fascinating conversation exploring the benefits that a knowledge of rhetoric and dialogue can bring to us all in our lives.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Weapons of Rhetoric: Jonathan Horton Interview]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[Artistic Director Madeleine Easton interviews Jonathan Horton QC, one of Australia's most distinguished legal brains. A musician in his own right, Jonathan splits his life equally between the worlds of music and law, and will be joining Madeleine on stage as guest presenter alongside the eminent Australian Actor Jonathan Biggins AM this weekend for 'The Weapons of Rhetoric' concert series. Join Madeleine and Jonathan for a fascinating conversation exploring the benefits that a knowledge of rhetoric and dialogue can bring to us all in our lives.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478040/the-weapons-of-rhetoric-jonathan-horton-interview.mp3" length="23896211"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Artistic Director Madeleine Easton interviews Jonathan Horton QC, one of Australia's most distinguished legal brains. A musician in his own right, Jonathan splits his life equally between the worlds of music and law, and will be joining Madeleine on stage as guest presenter alongside the eminent Australian Actor Jonathan Biggins AM this weekend for 'The Weapons of Rhetoric' concert series. Join Madeleine and Jonathan for a fascinating conversation exploring the benefits that a knowledge of rhetoric and dialogue can bring to us all in our lives.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478040/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:28:26</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[The Weapons of Rhetoric: Julia Fredersdorff Interview]]>
                </title>
                <pubDate>Thu, 02 Jun 2022 03:00:45 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=471</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-weapons-of-rhetoric-julia-fredersdorff-interview</link>
                                <description>
                                            <![CDATA[Artistic Director Madeleine Easton interviews Julia Fredersdorff, one of Australia's most well known baroque violinists and Artistic Director/founder of the Van Diemen's Band. Madeleine and Julia chat about all things Bach, the violin and forming their own ensembles here in Australia after both living and working in Europe, but most of all, what Bach's music means to them.]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Artistic Director Madeleine Easton interviews Julia Fredersdorff, one of Australia's most well known baroque violinists and Artistic Director/founder of the Van Diemen's Band. Madeleine and Julia chat about all things Bach, the violin and forming their own ensembles here in Australia after both living and working in Europe, but most of all, what Bach's music means to them.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Weapons of Rhetoric: Julia Fredersdorff Interview]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[Artistic Director Madeleine Easton interviews Julia Fredersdorff, one of Australia's most well known baroque violinists and Artistic Director/founder of the Van Diemen's Band. Madeleine and Julia chat about all things Bach, the violin and forming their own ensembles here in Australia after both living and working in Europe, but most of all, what Bach's music means to them.]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478043/the-weapons-of-rhetoric-julia-fredersdorff-interview.mp3" length="24985674"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Artistic Director Madeleine Easton interviews Julia Fredersdorff, one of Australia's most well known baroque violinists and Artistic Director/founder of the Van Diemen's Band. Madeleine and Julia chat about all things Bach, the violin and forming their own ensembles here in Australia after both living and working in Europe, but most of all, what Bach's music means to them.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478043/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:29:44</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[The Weapons of Rhetoric: Judy Tarling Interview]]>
                </title>
                <pubDate>Wed, 25 May 2022 12:44:20 +0000</pubDate>
                <dc:creator>Bach Akademie Australia</dc:creator>
                <guid isPermaLink="false">
                    https://beachshackpodcasts.com/?post_type=podcast&amp;p=469</guid>
                                    <link>https://talking-bach-1.castos.com/episodes/the-weapons-of-rhetoric-judy-tarling-interview-1</link>
                                <description>
                                            <![CDATA[]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[The Weapons of Rhetoric: Judy Tarling Interview]]>
                </itunes:title>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/645c604848e6e5-94330345/1478042/the-weapons-of-rhetoric-judy-tarling-interview.mp3" length="44793857"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/645c604848e6e5-94330345/images/1478042/Haussmann-Bach-trd-1-scaled-e1653482608640.jpg"></itunes:image>
                                                                            <itunes:duration>00:53:19</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[Bach Akademie Australia]]>
                </itunes:author>
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