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        <title>Knowledge and its Producers</title>
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        <description>Knowledge and its Producers is a limited podcast series from the Maydan hosted by N.A. Mansour. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures. It’s been an exercise in thinking through how knowledge is constructed &amp; barriers to entry. Most importantly, we highlight people demolishing those barriers. These interviews cover everything from labor to creativity to breakfast. We’re going beyond traditional educational systems to really break down how different elements of knowledge production fit together and create community. This show is generously funded by the Henry Luce Foundation and a part of the Maydan Podcast series.</description>
        <lastBuildDate>Tue, 20 Dec 2022 15:00:00 +0000</lastBuildDate>
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        <copyright>The Maydan Podcast © 2021</copyright>
        
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                <title>Knowledge and its Producers</title>
                <link>https://themaydan.com/podcast/</link>
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                <itunes:subtitle>Knowledge and its Producers is a limited podcast series from the Maydan hosted by N.A. Mansour. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures. It’s been an exercise in thinking through how knowledge is constructed &amp; barriers to entry. Most importantly, we highlight people demolishing those barriers. These interviews cover everything from labor to creativity to breakfast. We’re going beyond traditional educational systems to really break down how different elements of knowledge production fit together and create community. This show is generously funded by the Henry Luce Foundation and a part of the Maydan Podcast series.</itunes:subtitle>
        <itunes:author>N.A. Mansour</itunes:author>
        <itunes:type>episodic</itunes:type>
        <itunes:summary>Knowledge and its Producers is a limited podcast series from the Maydan hosted by N.A. Mansour. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures. It’s been an exercise in thinking through how knowledge is constructed &amp; barriers to entry. Most importantly, we highlight people demolishing those barriers. These interviews cover everything from labor to creativity to breakfast. We’re going beyond traditional educational systems to really break down how different elements of knowledge production fit together and create community. This show is generously funded by the Henry Luce Foundation and a part of the Maydan Podcast series.</itunes:summary>
        <itunes:owner>
            <itunes:name>Ahmet Selim Tekelioglu</itunes:name>
            <itunes:email>publish@themaydan.com</itunes:email>
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                                            <itunes:category text="Islam" />
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                                                <itunes:category text="Society &amp; Culture" />
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                                    <item>
                <title>
                    <![CDATA[Jasmine Soliman]]>
                </title>
                <pubDate>Tue, 20 Dec 2022 15:00:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/22812/episode/1351543</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/jasmine-soliman</link>
                                <description>
                                            <![CDATA[<h4><strong><span style="font-weight:400;">Jasmine Soliman is an archivist. She started her work on the Akkasah Photography Archive (now part of the al Mawrid Center for Arab Art at New York University (NYU)-Abu Dhabi) in 2016. Prior to that, she worked as an archivist at the German Archaeological Institute in Cairo, beginning in 2013, and formerly was a business development professional working largely in the Middle East. Her work focuses on collection appraisal and management, cataloging and descriptive vocabularies, website UX/UI design, and social media outreach. She collaborates with the al Mawrid team to oversee the physical and digital collections, and works closely with the NYU Digital Library Technology Services Team and the website teams at NYU Shanghai and Abu Dhabi, as well as with the general public as they use the collections. She has presented her work at MELCOM, UNC Center for Middle East and Islamic Studies, Sharjah Art Foundation and The British Library. She endeavors to create archives that are inclusive and accessible to all in their design and function, and considerate of socioeconomic status and physical ability.She is the Founder of RepCinema.com which highlights repertory cinema screenings in the UAE and London and highlights of her work can be found at JasmineSoliman.com</span></strong></h4>
<h4><strong>Credits:<br /></strong>Music: Blue Dot Sessions<br />Logo: Marwa Yasser Gadallah</h4>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Jasmine Soliman is an archivist. She started her work on the Akkasah Photography Archive (now part of the al Mawrid Center for Arab Art at New York University (NYU)-Abu Dhabi) in 2016. Prior to that, she worked as an archivist at the German Archaeological Institute in Cairo, beginning in 2013, and formerly was a business development professional working largely in the Middle East. Her work focuses on collection appraisal and management, cataloging and descriptive vocabularies, website UX/UI design, and social media outreach. She collaborates with the al Mawrid team to oversee the physical and digital collections, and works closely with the NYU Digital Library Technology Services Team and the website teams at NYU Shanghai and Abu Dhabi, as well as with the general public as they use the collections. She has presented her work at MELCOM, UNC Center for Middle East and Islamic Studies, Sharjah Art Foundation and The British Library. She endeavors to create archives that are inclusive and accessible to all in their design and function, and considerate of socioeconomic status and physical ability.She is the Founder of RepCinema.com which highlights repertory cinema screenings in the UAE and London and highlights of her work can be found at JasmineSoliman.com
Credits:Music: Blue Dot SessionsLogo: Marwa Yasser Gadallah]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Jasmine Soliman]]>
                </itunes:title>
                                    <itunes:episode>9</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<h4><strong><span style="font-weight:400;">Jasmine Soliman is an archivist. She started her work on the Akkasah Photography Archive (now part of the al Mawrid Center for Arab Art at New York University (NYU)-Abu Dhabi) in 2016. Prior to that, she worked as an archivist at the German Archaeological Institute in Cairo, beginning in 2013, and formerly was a business development professional working largely in the Middle East. Her work focuses on collection appraisal and management, cataloging and descriptive vocabularies, website UX/UI design, and social media outreach. She collaborates with the al Mawrid team to oversee the physical and digital collections, and works closely with the NYU Digital Library Technology Services Team and the website teams at NYU Shanghai and Abu Dhabi, as well as with the general public as they use the collections. She has presented her work at MELCOM, UNC Center for Middle East and Islamic Studies, Sharjah Art Foundation and The British Library. She endeavors to create archives that are inclusive and accessible to all in their design and function, and considerate of socioeconomic status and physical ability.She is the Founder of RepCinema.com which highlights repertory cinema screenings in the UAE and London and highlights of her work can be found at JasmineSoliman.com</span></strong></h4>
<h4><strong>Credits:<br /></strong>Music: Blue Dot Sessions<br />Logo: Marwa Yasser Gadallah</h4>]]>
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                                <itunes:summary>
                    <![CDATA[Jasmine Soliman is an archivist. She started her work on the Akkasah Photography Archive (now part of the al Mawrid Center for Arab Art at New York University (NYU)-Abu Dhabi) in 2016. Prior to that, she worked as an archivist at the German Archaeological Institute in Cairo, beginning in 2013, and formerly was a business development professional working largely in the Middle East. Her work focuses on collection appraisal and management, cataloging and descriptive vocabularies, website UX/UI design, and social media outreach. She collaborates with the al Mawrid team to oversee the physical and digital collections, and works closely with the NYU Digital Library Technology Services Team and the website teams at NYU Shanghai and Abu Dhabi, as well as with the general public as they use the collections. She has presented her work at MELCOM, UNC Center for Middle East and Islamic Studies, Sharjah Art Foundation and The British Library. She endeavors to create archives that are inclusive and accessible to all in their design and function, and considerate of socioeconomic status and physical ability.She is the Founder of RepCinema.com which highlights repertory cinema screenings in the UAE and London and highlights of her work can be found at JasmineSoliman.com
Credits:Music: Blue Dot SessionsLogo: Marwa Yasser Gadallah]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/1351543/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>00:45:46</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Bharti Lalwani & Nicolas Roth]]>
                </title>
                <pubDate>Fri, 21 Oct 2022 19:05:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://permalink.castos.com/podcast/22812/episode/1299380</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/bharti-lalwani-nicolas-roth</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">This episode of Knowledge and its Producers talks to </span><a href="https://www.litrahbperfumery.com/"><span style="font-weight:400;">Bharti Lalwani,</span></a><span style="font-weight:400;"> who is a perfumer and art critic as well as the curator of the online exhibition </span><a href="https://www.baghehind.com/"><em><span style="font-weight:400;">Bagh-e Hind</span></em></a><span style="font-weight:400;">. Throughout the interview, Lalwani tells us about her journey to making perfume and what it is to work as an independent perfumer, not only demonstrating that practice and expertise are intertwined, but what it is to exist outside of institutional structures. Later in the show, we are joined by her collaborator on </span><em><span style="font-weight:400;">Bagh-e Hind</span></em><span style="font-weight:400;">, Nicolas Roth, to talk about digital exhibition curation and what it is to tell a multi-faceted history of scent.</span></p>
<h4><strong>Credits:<br /></strong>Music: Blue Dot Sessions<br />Logo: Marwa Yasser Gadallah</h4>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[This episode of Knowledge and its Producers talks to Bharti Lalwani, who is a perfumer and art critic as well as the curator of the online exhibition Bagh-e Hind. Throughout the interview, Lalwani tells us about her journey to making perfume and what it is to work as an independent perfumer, not only demonstrating that practice and expertise are intertwined, but what it is to exist outside of institutional structures. Later in the show, we are joined by her collaborator on Bagh-e Hind, Nicolas Roth, to talk about digital exhibition curation and what it is to tell a multi-faceted history of scent.
Credits:Music: Blue Dot SessionsLogo: Marwa Yasser Gadallah]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Bharti Lalwani & Nicolas Roth]]>
                </itunes:title>
                                    <itunes:episode>8</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">This episode of Knowledge and its Producers talks to </span><a href="https://www.litrahbperfumery.com/"><span style="font-weight:400;">Bharti Lalwani,</span></a><span style="font-weight:400;"> who is a perfumer and art critic as well as the curator of the online exhibition </span><a href="https://www.baghehind.com/"><em><span style="font-weight:400;">Bagh-e Hind</span></em></a><span style="font-weight:400;">. Throughout the interview, Lalwani tells us about her journey to making perfume and what it is to work as an independent perfumer, not only demonstrating that practice and expertise are intertwined, but what it is to exist outside of institutional structures. Later in the show, we are joined by her collaborator on </span><em><span style="font-weight:400;">Bagh-e Hind</span></em><span style="font-weight:400;">, Nicolas Roth, to talk about digital exhibition curation and what it is to tell a multi-faceted history of scent.</span></p>
<h4><strong>Credits:<br /></strong>Music: Blue Dot Sessions<br />Logo: Marwa Yasser Gadallah</h4>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/22812/eb399ec2-0fad-49e5-a32e-dc86e59fa7bd/Knowledge-And-Its-Producers-Ep-08-Bharti-Lalwani-22.05.27a.mp3" length="149665875"
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                                <itunes:summary>
                    <![CDATA[This episode of Knowledge and its Producers talks to Bharti Lalwani, who is a perfumer and art critic as well as the curator of the online exhibition Bagh-e Hind. Throughout the interview, Lalwani tells us about her journey to making perfume and what it is to work as an independent perfumer, not only demonstrating that practice and expertise are intertwined, but what it is to exist outside of institutional structures. Later in the show, we are joined by her collaborator on Bagh-e Hind, Nicolas Roth, to talk about digital exhibition curation and what it is to tell a multi-faceted history of scent.
Credits:Music: Blue Dot SessionsLogo: Marwa Yasser Gadallah]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/1299380/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>01:02:21</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Sami Tamimi & Tara Wigley]]>
                </title>
                <pubDate>Tue, 07 Jun 2022 22:09:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/sami-tamimi-tara-wigley</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/sami-tamimi-tara-wigley</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">Sami Tamimi and Tara Wigley are the authors of the cookbook </span><a href="https://penguinrandomhousehighereducation.com/book/?isbn=9780399581731"><em><span style="font-weight:400;">Falastin</span></em></a><span style="font-weight:400;">. In this episode of Knowledge and its Producers, we think about how food is in itself a way to preserve heritage and document how it changes over time, a stark contrast to academia. Together, we think about how to write about labor, the place of cookbooks in  modern society and what it is to document something like food.</span></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Sami Tamimi and Tara Wigley are the authors of the cookbook Falastin. In this episode of Knowledge and its Producers, we think about how food is in itself a way to preserve heritage and document how it changes over time, a stark contrast to academia. Together, we think about how to write about labor, the place of cookbooks in  modern society and what it is to document something like food.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Sami Tamimi & Tara Wigley]]>
                </itunes:title>
                                    <itunes:episode>7</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">Sami Tamimi and Tara Wigley are the authors of the cookbook </span><a href="https://penguinrandomhousehighereducation.com/book/?isbn=9780399581731"><em><span style="font-weight:400;">Falastin</span></em></a><span style="font-weight:400;">. In this episode of Knowledge and its Producers, we think about how food is in itself a way to preserve heritage and document how it changes over time, a stark contrast to academia. Together, we think about how to write about labor, the place of cookbooks in  modern society and what it is to document something like food.</span></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/22812/e3aff920-ad47-4b7f-aee3-fa1b9b9c28e9/Knowledge-And-Its-Producers-Ep-07-22.05.27a.mp3" length="121683507"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Sami Tamimi and Tara Wigley are the authors of the cookbook Falastin. In this episode of Knowledge and its Producers, we think about how food is in itself a way to preserve heritage and document how it changes over time, a stark contrast to academia. Together, we think about how to write about labor, the place of cookbooks in  modern society and what it is to document something like food.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>00:50:41</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Mohamed ElShahed]]>
                </title>
                <pubDate>Tue, 19 Oct 2021 21:06:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/mohamed-elshahed</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/mohamed-elshahed</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">When you think of a researcher, most people think of professors in universities. When you think of academic books, you think of books with chapters. Our guest today, Mohamed ElShahed, disrupts these assumptions and does it with an urban history flair. Mohamed ElShahed is an independent historian and curator and is well known for his website Cairobserver. We’re going to be talking to him about his book today, "Cairo Since 1900: An Architectural Guide" out now from the American University in Cairo Press. Music by Blue Dot Sessions.</span></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[When you think of a researcher, most people think of professors in universities. When you think of academic books, you think of books with chapters. Our guest today, Mohamed ElShahed, disrupts these assumptions and does it with an urban history flair. Mohamed ElShahed is an independent historian and curator and is well known for his website Cairobserver. We’re going to be talking to him about his book today, "Cairo Since 1900: An Architectural Guide" out now from the American University in Cairo Press. Music by Blue Dot Sessions.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Mohamed ElShahed]]>
                </itunes:title>
                                    <itunes:episode>6</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">When you think of a researcher, most people think of professors in universities. When you think of academic books, you think of books with chapters. Our guest today, Mohamed ElShahed, disrupts these assumptions and does it with an urban history flair. Mohamed ElShahed is an independent historian and curator and is well known for his website Cairobserver. We’re going to be talking to him about his book today, "Cairo Since 1900: An Architectural Guide" out now from the American University in Cairo Press. Music by Blue Dot Sessions.</span></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/22812%2Fc494c797-0d29-433d-9492-31988f6fa8bd%2FKnowledge-and-its-Producers-EP-6-V2.mp3" length="113821657"
                        type="audio/mpeg">
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                                <itunes:summary>
                    <![CDATA[When you think of a researcher, most people think of professors in universities. When you think of academic books, you think of books with chapters. Our guest today, Mohamed ElShahed, disrupts these assumptions and does it with an urban history flair. Mohamed ElShahed is an independent historian and curator and is well known for his website Cairobserver. We’re going to be talking to him about his book today, "Cairo Since 1900: An Architectural Guide" out now from the American University in Cairo Press. Music by Blue Dot Sessions.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>00:59:16</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Contingent Magazine w/Erin Bartram & Marc Reyes]]>
                </title>
                <pubDate>Tue, 21 Sep 2021 20:37:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/contingent-magazine-werin-bartram-marc-reyes</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/contingent-magazine-werin-bartram-marc-reyes</link>
                                <description>
                                            <![CDATA[<p>Today we will be talking to the founders and editors of Contingent Magazine, Marc Reyes and Erin Bartram. Contingent aims at making history accessible to all while supporting academics who don’t have job security. I hope you enjoy talking to them as much as I do; there’s a lot of laughter in this interview. Bill Black is also a co-founder of Contingent Magazine, but he wasn’t available for this interview.</p>
<p><strong>Credits:</strong><br /><span style="font-weight:400;">Our theme music is by Blue Dot Sessions.<br /></span>This episode was audio edited by Sophie Potts</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Today we will be talking to the founders and editors of Contingent Magazine, Marc Reyes and Erin Bartram. Contingent aims at making history accessible to all while supporting academics who don’t have job security. I hope you enjoy talking to them as much as I do; there’s a lot of laughter in this interview. Bill Black is also a co-founder of Contingent Magazine, but he wasn’t available for this interview.
Credits:Our theme music is by Blue Dot Sessions.This episode was audio edited by Sophie Potts]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Contingent Magazine w/Erin Bartram & Marc Reyes]]>
                </itunes:title>
                                    <itunes:episode>5</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p>Today we will be talking to the founders and editors of Contingent Magazine, Marc Reyes and Erin Bartram. Contingent aims at making history accessible to all while supporting academics who don’t have job security. I hope you enjoy talking to them as much as I do; there’s a lot of laughter in this interview. Bill Black is also a co-founder of Contingent Magazine, but he wasn’t available for this interview.</p>
<p><strong>Credits:</strong><br /><span style="font-weight:400;">Our theme music is by Blue Dot Sessions.<br /></span>This episode was audio edited by Sophie Potts</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/Knowledge-and-its-Producers-EP5.mp3" length="153031596"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Today we will be talking to the founders and editors of Contingent Magazine, Marc Reyes and Erin Bartram. Contingent aims at making history accessible to all while supporting academics who don’t have job security. I hope you enjoy talking to them as much as I do; there’s a lot of laughter in this interview. Bill Black is also a co-founder of Contingent Magazine, but he wasn’t available for this interview.
Credits:Our theme music is by Blue Dot Sessions.This episode was audio edited by Sophie Potts]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>01:19:41</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Jean Druel]]>
                </title>
                <pubDate>Mon, 26 Jul 2021 13:43:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/jean-druel</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/jean-druel</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">Our guest today is Jean Druel, who is a member of the Dominican Order, a member of the Dominican Order (a part of the Catholic Church) who lives in Cairo. After a Master’s Degree in theology and Coptic patrology, he graduated in Teaching Arabic as Foreign Language at the American University of Cairo. In 2012, he completed a PhD thesis in the history of Arabic grammar at the University of Nijmegen, in the Netherlands titled “Numerals in Arabic grammatical theory.” He managed the 200 Project (2013‒2016), which aimed to historically contextualize the works of 200 authors of the Arab Islamic heritage. He served as director of the Dominican Institute for Oriental Studies (IDEO) in Cairo between 2014 and 2020. He currently studies a manuscript of Sībawayh’s (180/796?) Kitāb that has never been edited.</span></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Our guest today is Jean Druel, who is a member of the Dominican Order, a member of the Dominican Order (a part of the Catholic Church) who lives in Cairo. After a Master’s Degree in theology and Coptic patrology, he graduated in Teaching Arabic as Foreign Language at the American University of Cairo. In 2012, he completed a PhD thesis in the history of Arabic grammar at the University of Nijmegen, in the Netherlands titled “Numerals in Arabic grammatical theory.” He managed the 200 Project (2013‒2016), which aimed to historically contextualize the works of 200 authors of the Arab Islamic heritage. He served as director of the Dominican Institute for Oriental Studies (IDEO) in Cairo between 2014 and 2020. He currently studies a manuscript of Sībawayh’s (180/796?) Kitāb that has never been edited.]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Jean Druel]]>
                </itunes:title>
                                    <itunes:episode>4</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">Our guest today is Jean Druel, who is a member of the Dominican Order, a member of the Dominican Order (a part of the Catholic Church) who lives in Cairo. After a Master’s Degree in theology and Coptic patrology, he graduated in Teaching Arabic as Foreign Language at the American University of Cairo. In 2012, he completed a PhD thesis in the history of Arabic grammar at the University of Nijmegen, in the Netherlands titled “Numerals in Arabic grammatical theory.” He managed the 200 Project (2013‒2016), which aimed to historically contextualize the works of 200 authors of the Arab Islamic heritage. He served as director of the Dominican Institute for Oriental Studies (IDEO) in Cairo between 2014 and 2020. He currently studies a manuscript of Sībawayh’s (180/796?) Kitāb that has never been edited.</span></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/Knowledge-and-its-Producers-EP6.mp3" length="101213631"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Our guest today is Jean Druel, who is a member of the Dominican Order, a member of the Dominican Order (a part of the Catholic Church) who lives in Cairo. After a Master’s Degree in theology and Coptic patrology, he graduated in Teaching Arabic as Foreign Language at the American University of Cairo. In 2012, he completed a PhD thesis in the history of Arabic grammar at the University of Nijmegen, in the Netherlands titled “Numerals in Arabic grammatical theory.” He managed the 200 Project (2013‒2016), which aimed to historically contextualize the works of 200 authors of the Arab Islamic heritage. He served as director of the Dominican Institute for Oriental Studies (IDEO) in Cairo between 2014 and 2020. He currently studies a manuscript of Sībawayh’s (180/796?) Kitāb that has never been edited.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>00:52:42</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[M. Lynx Qualey]]>
                </title>
                <pubDate>Tue, 11 May 2021 16:14:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/m-lynx-qualey</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/m-lynx-qualey</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">Our guest today is M. Lynx Qualey. We’re going to be talking about everything from translation to KDrama to work-life balance to the idea of guilty pleasures. Qualey is founding editor of the ‘ArabLit’ website (</span><a href="http://www.arablit.org/"><span style="font-weight:400;">www.arablit.org</span></a><span style="font-weight:400;">), which won a 2017 London Book Fair “Literary Translation Initiative” prize. She also publishes the experimental </span><em><span style="font-weight:400;">ArabLit Quarterly </span></em><span style="font-weight:400;">magazine and is co-host of the Bulaq podcast. Her co-translation of the middle-grade novel </span><em><span style="font-weight:400;">Ghady and Rawan </span></em><span style="font-weight:400;">was published in August 2019 by University of Texas Press, and her translation Sonia Nimr’s </span><em><span style="font-weight:400;">Wondrous Journeys in Strange Lands </span></em><span style="font-weight:400;">was published in 2020 by Interlink. She writes for a variety of popular publications. We’re going to start by talking about ArabLit Quarterly. </span></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Our guest today is M. Lynx Qualey. We’re going to be talking about everything from translation to KDrama to work-life balance to the idea of guilty pleasures. Qualey is founding editor of the ‘ArabLit’ website (www.arablit.org), which won a 2017 London Book Fair “Literary Translation Initiative” prize. She also publishes the experimental ArabLit Quarterly magazine and is co-host of the Bulaq podcast. Her co-translation of the middle-grade novel Ghady and Rawan was published in August 2019 by University of Texas Press, and her translation Sonia Nimr’s Wondrous Journeys in Strange Lands was published in 2020 by Interlink. She writes for a variety of popular publications. We’re going to start by talking about ArabLit Quarterly. ]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[M. Lynx Qualey]]>
                </itunes:title>
                                    <itunes:episode>3</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">Our guest today is M. Lynx Qualey. We’re going to be talking about everything from translation to KDrama to work-life balance to the idea of guilty pleasures. Qualey is founding editor of the ‘ArabLit’ website (</span><a href="http://www.arablit.org/"><span style="font-weight:400;">www.arablit.org</span></a><span style="font-weight:400;">), which won a 2017 London Book Fair “Literary Translation Initiative” prize. She also publishes the experimental </span><em><span style="font-weight:400;">ArabLit Quarterly </span></em><span style="font-weight:400;">magazine and is co-host of the Bulaq podcast. Her co-translation of the middle-grade novel </span><em><span style="font-weight:400;">Ghady and Rawan </span></em><span style="font-weight:400;">was published in August 2019 by University of Texas Press, and her translation Sonia Nimr’s </span><em><span style="font-weight:400;">Wondrous Journeys in Strange Lands </span></em><span style="font-weight:400;">was published in 2020 by Interlink. She writes for a variety of popular publications. We’re going to start by talking about ArabLit Quarterly. </span></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/Knowledge-and-its-Producers-EP3.mp3" length="115589525"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Our guest today is M. Lynx Qualey. We’re going to be talking about everything from translation to KDrama to work-life balance to the idea of guilty pleasures. Qualey is founding editor of the ‘ArabLit’ website (www.arablit.org), which won a 2017 London Book Fair “Literary Translation Initiative” prize. She also publishes the experimental ArabLit Quarterly magazine and is co-host of the Bulaq podcast. Her co-translation of the middle-grade novel Ghady and Rawan was published in August 2019 by University of Texas Press, and her translation Sonia Nimr’s Wondrous Journeys in Strange Lands was published in 2020 by Interlink. She writes for a variety of popular publications. We’re going to start by talking about ArabLit Quarterly. ]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>01:00:10</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Vanessa Taylor]]>
                </title>
                <pubDate>Tue, 13 Apr 2021 12:47:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/vanessa-taylor</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/vanessa-taylor</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">Our guest today on Knowledge and its Producers is Vanessa Taylor. She is the founding editor of the </span><a href="https://medium.com/the-drinking-gourd"><span style="font-weight:400;">Drinking Gourd </span></a><span style="font-weight:400;">magazine, and she edits a newsletter called </span><a href="https://nazar.substack.com/"><span style="font-weight:400;">Nazar</span></a><span style="font-weight:400;">, which tackles issues of surveillance and the Muslim community in the United States. She is a </span><a href="https://taylorv.contently.com/"><span style="font-weight:400;">writer and journalist</span></a><span style="font-weight:400;">, tackling topics such as Black Muslim womanhood, Muslim American politics, Afrofuturism, surveillance, and more. Our interview is going to range from the more abstract to the more concrete, the more personal: what is writing like for Vanessa? How much do institutions matter? What can we do to challenge them?</span> This show is generously funded by the Henry Luce Foundation.</p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[Our guest today on Knowledge and its Producers is Vanessa Taylor. She is the founding editor of the Drinking Gourd magazine, and she edits a newsletter called Nazar, which tackles issues of surveillance and the Muslim community in the United States. She is a writer and journalist, tackling topics such as Black Muslim womanhood, Muslim American politics, Afrofuturism, surveillance, and more. Our interview is going to range from the more abstract to the more concrete, the more personal: what is writing like for Vanessa? How much do institutions matter? What can we do to challenge them? This show is generously funded by the Henry Luce Foundation.]]>
                </itunes:subtitle>
                                <itunes:title>
                    <![CDATA[Vanessa Taylor]]>
                </itunes:title>
                                    <itunes:episode>2</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">Our guest today on Knowledge and its Producers is Vanessa Taylor. She is the founding editor of the </span><a href="https://medium.com/the-drinking-gourd"><span style="font-weight:400;">Drinking Gourd </span></a><span style="font-weight:400;">magazine, and she edits a newsletter called </span><a href="https://nazar.substack.com/"><span style="font-weight:400;">Nazar</span></a><span style="font-weight:400;">, which tackles issues of surveillance and the Muslim community in the United States. She is a </span><a href="https://taylorv.contently.com/"><span style="font-weight:400;">writer and journalist</span></a><span style="font-weight:400;">, tackling topics such as Black Muslim womanhood, Muslim American politics, Afrofuturism, surveillance, and more. Our interview is going to range from the more abstract to the more concrete, the more personal: what is writing like for Vanessa? How much do institutions matter? What can we do to challenge them?</span> This show is generously funded by the Henry Luce Foundation.</p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/Knowledge-and-its-Producers-EP2.mp3" length="95356566"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[Our guest today on Knowledge and its Producers is Vanessa Taylor. She is the founding editor of the Drinking Gourd magazine, and she edits a newsletter called Nazar, which tackles issues of surveillance and the Muslim community in the United States. She is a writer and journalist, tackling topics such as Black Muslim womanhood, Muslim American politics, Afrofuturism, surveillance, and more. Our interview is going to range from the more abstract to the more concrete, the more personal: what is writing like for Vanessa? How much do institutions matter? What can we do to challenge them? This show is generously funded by the Henry Luce Foundation.]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>00:49:38</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
                            </item>
                    <item>
                <title>
                    <![CDATA[Sato Moughalian]]>
                </title>
                <pubDate>Mon, 15 Mar 2021 12:21:00 +0000</pubDate>
                <dc:creator>N.A. Mansour</dc:creator>
                <guid isPermaLink="true">
                    https://knowledge-and-its-producers.castos.com/podcasts/22812/episodes/sato-moughalian</guid>
                                    <link>https://knowledge-and-its-producers.castos.com/episodes/sato-moughalian</link>
                                <description>
                                            <![CDATA[<p><span style="font-weight:400;">CW: References to the Armenian Genocide</span></p>
<p><span style="font-weight:400;">Sato Moughalian is one of those people who can do drastically different things well. She is, to my mind, everything a professional historian should be. Sensitive. Kind. Fearless. Detail-oriented. She’s also a professional flutist and is the artistic director of Perspectives Ensemble, which is a chamber group. She’s invested in documenting her people’s history, musical, material and more. We’ll be talking about, amongst other topics, her recent book, out 2019 from Stanford University Press’ imprint Redwood Press, about her grandfather, the artist, entrepreneur, and ceramicist David Ohannessian, </span><a href="https://www.sup.org/books/title/?id=28630"><em><span style="font-weight:400;">Feast of Ashes: The Life and Art of David Ohannessian</span></em></a><em><span style="font-weight:400;">.</span></em><span style="font-weight:400;"> It was nominated for a Pen/Jacqueline Bograd Weld Award for Biography and was a finalist for the Prose Award in Biography and Autobiography. </span><em><span style="font-weight:400;">Feast of Ashes</span></em><span style="font-weight:400;"> tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. The book begins and ends with his granddaughrer, Sato Moughalian and her experiences as an artist and as a historian of this important narrative.</span><span style="font-weight:400;"> Moughalian is now working on a second book. </span></p>
<p><span style="font-weight:400;">Welcome to Knowledge and its Producers is a limited series from the Maydan produced by </span><a href="http://twitter.com/NAMansour26"><span style="font-weight:400;"> </span><span style="font-weight:400;">NA Mansour</span></a><span style="font-weight:400;">. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures.</span></p>
<p><strong>Sato’s Performances</strong></p>
<p><a href="https://youtu.be/DYmM-LE2-OA"><span style="font-weight:400;">https://youtu.be/DYmM-LE2-OA</span></a></p>
<p><a href="https://youtu.be/0llYDha2x2o"><span style="font-weight:400;">https://youtu.be/0llYDha2x2o</span></a></p>
<p><a href="https://youtu.be/3mxLlBcaFB8"><span style="font-weight:400;">https://youtu.be/3mxLlBcaFB8</span></a></p>
<p><strong>Sato’s album Oror (With Alyssa Reit)</strong></p>
<p><a href="https://open.spotify.com/artist/42DWrOBVeKlJCS6zaunSCL"><span style="font-weight:400;">On Spotify</span></a></p>
<p><a href="https://youtube.com/channel/UCOcJW3gdAG13SlMaowANTNg"><span style="font-weight:400;">On YouTube</span></a></p>
<p><a href="https://music.apple.com/us/artist/sato-moughalian/262543312"><span style="font-weight:400;">On Apple Music</span></a></p>]]>
                                    </description>
                <itunes:subtitle>
                    <![CDATA[CW: References to the Armenian Genocide
Sato Moughalian is one of those people who can do drastically different things well. She is, to my mind, everything a professional historian should be. Sensitive. Kind. Fearless. Detail-oriented. She’s also a professional flutist and is the artistic director of Perspectives Ensemble, which is a chamber group. She’s invested in documenting her people’s history, musical, material and more. We’ll be talking about, amongst other topics, her recent book, out 2019 from Stanford University Press’ imprint Redwood Press, about her grandfather, the artist, entrepreneur, and ceramicist David Ohannessian, Feast of Ashes: The Life and Art of David Ohannessian. It was nominated for a Pen/Jacqueline Bograd Weld Award for Biography and was a finalist for the Prose Award in Biography and Autobiography. Feast of Ashes tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. The book begins and ends with his granddaughrer, Sato Moughalian and her experiences as an artist and as a historian of this important narrative. Moughalian is now working on a second book. 
Welcome to Knowledge and its Producers is a limited series from the Maydan produced by  NA Mansour. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures.
Sato’s Performances
https://youtu.be/DYmM-LE2-OA
https://youtu.be/0llYDha2x2o
https://youtu.be/3mxLlBcaFB8
Sato’s album Oror (With Alyssa Reit)
On Spotify
On YouTube
On Apple Music]]>
                </itunes:subtitle>
                                    <itunes:episodeType>full</itunes:episodeType>
                                <itunes:title>
                    <![CDATA[Sato Moughalian]]>
                </itunes:title>
                                    <itunes:episode>1</itunes:episode>
                                                <itunes:explicit>false</itunes:explicit>
                <content:encoded>
                    <![CDATA[<p><span style="font-weight:400;">CW: References to the Armenian Genocide</span></p>
<p><span style="font-weight:400;">Sato Moughalian is one of those people who can do drastically different things well. She is, to my mind, everything a professional historian should be. Sensitive. Kind. Fearless. Detail-oriented. She’s also a professional flutist and is the artistic director of Perspectives Ensemble, which is a chamber group. She’s invested in documenting her people’s history, musical, material and more. We’ll be talking about, amongst other topics, her recent book, out 2019 from Stanford University Press’ imprint Redwood Press, about her grandfather, the artist, entrepreneur, and ceramicist David Ohannessian, </span><a href="https://www.sup.org/books/title/?id=28630"><em><span style="font-weight:400;">Feast of Ashes: The Life and Art of David Ohannessian</span></em></a><em><span style="font-weight:400;">.</span></em><span style="font-weight:400;"> It was nominated for a Pen/Jacqueline Bograd Weld Award for Biography and was a finalist for the Prose Award in Biography and Autobiography. </span><em><span style="font-weight:400;">Feast of Ashes</span></em><span style="font-weight:400;"> tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. The book begins and ends with his granddaughrer, Sato Moughalian and her experiences as an artist and as a historian of this important narrative.</span><span style="font-weight:400;"> Moughalian is now working on a second book. </span></p>
<p><span style="font-weight:400;">Welcome to Knowledge and its Producers is a limited series from the Maydan produced by </span><a href="http://twitter.com/NAMansour26"><span style="font-weight:400;"> </span><span style="font-weight:400;">NA Mansour</span></a><span style="font-weight:400;">. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures.</span></p>
<p><strong>Sato’s Performances</strong></p>
<p><a href="https://youtu.be/DYmM-LE2-OA"><span style="font-weight:400;">https://youtu.be/DYmM-LE2-OA</span></a></p>
<p><a href="https://youtu.be/0llYDha2x2o"><span style="font-weight:400;">https://youtu.be/0llYDha2x2o</span></a></p>
<p><a href="https://youtu.be/3mxLlBcaFB8"><span style="font-weight:400;">https://youtu.be/3mxLlBcaFB8</span></a></p>
<p><strong>Sato’s album Oror (With Alyssa Reit)</strong></p>
<p><a href="https://open.spotify.com/artist/42DWrOBVeKlJCS6zaunSCL"><span style="font-weight:400;">On Spotify</span></a></p>
<p><a href="https://youtube.com/channel/UCOcJW3gdAG13SlMaowANTNg"><span style="font-weight:400;">On YouTube</span></a></p>
<p><a href="https://music.apple.com/us/artist/sato-moughalian/262543312"><span style="font-weight:400;">On Apple Music</span></a></p>]]>
                </content:encoded>
                                    <enclosure url="https://episodes.castos.com/604f86479f4db9-63761145/Knowledge-and-its-Producers-EP1-revised.mp3" length="128291787"
                        type="audio/mpeg">
                    </enclosure>
                                <itunes:summary>
                    <![CDATA[CW: References to the Armenian Genocide
Sato Moughalian is one of those people who can do drastically different things well. She is, to my mind, everything a professional historian should be. Sensitive. Kind. Fearless. Detail-oriented. She’s also a professional flutist and is the artistic director of Perspectives Ensemble, which is a chamber group. She’s invested in documenting her people’s history, musical, material and more. We’ll be talking about, amongst other topics, her recent book, out 2019 from Stanford University Press’ imprint Redwood Press, about her grandfather, the artist, entrepreneur, and ceramicist David Ohannessian, Feast of Ashes: The Life and Art of David Ohannessian. It was nominated for a Pen/Jacqueline Bograd Weld Award for Biography and was a finalist for the Prose Award in Biography and Autobiography. Feast of Ashes tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. The book begins and ends with his granddaughrer, Sato Moughalian and her experiences as an artist and as a historian of this important narrative. Moughalian is now working on a second book. 
Welcome to Knowledge and its Producers is a limited series from the Maydan produced by  NA Mansour. In each episode, we’ll be talking to people who are at the forefront of knowledge production, typically away from the traditional educational power structures.
Sato’s Performances
https://youtu.be/DYmM-LE2-OA
https://youtu.be/0llYDha2x2o
https://youtu.be/3mxLlBcaFB8
Sato’s album Oror (With Alyssa Reit)
On Spotify
On YouTube
On Apple Music]]>
                </itunes:summary>
                                    <itunes:image href="https://episodes.castos.com/604f86479f4db9-63761145/images/Knowledge-Producers-logo.png"></itunes:image>
                                                                            <itunes:duration>01:06:47</itunes:duration>
                                                    <itunes:author>
                    <![CDATA[N.A. Mansour]]>
                </itunes:author>
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            </channel>
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